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All Journal Capture : Jurnal Seni Media Rekam Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Widya Aksara: Jurnal Agmaa Hindu
Ketut Gura Arta Laras
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Religion Arts Humanities Education Environmental Science Health Professions Medicine & Pharmacology Public Health

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DIGITISASI LONTAR MUSEUM NASKAH LONTAR DESA ADAT DUKUH PENABAN, KECAMATAN KARANGASEM, KABUPATEN KARANGASEM, BALI Ketut Gura Arta Laras
Widya Aksara Vol 26 No 1 (2021)
Publisher : Lembaga Penerbit Sekolah Tinggi Hindu Dharma Klaten

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan digitisasi lontar Musium Naskah Lontar Desa Adat Dukuh Penaban, Kecamatan Karangasem, Kabupaten Karangasem, Bali untuk penyelamatan transkrip dan naskah lontar yang merupakan salah satu bentuk usaha pelestarian naskah lontar mengingat kondisi lontar yang ada sangat memprihatinkan, sehingga perlu dilestarikan dengan membutuhkan penanganan khusus. Lontar adalah sebuah naskah kuno yang ditulis di atas daun lontar yang tulisannya menggunakan aksara dan bahasa Kawi Jawa Kuno atau Bali. Keberadaan lontar di Karangasem dan di Bali pada umumnya masih cukup banyak bahkan tak jarang lontar dijadikan benda yang disakralkan. Musium Naskah Lontar Desa Adat Dukuh Penaban memiliki hampir 700 cakep dan ribuan salinan isi naskah lontar yang memuat tentang naskah pengobatan, silsilah atau sejarah, arsitektur, kepemimpinan, kuliner, permainan, pertanian, dan karya sastra. Metode yang digunakan dalam digitisasi lontar adalah metode pengalihmediaan naskah lontar ke dalam bentuk digital dengan menggunakan metode partisipatoris. Metode ini dilakukan oleh para pengelola museum dengan materi pelatihan penguasaan kamera, pencahayaan, operasional meja reprograf, dan penyuntingan file digital untuk kebutuhan museum serta pembuatan e-book. Kata Kunci : Museum, Lontar, Digitisasi, Partisipatoris, dan Pelestarian
Visualisasi Teknik Kolase Dalam Fotografi Ekspresi "Gurat Karat" Ketut Gura Arta Laras
Ornamen Vol 7, No 2 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1732.269 KB) | DOI: 10.33153/ornamen.v7i2.989

Abstract

The selection of photography work object wes not elways inthe beautiful shape. The uniqueness of an object could become its ownattraction end inspiration in creating the photogrephy work. The expres~sion of the composition and vlsuelizetion in a work art became the char~acteristlc of the artist himself.Gural Kerat was a concept of pt1otogrephy work ert which ex~plored the shepe, texture and color of the rust of mete!, especleily inthe rust of iron. We could explore the simple items in our surroundngwhich were not longer used and a/reedy broken. The iron which wasrusted hed its own uniqueness and attraction to obseNe. The chengeof the characteristic and the shape was vety contrast. Before beingrusted, the surface of the iron would be smooth, but after being rusted,the surface would be rough and the color would chenge. It wes a resultof rusting process of the iron itself. The phenomenon eventually stimu~lated the researcher to teke the rust theme of the iron es an object inthis photography work art creation.In arranging this photography work, the researcher used es-thetictheory of Monroe Beardsley which listed three basic estheticcharacteristics as follow: unity, intensity end complexity.The visual work in 3D display created the imege of space anddimension in this work. Colese technique was used in creating this workby combining 2D photography work and the object in the original itemin the photography work itself, or using the construction which was suit~able with the stuck object which was adjusted with the weight of thatobject. In e displey, this work was not only enjoyed by the sense of sightbut also the sanse of touch since the texture in this work art could betouch.Keywords : Expressie Pl1otogrephy, Rust, and Collage
VISUALISASI TEKNIK KOLASE DALAM FOTOGRAFI EKSPRESI GURAT KARAT Ketut Gura Arta Laras
Capture : Jurnal Seni Media Rekam Vol 2, No 1 (2010)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4379.537 KB) | DOI: 10.33153/capture.v2i1.527

Abstract

The selection of photography work object was not always in the beautiful shape. The uniqueness of an object could become its own attraction and inspiration in creating the photography work. The expression of the composition and visualization in a work art became the characteristic of the artist himself. Gurat Karat was a concept of photography work art which explored the shape, texture and color of the rust of metal, especially in the rust of iron. We could explore the simple items in our surrounding which were not longer used and already broken. The iron which was rusted had its own uniqueness and attraction to observe. The change of the characteristic and the shape was v ery contrast. Before being rusted, the surface of the iron would be smooth, but after being rusted, the surface would be rough and the color would change. It was a result of rusting process of the iron itself. The phenomenon eventually stimulated the researcher to take the rust theme of the iron as an object in this photography work art creation. In arranging this photography work, the researcher used esthetic theory of Monroe Beardsley which listed three basic esthetic charac teristics as follow: unity, intensity and complexity. The visual work in 3D display created the image of space and dimension in this work. Colase technique was used in creating this work by combining 2D photography work and the object in the original item in the photography work itself, or using the construction which was suitable with the stuck object which was adjusted with the weight of that object. In a display, this work was not only enjoyed by the sense of sight but also the sense of touch since the texture in this work art could be touch.Keywords : Expressie Photography, Rust, and Collage
Peran Karang Taruna dalam Penguatan UMKM Melalui Media Fotografi di Kelurahan Jebres Priaji Iman Prakoso; Kristina Novi Susanti; Ketut Gura Arta Laras
ABDI: Jurnal Pengabdian dan Pemberdayaan Masyarakat Vol 5 No 2 (2023): Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat
Publisher : Labor Jurusan Sosiologi, Fakultas Ilmu Sosial, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/abdi.v5i2.462

Abstract

Banyak pelaku UMKM yang muncul karena potensinya yang luas dan telah berkontribusi dalam kegiatan ekonomi Indonesia. Akan tetapi, mayoritas pelaku UMKM berada pada usia lanjut yang kurang memahami teknologi, sementara kebutuhan akan teknologi terus meningkat. Di sisi lain, karang taruna yang merupakan wadah bagi generasi muda untuk tumbuh dan berkembang, memiliki peran untuk mengembangkan kegiatan ekonomi dengan pendayagunaan semua potensi sumber daya manusia maupun alam. Menjadi sumber daya yang dapat menunjang potensi UMKM melalui pemahamannya di bidang teknologi, khususnya fotografi. Pendampingan fotografi produk menggunakan teknologi tepat guna terhadap karang taruna Kelurahan Jebres, dapat menjadi strategi promosi produk UMKM dalam meningkatkan minat beli calon konsumen. Karang taruna dapat bersinergi dengan pelaku UMKM dalam menguatkan potensi ekonomi di Kelurahan Jebres.
Co-Authors Kristina Novi Susanti Priaji Iman Prakoso