Garuda - Garba Rujukan Digital

WARUNG KOPI, MEDIA DAN KONSTRUKSI RUANG PUBLIK DI MAKASSAR Faisal, Andi; Putra, Heddy Shri Ahimsa; Nugraha, Wisma Ch. R.
Journal Communication Spectrum : Capturing New Perspectives in Communication Vol 7, No 2 (2017): August 2017 - January 2018
Publisher : Department of Communication Science, Bakrie University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36782/jcs.v7i2.1839

In the last 15 years, especially in Makassar, there was a tendency for private and public activities at coffee shops. This study aims to reveal the practices and power relations that shape the reality of the public space of coffee shops in Makassar, both as public space and as a public sphere by using ethnographic methods and cultural studies analysis approach. The primary data collection was carried out through participant observation and in-depth interviews, while secondary data through note-taking techniques and photo documentation. The results showed that mass media had a significant role in shaping the reality of coffee shops. Strategic coalitions between coffee shop owners, radio stations (such as Mercurius FM and Fajar FM) and coffee connoisseurs have an impact on the commodification of public spaces in coffee shops. Print media such as Fajar and Tribun Timur also contribute in constructing reality with its own framing to obtain "news value that sells". Therefore, coffee shops in Makassar are not merely becoming spaces of (social) politics, but are also politicized through the politics of space for the benefit of each party.

VIABILITAS RAGAM HIAS SULUR GELUNG TERATAI Akhmad Nizam; Wisma Nugraha Ch R.; SP. Gustami
Corak : Jurnal Seni Kriya Vol 8, No 2 (2019): NOVEMBER 2019
Publisher : Institut Seni Indonesia Yogyakarta

The walls of Hindu and Buddhist temples in Java are often found in the carved ornament of lotus plants that is grown from tubers or urns. In early period of Islam in Java, the existence of this decorative variety remained. Based on the books of the Hindu Purana, there is an explanation of the concept of the the universe creations embodied in the form of lotus scrolls. Meanwhile, from the old manuscripts belonging to the Wali, although limited in the scope of Sufism of the Tarekat Syaththariyah there is an explanation of the lotus with the name of the Tunjung flower. This article discusses the concept of creating works of art based on the theory of adaptation by Linda Hutcheon in his book: A Theory of Adaptation. The discussion is more emphasized on the visual aesthetic aspects contained in Lara Jonggrang Prambanan temple in Kalasan Yogyakarta, Surowono Temple in Kediri East Java and Sunan Drajat tomb in Lamongan, East Java. The ornamental variety, whose concept of creation was adapted from Purana books of Hindu, was in early Islam believed to follow the theoretical procedures, as well as in later times, but the philosophical meaning may be less well known. Keywords: ornament, sulur gelung, padmamūla, tunjung Dinding candi-candi Hindu dan Buddha di Jawa, sering ditemukan pahatan ragam hias sulur tumbuhan teratai yang tumbuh dari bonggol atau guci bergelung-gelung. Pada masa Islam awal, eksistensi ragam hias ini tetap bertahan. Berdasarkan kitab-kitab Purana Hindu, terdapat penjelasan mengenai konsep pembentangan alam semesta yang diwujudkan dalam bentuk gulungan teratai. Sementara itu, dari naskah lama milik para Wali, meskipun terbatas dalam lingkup tasawuf Tarekat Syaththariyah terdapat penjelasan mengenai teratai dengan nama bunga tunjung. Artikel ini membahas tentang konsep penciptaan karya seni berdasarkan teori adaptasi oleh Linda Hutcheon dalam bukunya: A Theory of Adaptation. Pembahasan lebih ditekankan pada aspek-aspek estetis visual yang terdapat di candi Lara Jonggrang Prambanan di Kalasan Yogyakarta, Candi Surowono di Kediri Jawa Timur dan makam Sunan Drajat di Lamongan Jawa Timur. Ragam hias tersebut, yang konsep penciptaannya diadaptasi dari kitab-kitab purana Hindu, maka pada masa Islam awal diyakini mengikuti prosedur teori tersebut, begitu juga pada masa berikutnya, tetapi makna filosofisnya mungkin kurang begitu dikenal. Kata kunci: ragam hias, sulur gelung, padmamūla, tunjung

Jula-Juli Pandalungan dan Surabayan Ekspresi Budaya Jawa-Madura dan Jawa Kota Aris Setiawan; Suyanto Suyanto; Wisma Nugraha Ch. R.
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 18, No 1 (2017): April 2017
Publisher : Institut Seni Indonesia Yogyakarta

Jula-juli dianggap sebagai salah satu gending di Jawa Timur yang mampu mencerminkan ciri khas-karakter musikal masyarakat Jawatimuran. Pandangan ini diperoleh karena hampir setiap wilayah di Jawa Timur menggunakan gending ini sebagai identitas musikal mereka. Indikasinya, nama gending Jula-juli senantiasa diikuti oleh nama wilayah di Jawa Timur, semisal Jula-juli Surabayan, Pandalungan, Jombangan, Malangan, dan lain sebagainya. Uniknya, walaupun gending ini memiliki kerangka musikal yang sama, namun mampu memunculkan kesan, karakter, nuansa dan suasana yang berbeda antar satu daerah dengan yang lain. Penelitian ini bertujuan untuk mengungkap hubungan yang dibangun antara Jula-juli Pandalungan dan Surabayan sebagai fakta musikal dengan dimensi pengalaman pelakunya sebagai fakta kultural. Penelitian ini menggunakan pendekatan estetik dan sosiologi musik. Berdasarkan penelitian dapat disimpulkan bahwa Jula-juli Pandalungan adalah representasi dari masyarakat keturunan Jawa-Madura dalam upaya menjadi Jawa sejati, sementara Jula-juli Surabayan adalah pengkultusan dari karakter budaya kota. Keduanya dapat menyatu sebagai entitas musikal dalam pertunjukan dan menjadi wacana perlawanan antara dominasi Jawa dan masyarakat pendatang. Jula-Juli Pandalungan and Surabayan: The Expression of Javanese-Madurese and Javanese Urban Culture. Jula-juli is considered as one of gending (traditional music) pieces in East Java which is able to reflect its musical characteristic of Jawatimuran society. This opinion gained by the fact that almost every region in East Java uses this gending as their musical identity. The indication points out the name of Jula-juli gending which is followed by the name of region of East Java, for instances Jula-juli Surabayan, Pandalungan, Jombangan, Malangan, etc. Although the unique thing of this gending has samilar musical frame among those regions, but it is capable to emerge such as sense, character, nuance, and different atmosphere among the regions. This research is aimed to reveal the relation which is built between Jula-juli Pandalungan and Surabayan as the musical fact to the dimension of the experiences owned by the subjects as the cultural fact. This research applies approaches of estetic and of sociological of music. The result of the research shows that Jula-juli Pandalungan is the representation of the society of Javanese-Madurese generation for the effort as being the true Javanese, meanwhile Jula-juli Surabayan is the form of cult from the character of urban culture. Both are able to unite as the musical entity on a performance, but on the other hand, it can be the resistance discourse between Javanese domination and migrant community.

Rama sebagai penjaga kehidupan dalam relief Ramayana Prambanan Hanggar Budi Prasetya; Wisma Nugraha Christianta
Jurnal Kawistara Vol 6, No 3 (2016)
Publisher : Universitas Gadjah Mada

This study describes four reliefs of Ramayana Prambanan which depicts the event that Ade beenexperienced and performed by Rama as affirmation that he is the incarnation of Vishnu ―the god of thepreserver. The designer and sculptor of those reliefs considered that this event was important. Fromthe twenty-four of Ramayana’s relief panels, there are four relief panels which depict this event. Datawas collected by observing the entire Ramayana reliefs in Shiva temple and Brahma, in the Prambanancomplex. Relief was read by using the Flat Time Space (RWD) theory and compared with the textof the Old Javanese Ramayana (RJK). RJK text was used as a comparison, because the manufactureand the writings of RJK relief were made in the same period in nine centuries. It was conceivable thatboth of them were made from the same source. Based on the result, it can be concluded that the eventperformed by Rama asserts that he is the incarnation of Vishnu. As the incarnation of Vishnu, Rama isable to purify and to preserve life.

NEGOSIASI ATAS ADAT DALAM SISTEM PELAKSANAAN TRADISI NYONGKOLAN SASAK LOMBOK Abdul Rahim; Wisma Nugraha Christianto
Jurnal Kawistara Vol 9, No 1 (2019)
Publisher : Universitas Gadjah Mada

Nyongkolan is a tradition of parading brides from the groom's home to the bride's home as the ancient Sasak noble habitus that has been crystallized into custom and implemented by all walks of Sasak society today, especially with the contemporary arts of kecimol (Cilokaq Modern Lombok) as a companion. Behind the popularity of the kecimol that is greeted enthusiastically by the community actually raises the potential for conflict. Among the most complained of congestion, eroticism, rah-rah in the streets, to conflicts with road users, residents, or fellow escort. Therefore, the indigenous consisting of Sasak nobility and religious leaders raises the discourse of banning nyongkolan using kecimol with the pretext of not according to custom, deviate from the teachings of Islam, and suggests the use of gendang beleq as a distinctive art area that became hereditary heritage. The problems arising from the ban led to contestation between the Sasak elite and the supporters of the kecimol group. How meeting point of negotiation between the repressing parties and the parties who are in the implementation of the Sasak Lombok nyongkolan tradition is studied with the perspective of Bourdieu’s social practice. The result of the negotiations raises the acceptance agreement of the kecimol as new habitus in implementation of nyongkolan tradition with the need to pay attention to order while escorting, avoiding booze and eroticism, and the use of custom symbols that reflect the Sasak identity.

Glorifying Cultural Scapes to Conflictual Tourismscapes: the Dynamics of Tourism Development in Rural Indonesia Rina Widiastuti; Wisma Nugraha Christianto Richardus; Budiawan Budiawan
E-Journal of Tourism Volume 9 Number 1 (March 2022)
Publisher : Centre of Excellence in Tourism Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24922/eot.v9i1.83518

This article discusses the cultural village transformation into a tourism village in Bejiharjo, a rural tourism destination in Indonesia. Based on the Actor-Network Theory, Bejiharjo is a space formed in a dynamic network of relationships between actors, both human and non-human actors. Using online media observation, semi-structured interviews, and direct observation, the complexity of the relations between actors in the transformation of rural development that causes aestheticisation, consumerism, translation, place-making, touristification, and cosmopolitanism in Bejiharjo is explored. The findings of this study reveal that, at first, the cultural scapes ordering of Bejiharjo should conserve local cultural values. Then, government regulations on tourism development emerged and encouraged the development of rural areas with the concept of a tourism village. This dynamic and interrelated process triggers competition between individual and group interests and causes chronic conflicts in Bejiharjo.

Discourse on Rejection of Women Leader in Yogyakarta ; Critical Discourse Analysis of Kompas Daily News Catur Nugroho; Wisma Nugraha Christianto Richardus; Sugeng Bayu Wahyono
Jurnal Pekommas Vol 6, No 2 (2021): Oktober 2021
Publisher : BBPSDMP KOMINFO MAKASSAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30818/jpkm.2021.2060211

The phenomenon of power in Yogyakarta attracted the attention of various groups, including the national media when differences of opinion emerged regarding the requirements for candidates for Governor and Deputy Governor candidates of the Special Region of Yogyakarta. The Governor of Yogyakarta is directly held by the Sultan as the King of the Yogyakarta Palace in accordance with the Yogyakarta Privileges Law. The problem arose when Sultan HB X did not have a son, and some parties interpreted the special law and regional regulations requiring that the governor of Yogyakarta be held, male. This problem has attracted the national media to produce news texts related to the pros and cons of women leaders in Yogyakarta. This research intends to uncover how the national media of Kompas daily constructs discourses on the rejection of female leaders and how the struggle for public acceptance or ideological ideas related to leadership succession in Yogyakarta. With a qualitative approach, the method used in this study is Norman Fairclough's Critical Discourse Analysis model. News texts related to the issue of leadership succession were analyzed starting from the text level, discourse level, and sociocultural level. The results of the study found that the production of the Kompas daily news text in practice represents a group that rejects female leaders in Yogyakarta. Local political elites in parliament, Keraton aristocrats, and Sultan HB X mutually defend their views on women's rights to become leaders in Yogyakarta. Kompas Daily provides a space for discourse on the issue of women's rejection to represent their side of those who reject women leaders

Resepsi Penggemar Terhadap Karakter Anime Shounen My Hero Academia, Attack on Titan dan Hunter X Hunter Vinny Anugraha Putri; Wisma Nugraha Ch.R; Suastiwi Suastiwi
ULTIMART Jurnal Komunikasi Visual Vol 14 No 2 (2021): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v14i2.2168

One of the most important components in a film or animated series apart from the story is the character. The main characters who drive the plot generally are the main focus and also naturally became fans’ favorite character. In several series it is not uncommon to find fans who prefer second lead characters. Why does it happen? There’s not a lot of research regarding the topic of fan receptions to various characters that has been conducted before and it is very interesting and important to be studied. Understanding fans' reception of characters can be understood by means of cognitive narratology approach with ‘categorization and personalization’ theory by Schneider. Murray Smith's ‘structure of sympathy’ theory is also used to further look at the engagement level of fans to their favorite characters. This research is focusing on characters from shounen anime series which have second lead characters that are more popular than the main characters. From this study, identified six categories in fans reception which are personality, character development, goals, design / audio-visual, relationships between characters and emotions. Not only understanding relationships between the characters and emotion, fans also closely following and evaluating the actions that the characters did throughout the story, these factors will also have an effect later on the fans' sense and level of engagement to the characters. Keywords: character; fans reception; engagement; anime

History of the Yogyakarta Monarchy: From the Islamic Kingdom to Being Imprisoned in the Indonesian Democratic System Catur Nugroho; Wisma Nugraha Christianto; Sugeng Bayu Wahyono
Historia Madania: Jurnal Ilmu Sejarah Vol 5, No 1 (2021): Historia Madania: Jurnal Ilmu Sejarah
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hm.v5i1.12126

Collaboration between democracy and monarchy occurs in government systems in several countries. What happened in Yogyakarta was a monarchy system that originated from the Islamic Mataram kingdom, which was later recognized as a political institution that held executive power in the democratic system of the Indonesian state. The King of Yogyakarta acts as the holder of executive power (Governor) in the Special Region of Yogyakarta. With the method of literature review and theoretical elaboration, this paper seeks to explore how the history of monarchy in Yogyakarta can collaborate and operate in the democratic system in Indonesia. This paper also looks at and analyzes how the development of the Yogyakarta Palace and Sultan Hamengku Buwono, who played the role of King and then at the same time held the position of Governor of the Special Region of Yogyakarta. From the analysis, it is found that Yogyakarta is an Islamic kingdom that later joined the Indonesian state as one of the provinces with a special status. The current position of the Special Region of Yogyakarta is a "prison" for Sultan Hamengkubuwono. As a King, the Sultan is always supervised by the regional people's representative council in the implementation of regional governance. The King of Yogyakarta, who appears to have dual powers as a King as well as a Governor, is, in fact, nothing more than prisoners imprisoned within the palace walls under the strict supervision of the representative council and the central government

Discourse on Rejection of Women Leader in Yogyakarta ; Critical Discourse Analysis of Kompas Daily News Catur Nugroho; Wisma Nugraha Christianto Richardus; Sugeng Bayu Wahyono
Jurnal Pekommas Vol 6, No 2 (2021): Oktober 2021
Publisher : BBPSDMP KOMINFO MAKASSAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30818/jpkm.2021.2060211

The phenomenon of power in Yogyakarta attracted the attention of various groups, including the national media when differences of opinion emerged regarding the requirements for candidates for Governor and Deputy Governor candidates of the Special Region of Yogyakarta. The Governor of Yogyakarta is directly held by the Sultan as the King of the Yogyakarta Palace in accordance with the Yogyakarta Privileges Law. The problem arose when Sultan HB X did not have a son, and some parties interpreted the special law and regional regulations requiring that the governor of Yogyakarta be held, male. This problem has attracted the national media to produce news texts related to the pros and cons of women leaders in Yogyakarta. This research intends to uncover how the national media of Kompas daily constructs discourses on the rejection of female leaders and how the struggle for public acceptance or ideological ideas related to leadership succession in Yogyakarta. With a qualitative approach, the method used in this study is Norman Fairclough's Critical Discourse Analysis model. News texts related to the issue of leadership succession were analyzed starting from the text level, discourse level, and sociocultural level. The results of the study found that the production of the Kompas daily news text in practice represents a group that rejects female leaders in Yogyakarta. Local political elites in parliament, Keraton aristocrats, and Sultan HB X mutually defend their views on women's rights to become leaders in Yogyakarta. Kompas Daily provides a space for discourse on the issue of women's rejection to represent their side of those who reject women leaders

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