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Intersecting Multiple Belongings in the Creative Arts Djohan, Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 1 (2015): June 2015
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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The New Dynamic Interrelation in Arts Studies Djohan, Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Editorial Foreword Djohan, Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 2 (2015): December 2015
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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New Research on Indonesian Traditional and Contemporary Arts: An Exchange Between Indonesian and Italian Perspectives Djohan, Djohan
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : IJCAS (International Journal of Creative and Arts Studies)

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Respons Emotional Well-Being Dalam Laras Gamelan Jawa Djohan
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.259 KB) | DOI: 10.31091/mudra.v22i1.1549

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The aim of these research is to study the effects of laras toward the listener emotional well-being. From the psychology of music point of view, this research attempts to understand the emo- tional well-being of the listeners. These study may be primarily cog- nitive or may consist of the frequency with which listener expe- rienced pleasant and unpleasant emotions. The samples were every- one whose have an experienced on listening the gamelan in their everyday life. Through quasi-experiment and purposive sampling, the 73 samples listened to two songs that composed in slendro nem and pelog lima’s scale and also interviewed in focus group discus- sions. The results shown that the pelog’s scale influenced more to the emotional well-being of the listeners than slendro’s scale.
Keyseg: adaptive segmentation for spontaneous electroencephalography map series into spatially defined microstates of musicians’ brain Indra K. Wardani; Phakkharawat Sittiprapaporn; Djohan Djohan; Fortunata Tyasrinestu; Prayoon Suyajai
Bulletin of Electrical Engineering and Informatics Vol 10, No 4: August 2021
Publisher : Institute of Advanced Engineering and Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.11591/eei.v10i4.3063

Abstract

Music is being studied related to either its impact on the psychological interaction or cognitive process behind it. These examinations bring out music's coordination to numerous disciplines including neuroscience. A few past examinations exhibited the contrast among musicians and non-musicians regarding brain structure and brain activity. The current investigation exhibited the diverse brain activation while musicians tuned in to music with regards to their musical experiences utilizing microstate classes method analysis. The investigation intended to determine electroencephalography microstate changes in Karawitan musicians' brain while tuning in to Gendhing Lancaran. Applying the electroencephalography microstate investigation of Karawitan musicians, the occurrence parameters was computed for four microstate classes (A, B, C, and D). Microstate properties were compared among subjects and correlated to Gendhing Lancaran perception. The present results revealed that Karawitan musicians' brain were characterized by microstate classes with the increased prominence of classes A, B, and D, but decreased prominence of classes C while tuning in to Gendhing Lancaran. Our finding is the first study to identify the typical microstate characteristics of the Karawitan musician’s brains while tuning in to Gendhing Lancaran by using the microstate segmentaion method.
Musik Batu R. Chairul Slamet; Djohan Djohan
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 18, No 2 (2017): Agustus 2017
Publisher : Institut Seni Indonesia Yogyakarta

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Penelitian ini bertujuan untuk membuat rancangan instrumentasi musik batu agar supaya memunculkan teknis permainan yang spesifik dan khas. Penelitian ini meletakkan batu dalam konteks penciptaan musik, dimana batu menjadi elemen dan media untuk mengungkapkan ekspresi musikal ke dalam bentuk karya musik. Dalam peradaban kesenian, batu telah dipakai sebagai media ekspresi, khususnya untuk seni patung, candi, maupun arsitektur. Potensi keunikan material batu tersebut dalam bidang seni musik masih belum optimal untuk dikembangkan dalam satu bentuk karya yang mampu menghasilkan bunyi dengan pertimbangan kompositoris yang memadai. Berdasarkan observasi, penelitian, dan penyusunan karya yang dilakukan telah membuktikan bahwa batu, selain memiliki daya tarik yang unik, juga mampu menghadirkan dimensi tersendiri dari cara kerja komposisi musik.
The Effect of Music towards the Reducing of Stress Levels in Young People Djohan -; Fortunata Tyasrinestu
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 19, No 1 (2018): April 2018
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (591.019 KB) | DOI: 10.24821/resital.v19i1.2455

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These quasi-experiment research aims to identify any effect of music activities as media to reduce stress hassle on the subject which attend in the choir group. The musical repertoire which was used was the pop genre which technically did not have much complexities and the lyric straightforward to understand. Hassle stress is a stressor that involves minor everyday events such as traffic jam, activities of queuing, forgetfulness in putting the things, or turmoil. Manipulation or treatment treated to the subject as a member of the choir is totally N=10. The treatment was the singing rehearsal. The tools for collecting data were a questioner of self-report which contained questions and QRMA (Quantum Resonance Magnetic Analyzer) measurement which also focused on group discussion. The result shows that there is an effect of musical activities as media for reducing the stress hassle and promoting the previous research results. Some analysis shows that there should be an experiment with a different musical repertoire because a difference genre needs a different skill and there should be a necessity to measure a physical condition more accurately by QRMA to all participants.
Stimulasi Ekspresi Melalui Teknik Reinterpretasi dalam Pertunjukan Musik Seni Djohan Djohan; Fortunata Tyasrinestu; Chriestian Denny Setiawan
Resital:Jurnal Seni Pertunjukan Vol 22, No 2 (2021): Agustus 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v22i2.5818

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The purpose of this study is to proved that musik reinterpretation is the most important aspect for both musikians and audiences in enjoying art musik. This is because in recent years there has been a declined in album sales and the number of audience for performing arts musik. So that the efforts of musikians to reinterpret various art musik repertoires by presenting new perspectives and impressions which in turn are expected to increased interest in art musik. The concept of emotion from Mehrabian-Russell in Bakker (1977) is used to understand the mechanism of emotional responses experienced by the audience after being treated by the modification of musikal reinterpretation. Then measurements were designed based on Westbrook & Reilly's theory of consumer satisfaction in Atila and Fisun Yüksel (2008) to identify the emotional responses which is the main factor in audiences satisfaction after listening to the repertoire being played. Mixed methods were used through a case study approach and a one-group experimental design with post-treatment measurements (One-group posttest-only design). Musikians recorded Allemande from Suite No. 6 for Johann Sebastian Bach's cello through the first video in the original style and in the second video, interpreting it in a romantic sense. Some of the musikal elements manipulated were tempo, dynamics, timbre and musikians' gestures. After the audience watched the two videos, they filled out a questionnaire to find out the emotional responses such as 'happy', 'joyful', 'sad', and 'bored'. The results showed that 56.4% did not experience pleasure and excitement when watching the first video. Then 73.8% of viewers experienced the emotions of 'fun' and 'joy' when watching the second video. The conclusion shows that reinterpretation of a repertoire is important because it can bring new perspectives and impressions to attract attention and give satisfaction to the audience.
Musik Gamolan, Latihan Untuk Menumbuhkan Relasi Sosial Adi Kurniawan; Djohan Djohan
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 18, No 3 (2017): Desember 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (679.074 KB) | DOI: 10.24821/resital.v18i3.2045

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Penelitian ini bertujuan untuk mengungkap korelasi antara aktivitas latihan gamolan dan relasi sosial para pemainnya. Penelitian ini menggunakan pendekatan kuantitatif dengan jenis ex-post facto. Populasi penelitian ini 40 orang anggota salah satu kelompok kesenian Lampung. Penentuan jumlah sampel mengunakan teknik sampling jenuh, yaitu sampel diambil dari keseluruhan populasi dengan pertimbangan jumlah populasi yang  tidak banyak. Analisis data menggunakan analisis deskriptif. Hasil pengolahan data menunjukan nilai signifikansi sebesar 0,001. Dengan kriteria pengambilan keputusan bahwa jika nilai signifikansi sebesar < 0,05 maka, aktivitas latihan gamolan dan relasi sosial dinyatakan berkorelasi secara signifikan. Dengan demikian aktivitas latihan gamolan berkorelasi positif terhadap relasi sosial pemian gamolan.