Akhmad Riza Faizal
Dosen Jurusan Ilmu Komunikasi FISIP - Universitas Lampung

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Cult Film dan Analisa Semiotika Film Pada Nagabonar Jadi 2 Faizal, Akhmad Riza
Jurnal Ilmu Komunikasi Vol 6, No 1 (2009)
Publisher : Jurnal Ilmu Komunikasi

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Abstract

Abstract: Cult films phenomena have attracts lots of discussion among film critics or communication experts especially for those who studied media, nevertheless research on the films using semiotic remains sparsely. This essay mainly discusses about intertextuality within Nagabonar Jadi 2 based on Umberto Eco’s conception about cult film and attempts to bear its narrative meaning using Greimas’ Rectangle, one among other semiotic methods. The research founded that the film has four propositions of narrative within the film which are nationalism, anti-nationalism, non nationalism, and non anti-nationalism. Salutes and flapping the national flag are the synecdoche of nationalism in this film.
PENGARUH KOMUNIKASI DALAM KELUARGA DAN KELOMPOK PERGAULAN TERHADAP LITERASI INFORMASI, MEDIA DAN TEKNOLOGI PADA REMAJA DI BANDAR LAMPUNG Aryanti, Nina Yudha; Nurhaida, Ida; Faizal, Akhmad Riza
Prosiding Penelitian FISIP Unia 2012
Publisher : Universitas Lampung

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Abstract

interaction on family. It is deal with media and technology resources accessed, level education and economic of parents. The research shows that interaction in family influenced 35.32%, peer group 7.17% and others variables 53.76%. Further, the hypothesis test shown that peer groups have not significance influence to information, media and communication technology literacyKey Word: family, peer group, adolescent, literacy, information, media and technology
Cult Film dan Analisa Semiotika Film Pada Nagabonar Jadi 2 Faizal, Akhmad Riza
Jurnal ILMU KOMUNIKASI Vol 6, No 1 (2009)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (357.703 KB) | DOI: 10.24002/jik.v6i1.204

Abstract

Abstract: Cult films phenomena have attracts lots of discussion among film critics or communication experts especially for those who studied media, nevertheless research on the films using semiotic remains sparsely. This essay mainly discusses about intertextuality within Nagabonar Jadi 2 based on Umberto Eco’s conception about cult film and attempts to bear its narrative meaning using Greimas’ Rectangle, one among other semiotic methods. The research founded that the film has four propositions of narrative within the film which are nationalism, anti-nationalism, non nationalism, and non anti-nationalism. Salutes and flapping the national flag are the synecdoche of nationalism in this film.