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All Journal Jurnal Sendratasik Journal of Education, Humaniora and Social Sciences (JEHSS) Jurnal Pendidikan dan Konseling Besaung : Jurnal Seni Desain dan Budaya Musica: Journal of Music ANTHOR: Education and Learning Journal Indonesian Research Journal on Education Innovative: Journal Of Social Science Research Pensi: Jurnal Ilmiah Pendidikan Seni
Silo Siswanto
Universitas PGRI Palembang
Religion Arts Humanities Astronomy Biochemistry, Genetics & Molecular Biology Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Energy Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Journal : Journal of Education, Humaniora and Social Sciences (JEHSS)

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Struktur Dramatik Tari Wanka di Sanggar Sastra Mataya Banyuasin Muhammad Alfaruqi; Rully Rochayati; Silo Siswanto
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 6, No 1 (2023): Journal of Education, Humaniora and Social Sciences (JEHSS), August
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v6i1.1813

Abstract

Wanka dance is a new dance creation that was displayed at the blessing of the St. Maria Vianney, Pangkalpinang Diocese. This work is a visualization of the journey of contract laborers from China to Bangka to mine tin. This writing aims to describe the dramatic structure contained in Wanka’s dance work. Dramatic structure is an important part of a dance work. The existence of a dramatic stucture will make a dance work more interesting. The overlow of emotions to be conveyed can be presented in stages starting from the beginning, development, to the climax, then ending with completion so that the audience can also feel and be amazed by the dance work. This writing uses qualitative methods. The data in this writing were collected using observation, interview, and documentation methods, than processed and the results were written descriptively. The result of this writing is a description of the Wanka dance which is divided into four dance scences. Scence 1 is the beginning, scene 2 and scene 3 are the development of the conflict, scene 4 is the climax (peak of the conflict), and endes with a resolution.
Co-Authors Achmad Wahidi Bambang Aprianto Defi Tri Wahyuni Efita Elvandari Feri Firmansyah Intan Ria Kurniawan, Irfan Muhammad Alfaruqi muhsin ilhaq Novita Sari Nurdin, Nurdin Nurlaila Tiani Nyayu Salsabil Yumna Nyayu Sari Aisyah Rama Eko Nugroho Santoso Ramanata Disurya Riska Sanda Rochayati, Rully Zelly Marissa Haque