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All Journal Rubikon: Journal of Transnational American Studies Prologue: Journal on Language and Literature Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya
Thiska Septa Maiza
Universitas Dharma Andalas
Religion Humanities Computer Science & IT Economics, Econometrics & Finance Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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RACISM IN THE LAST DECADE OF HOLLYWOOD COMEDY MOVIES Thiska Septa Maiza; Ida Rochani Adi
Rubikon : Journal of Transnational American Studies Vol 6, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (729.157 KB) | DOI: 10.22146/rubikon.v6i1.61490

Abstract

The United States is considered to have entered the post-racial era in the 21st century, where racial preference, discrimination, and prejudice towards minorities, such as African Americans, are supposed to no longer exist. As one of the media that reflected American society, Hollywood movies tried to eliminate the discussion on race and racism. It can be seen in Hollywood movies that begin to eliminate the negative images and stereotypes of African Americans. However, it does not mean that racism vanished from the Hollywood movie industry, especially in comedy movies. Comedy movies are one of the genresthat often involve African-American actors and actresses. Their stereotypes are also commonly used to make humor in the narrative. Therefore, this genre is closely related to racism. However, comedy movies in the last decade, such as Evan Almighty (2007), Wild Hogs (2007), Meet Dave (2008), The Maiden Heist (2009), Last Vegas (2013), Someone Marry Barry (2014), and Going in Style (2017), are not showing any racism on the surface. By using Interdisciplinary as the approach, this research attempts to see how Hollywood presents racism in comedy movies, especially in the last decade. The representation theory is employed to interpret the images, scenes, and dialogues from seven selected comedy movies concerning racism. Meanwhile, the theory of humor is used to find out how racism makes humor occur through African-American characters. The finding of this research indicates that negative images and stereotypes of African Americans are still sustained in Hollywood movies. These depictions are shown covertly. Meanwhile, overt racism indicates that the African American characters are used to make humor occur in comedy movies.Keywords: African American; comedy; Hollywood; humor; racism; representation
An Analysis of Code-Mixing in Bunga Citra Lestari’s Love Story #1 – BCL Sebelum & Sesudah Ashraf Ahlul Nazak; Widya Fhitri; Rabbi Antaridha; Thiska Septa Maiza; Irsyad Shabri
Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya Vol 2 No 2 (2023): Jurnal Penelitian Dan Pengkajian Ilmiah Sosial Budaya - JPPISB
Publisher : LPPM Universitas Dharma Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47233/jppisb.v2i1.773

Abstract

This research is aimed at finding out types and forms of code-mixing in the video from Bunga Citra Lestari’s YouTube channel entitled Love Story #1 – BCL Sebelum & Sesudah Ashraf. This research uses descriptive qualitative method. The data in this study is a video from the Bunga Citra Lestari’s YouTube channel entitled Love Story #1 – BCL Sebelum & Sesudah Ashraf. In collecting the data, this research used Heed Method. The method is then followed by an independent see-engage-talk technique. Data analysis used in the research is the agih method with an indirect element technique. After conducting the analysis, it was found that there are code-mixing 33 data in the video. There are 24 data for types of code-mixing and 37 data for forms of code-mixing. In the types of code-mixing, there are 15 insertion data, 6 substitution data, and 10 congruent lexicalization data, while for the forms of code-mixing, there are 18 data in the form of word, 3 data in the form phrase, 1 data in hybrid form, and 15 data in the form of clause.
An Analysis of Directive Speech Acts by The Main Characters in Jurassic World Dominion Movie Nensi Asma Yulia Putri; Rahma Yanti; Irsyad Shabri; Yalmiadi; Thiska Septa Maiza
Prologue: Journal on Language and Literature Vol. 9 No. 2 (2023): Prologue: Journal on Language and Literature
Publisher : Faculty of Letters Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/jurnalprologue.v9i2.125

Abstract

This study aims to determine the types of Directive Speech Acts used by the main characters in the movie of Jurassic World Dominion (2022). This study applies the theory of Searle (1976) to the types of Directive Speech Acts. The subject of this study is the conversation of the main characters in the movie. This study used a qualitative descriptive approach and Simak Bebas Libat Cakap (SBLC) technique to gather and analyze the data. The results of this study reveal two things,first, Question ranks the highest score with 46 utterances (57,5%), because the genre of the movie is action automatically every conversation will be followed by action from the listener. Meanwhile, Permission 2 utterances (3.7%) rank the lowest score, because the movie is about an adventure and there are not too many formal words found. Finally, Permission is the least commonly used because most of the dialogue in this movie is about adventure, and the relationships between the players are closely intertwined without any age restrictions.
Co-Authors Ahlul Nazak Ida Rochani Adi Irsyad Shabri Nensi Asma Yulia Putri Rabbi Antaridha Rahma Yanti Widya Fhitri Yalmiadi