Article Per Year (5 Year)
p-Index From 2019 - 2024
0.61
P-Index
This Author published in this journals
All Journal BAHASTRA Mimesis
Ilham Rabbani
Magister Sastra, Fakultas Ilmu Budaya, Universitas Gadjah Mada
Arts Humanities Biochemistry, Genetics & Molecular Biology Languange, Linguistic, Communication & Media Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Bare life production and the author's criticism in the short story "Manuel" by Seno Gumira Ajidarma: the study of agamben’s sociology of literature Ilham Rabbani; Aprinus Salam
BAHASTRA Vol 41, No 1 (2021): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bahastra.v41i1.19726

Abstract

The short story “Manuel” written by Seno Gumira Ajidarma set in the Santa Cruz incident in Dili (1991), raised humanitarian issues in the relation to state power. East Timor citizens lost their human rights because of the Indonesian military invasion of their territory, and were in a homo sacer or bare life situation.  This research uses the theory of political philosophy developed by Giorgio Agamben. The method used is descriptive qualitative. The research questions that are trying to be answered: first, how does the state impose the state of exception so that it raises bare life in short story “Manuel?”; and second, how does the author form of criticism through the short story “Manuel?” towards the New Order citizenship politics? The finding of this study are: first, First, the motive for the application of the state of exception is using the pretext of integration, anticipation of communism, development, and agreements related to the exploration of Timor Gap; and secondly, criticism of the state was conveyed through the speeches of the figure of Manuel, borrowing the speech of East Timor activists, and the adoption of discourse of resistance to the Indonesia military. However, this strategy has an impact on the originality of criticism which deserves to be questioned again.
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Ilham Rabbani; Hatindriya Hangganararas
MIMESIS Vol. 2 No. 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book 99 untuk Tuhanku which was first published in 1983 by Penerbit Pustaka“ Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book 99 untuk Tuhanku by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.
IDENTITAS TOKOH PRIBUMI DALAM CERPEN PENUNJUK JALAN KARYA IKSAKA BANU: KAJIAN PASCAKOLONIAL HOMI K. BHABHA Risen Dhawuh Abdullah; Ilham Rabbani
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5247

Abstract

This study aims to uncover an Indigenous character named Oentoeng in the short story “Penunjuk Jalan”. The short story is one of Iksaka Banu's works contained in the book Semua untuk Hindia. The identity of the character that is trying to be dismantled includes hybridity, mimicry, and ambivalence. The theory used in this study is the postcolonial theory initiated by Homi K. Bhabha. The study used a qualitative descriptive method. There are three findings in this study. First, the identity of Oentoeng is a hybrid. Oentoeng absorbs Western values continuously, namely from his upbringing, education, and his association in the Dutch family environment. Second, mimicry as mockery by the character can be seen from three aspects, specifically the ability to speak Dutch, possess Western medical knowledge, and to be able to devise a strategy of rebellion that made the VOC troubles as invaders. Third, Oentoeng's attitude of wanting to be angry and willing to provide assistance, treatment, and entertainment to the Dutch doctor and his porter who had an accident could be interpreted as a form of ambivalence in the Indigenous character.
Co-Authors Hatindriya Hangganararas Risen Dhawuh Abdullah Salam, Aprinus