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All Journal Humaniora Nusa: Jurnal Ilmu Bahasa dan Sastra Journal Communication Spectrum: Capturing New Perspectives in Communication BAHASTRA Rekam : Jurnal, Fotografi, Televisi Animasi Jurnal Ilmu Komunikasi Journal of Language and Literature Aksara Jurnal Pengabdian Pada Masyarakat Semiotika Lingua Litteria Journal Handep: Jurnal Sejarah dan Budaya Arif: Jurnal Sastra dan Kearifan Lokal Journal of International Conference Proceedings Libraria: Ilmu Perpustakaan dan Informasi ADJES (Ahmad Dahlan Journal of English Studies)
Salam, Aprinus
Universitas Gadjah Mada
Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Education Electrical & Electronics Engineering Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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PEWUJUDAN DAN PENYERAPAN PEMAIN DALAM VIDEO GAME Yuwono, Ardian Indro; Simatupang, Gabriel Roosmargo Lono Lastoro; Salam, Aprinus
Journal Communication Spectrum : Capturing New Perspectives in Communication Vol 8, No 1 (2018): February - July 2018
Publisher : Department of Communication Science, Bakrie University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36782/jcs.v8i1.1837

Abstract

In playing various video game, gamers unconsciously and automaticly embodied theirself inside the video game. The embodiment process are portrayed through icons, avatars and mostly their in-game characters, while the immersion happens during the process of playing, which can occur inside and outside of the video game. The playing intensity and the amount of time spend in playing video game determine the overall process of embodiment and immersion, beside the player sociocultural condition. This research uses ethnography to identify how gamers play the video game to fulfill their intrinsic needs such as competence, autonomy and relatedness. To cite this article (7th APA Style): Yuwono, A. I., Simatupang, G. R. L. L. & Salam, A. (2018). Pewujudan dan penyerapan Pemain dalam Video Game [Embodiment and Immersion of Players in the Game Video]. Journal Communication Spectrum, 8(1), 94-112. http://dx.doi.org/10.36782/jcs.v8i1.1837
Rekonstruksi Identitas Ke-“Tionghoa”-an dalam Film Indie Pasca-Suharto Umilia Rokhani; Aprinus Salam; Ida Rochani-Adi
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 12, No 1 (2016): April 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v12i1.1380

Abstract

AbstrakKe-“tionghoa”-an  senantiasa menjadi hal yang dipermasalahkan di Indonesia. Hal ini mengacu pada identitas ke-“tionghoa”-an yang selalu  diformulasikan oleh masyarakat Indonesia, baik oleh masyarakat Tionghoa  itu sendiri maupun masyarakat non-Tionghoa. Upaya formulasi tersebut dimunculkan melalui berbagai wacana yang muncul baik perdebatan publik maupun berbagai karya mengenai kehidupan masyarakat Tionghoa di Indonesia seperti dalam film. Metode yang dipakai mempergunakan pendekatan konstruktivisme sosial. Dalam hal ini, makna-makna subjektif dikaji atas pengalaman-pengalaman kehidupan masyarakat Tionghoa di Indonesia melalui representasi film indie. Representasi tersebut dikaji tidak hanya melalui  makna karya semata, tetapi juga mempertimbangkan unsur sejarah sebagai salah satu penentu alat produksi dan reproduksi. Hal ini dilakukan dengan tujuan agar diperoleh gambaran latar belakang yang kompleks mengenai kondisi historikal dan kultural kehidupan masyarakat Tionghoa di Indonesia. Gambaran yang kompleks tersebut akan membantu dalam menafsirkan makna-makna yang terkandung dalam karya film indie sebagai suatu hasil produksi dan reproduksi dari gambaran kehidupan masyarakat Tionghoa sebenarnya. Identitas masyarakat Tionghoa di Indonesia terbentuk baik dari pandangan eksternal maupun internal, sudut pandang formal maupun informal. Sudut pandang eksternal dilihat dari sisi luar masyarakat Tionghoa, sedangkan sudut pandang internal merupakan sudut pandang masyarakat Tionghoa membentuk jati dirinya sendiri. Identitas yang dibentuk secara formal terkait dengan peraturan perundangan yang diberlakukan di Indonesia sedangkan secara informal merupakan identitas yang dikembangkan melalui kolaborasi budaya bersifat mana suka (arbitrerness) yang pada akhirnya membentuk identitas baru yang tumbuh dari konteks ruang-antara masyarakat Tionghoa di Indonesia. Abstract The Reconstruction of Tionghoaness Identity in Indonesian Indie Movies in the Era of Post-Suharto. ‘Being a Chinese’ has always been an issue in Indonesia. It refers to the identities of ‘being a Chinese’ that were formulated by Indonesian people, both by the half-Chinese Indonesians and non half-Chinese Indonesians. The efforts in formulating those identities were mediated by various discourses found in public debates and works of arts represented the Chinese society life in Indonesia, such as in films. In this research, the social constructivism approach was applied. The experiences in life traversed by the Chinese society in Indonesia depicted in indie movies were studied to get the subjective meanings. The representations were not scrutinized merely from the meaning, but also by considering the historical aspects as, among others, the determinant factor of the means of production and reproduction. It was carried out to get the full picture of complicated background about the historical and cultural conditions of the Chinese people in Indonesia. The complicated depiction will be very beneficial in interpreting the meanings of the indie movies as a result of production and reproduction of the real life experienced by the Chinese society. The identity of Chinese people in Indonesia was shaped by the internal and external perspectives, by the formal and non formal point of views. The external point of view was the one given by the non Chinese people, whereas the internal was how the Chinese view themselves. The formally built identity was related to the laws applied in Indonesia. Arbitrary cultural collaborations informally developed the new Chinese identity that grew from the spatial contexts between the Chinese people in Indonesia. 
TAWARAN SINGULARITAS DALAM SELAMAT PAGI BAGI SANG PENGANGGUR KARYA SENO GUMIRA AJIDARMA Yuniardi Fadilah; Aprinus Salam
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3057.287 KB) | DOI: 10.29255/aksara.v32i1.534.1-13

Abstract

Seno Gumira Ajidarma, melalui cerpen “Selamat Pagi bagi Sang Penganggur”, menggunakan posisi tokoh utama untuk menilai kondisi individu-individu lain yang dianggap kehilangan kebebasannya sebagai pribadi. Sebagai pengangguran, tokoh utama—Aku—juga mengalami kesulitan karena dianggap identik dengan identitasnya, namun lebih memiliki kebebasan dibandingkan pekerja lain yang berada dalam sistem struktural tertentu. Melalui cerpen tersebut, tulisan ini mempersoalkan kecenderungan pengarang menggiring diskursus pada  konsep singularitas. Sudut pandang tulisan ini menggunakan teori yang dikembangkan oleh Antonio Negri dan Jean Luc-Nancy terkait konsep singularitas dan identitas. Kajian ini menemukan bahwa pengarang memiliki kecenderungan untuk mengkritik bentuk konsep identitas yang menyeragamkan individu-individu sebagai komoditas yang hanya dilihat berdasarkan nilainya semata. Bentuk identitas ini terjadi karena adanya kuasa tatanan global dalam biopower yang berbentuk kapitalisme. Sebagai bentuk alternatif, pengarang menawarkan singularitas yang tergambar dalam bangunan komunitas di dalam cerpen. Komunitas yang terbentuk di dalam cerpen adalah keluarga, sebagai komunitas terkecil yang mampu dibentuk, dan komunitas imajiner dalam dunia tokoh Aku. Dalam komunitas ini, singularitas memberdayakan individu-individu sebagai subjek yang berbeda dan bebas.Kata kunci: cerpen, singularitas, identitas, komunitas, multitude Seno Gumira Ajidarma, through short story “Selamat Pagi Bagi Sang Penganggur,” uses the position of the main character to assess the condition of other individuals who are considered to lose their freedom as a person. As unemployed, the main character - Aku - also has difficulty unlike what is considered identical to his identity but has more freedom than other workers who are in certain structural systems. Through this short story, this paper questions the author's tendency to lead to discourse about the concept of singularity. The point of view of this paper uses the theory developed by Antonio Negri and Jean Luc-Nancy regarding the concept of singularity and identity. This paper found that the author tends to criticize the concept of identity that classifies individuals as commodities that are only seen based on their value. This form of identity occurs because of the power of the global order in the form of capitalism as biopower. Singularity which portrayed on the community that built in the story is offered by author as an alternate. Family as the smallest formable community and imaginary community which formed on “Aku’ universe as the main character is the formed community. In this community, singularity empowers individuals as a distinct and independent subjects.Keywords: short story, singularity, identity, community, multitude
“SIMALAKAMA DI LAHAN GAMBUT” ETNOGRAFI MASYARAKAT DI KALIMANTAN BARAT DAN SUMATRA SELATAN Rio Heykhal Belvage; I Ngurah Suryawan; Aprinus Salam; Wiwien Widyawati Rahayu
Handep: Jurnal Sejarah dan Budaya Volume 2, No. 2, June 2019
Publisher : Balai Pelestarian Nilai Budaya Kalimantan Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (548.183 KB) | DOI: 10.33652/handep.v2i2.40

Abstract

Penelitian etnografi ini mencoba memahami kondisi yang terjadi pada masyarakat di kawasan garis depan (frontier) Sumatra Selatan dan Kalimantan Barat di tengah arus besar kuasa investasi dan eksploitasi sumber daya alam. Introduksi pembangunan dan tawaran kemakmuran merangsek terus-menerus hingga mempertaruhkan kehidupan mereka sendiri. Relasi historis mereka dengan lingkungan perlahan-lahan tersingkirkan. Penelitian ini memilih dua karakteristik masyarakat yang berada di lahan gambut; Pertama, masyarakat lokal Dayak Kanayatn di Desa Teluk Bakung, Kecamatan Sungai Ambawang, Kabupaten Kubu Raya, Kalimantan Barat dan Kedua adalah kehadiran masyarakat transmigrasi di Desa Banyubiru, Kecamatan Air Sugihan, Kabupaten Ogan Komering Ilir, Sumatra Selatan. Dua tempat ini mewakili dua karakteristik masyarakat, yakni masyarakat tempatan dan pendatang. Keduanya kini bermukim di kawasan yang oleh negara didefinisikan sebagai wilayah Kesatuan Hidrologi Gambut (KHG). Dengan memaparkan fenomena antropologis di dua lokasi KHG, penelitian ini berargumentasi bahwa eksistensi masyarakat di kawasan gambut kian terhimpit ruang hidupnya. Upaya-upaya restorasi di tengah kian meluasnya kapitalisme ekstraktif, bila tidak ditangani secara hati-hati, beresiko mengkonversi kompleksitas sistem sosial menjadi rumus-rumus teknis pembangunan belaka.
The Unconscious Self in Role Playing Video Game’s Avatar Ardian Indro Yuwono; Gabriel Roosmargo Lono Lastoro Simatupang; Aprinus Salam
Jurnal Ilmu Komunikasi Vol 16, No 2 (2018)
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v16i2.2687

Abstract

In the world of digital video games, human players are present through surrogates. Surrogates in the video game is a character which also called by the term avatar which is a self-representation of real players. The presence of avatars in role playing games are formed through a process of creation by the gamer. The production of avatars cannot be separated from the unconscious mind of the players, the unconscious desire, ego and ideology. This avatar creation process continues ongoing, following the progress of the video game story. The decision, the path, and the act that the player take in completing the story are gradually reshaping the avatar. In the end, the avatar eventually became a manifestation and reflection of the unconscious minds of the video game players. This research conducted using ethnography and Jacques Lacan psychoanalysis theory.
The Hoax Phenomenon in Indonesian Society: Observing Anti-Diversity Memes since 2014 Aprinus Salam
Humaniora Vol 30, No 3 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1872.928 KB) | DOI: 10.22146/jh.38891

Abstract

This article seeks to explain whether anti-diversity hoaxes that become viral on mass media disrupt the institutional memory of kebhinekaan (diversity) in Indonesian society. The spreading of hoaxes is a phenomenon of postmodern society, and thus this study uses a post-structural approach, in this case, using the theory of Slavoj Zizek. Memes used as data mostly deal with themes of nationality, ethnicity, and religion. The results of this study show that anti-diversity hoaxes are used for short-term purposes (power politics), so they do not intervene the institutional memory of Indonesian society and its belief in diversity.
Discursive Construction of Subject and Ideological Fantasy in Postcolonial Indonesia Aprinus Salam
Humaniora Vol 32, No 1 (2020)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (279.528 KB) | DOI: 10.22146/jh.50562

Abstract

This paper tries to explain the contestation at the discursive construction level of the subject. The subject in question is Indonesia in postcolonial era. The problem that will be answered was how the ideological fantasy constructed its subject. The data were chosen purposively from several novels. The paper approach is discourse-like in nature. The results of this paper show that in the contestation there is competition of colonial discourse, modernism; in which will also crossed with religion or local values. It can be concluded that there has been overlapping ideological fantasy of Indonesian postcolonial subject. 
Hegemonic Formation in Post-Javanese Indonesian Society Aprinus Salam
Humaniora Vol 33, No 3 (2021)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.69793

Abstract

In society, there are various structured power relations that connect individuals who share certain interests and objectives. In these power relations, hegemony plays a significant role. Hegemony is the most important notion in the Marxist tradition, especially as it is conceptualized by Gramsci. This paper tries to re-read the issue of hegemony in the context of ideological contestation in Javanese society in Indonesia. The problem will be examined based on post-Marxist theory, especially as it relates to the demolition of the strong order of capitalism. Based on the results of the study, it can be concluded that hegemony forms itself in layers. The layers influence each other so that there is one area of hegemonic intersection. In Javanese society these days, there is a “competition,” especially in Yogyakarta, to return, feel, and become more Javanese than others. The implication is that there are parties who feel more Javanese than others. This case in this study is referred to as the post-Javanese society. However, in the intersection area, there are all-powerful puppeteers.
Bare life production and the author's criticism in the short story "Manuel" by Seno Gumira Ajidarma: the study of agamben’s sociology of literature Ilham Rabbani; Aprinus Salam
BAHASTRA Vol 41, No 1 (2021): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bahastra.v41i1.19726

Abstract

The short story “Manuel” written by Seno Gumira Ajidarma set in the Santa Cruz incident in Dili (1991), raised humanitarian issues in the relation to state power. East Timor citizens lost their human rights because of the Indonesian military invasion of their territory, and were in a homo sacer or bare life situation.  This research uses the theory of political philosophy developed by Giorgio Agamben. The method used is descriptive qualitative. The research questions that are trying to be answered: first, how does the state impose the state of exception so that it raises bare life in short story “Manuel?”; and second, how does the author form of criticism through the short story “Manuel?” towards the New Order citizenship politics? The finding of this study are: first, First, the motive for the application of the state of exception is using the pretext of integration, anticipation of communism, development, and agreements related to the exploration of Timor Gap; and secondly, criticism of the state was conveyed through the speeches of the figure of Manuel, borrowing the speech of East Timor activists, and the adoption of discourse of resistance to the Indonesia military. However, this strategy has an impact on the originality of criticism which deserves to be questioned again.
Pemberdayaan Masyarakat Berbasis Kebudayaan Aprinus Salam
Jurnal Pengabdian Pada Masyarakat Vol 3 No 2 (2018)
Publisher : Universitas Mathla'ul Anwar Banten

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (477.852 KB) | DOI: 10.30653/002.201832.95

Abstract

Co-Authors Ardian Indro Yuwono Faruk, Faruk G.R. Lono Lastoro Simatupang I Ngurah Suryawan Ida Rochani Adi Ilham Rabbani Kardiansyah, M. Yuseano M. Hafidzulloh S.M Nina Mayesti Nor Holis Nur Saktiningrum Ratna Noviani Rina Zuliana Rio Heykhal Belvage Sunahrowi Sunahrowi Umilia Rokhani Wiwien Widyawati Rahayu, Wiwien Widyawati Yuniardi Fadilah