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All Journal Harmonia: Journal of Research and Education Tonika: Jurnal Penelitian dan Pengkajian Seni Jurnal Hibualamo : Seri ilmu-ilmu Alam dan Kesehatan
Agastya Rama Listya
Satya Wacana Christian University Of Salatiga
Agriculture, Biological Sciences & Forestry Arts Chemical Engineering, Chemistry & Bioengineering Earth & Planetary Sciences Education Health Professions Public Health

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PENGARUH TERAPI MUSIK: INSTRUMENTAL PIANO TERHADAP PASIEN PERILAKU KEKERASAN Siahaya, Presli Glovrig; Listya, Agastya Rama
Hibualamo : Seri Ilmu-Ilmu Alam dan Kesehatan Vol 2 No 2 (2018): September 2018
Publisher : LPPM Universitas Hein Namotemo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (512.713 KB)

Abstract

Penelitian ini bertujuan untuk mengetahui adanya tidak pengaruh terapi musik instrumental piano terhadap pengontrolan pasien perilaku kekerasan di ruang Irawan Wibisono RSJD dr. Amino Gondohutomo ? Semarang. Penelitian ini melibatkan pasien gangguan jiwa dengan perilaku kekerasan di ruang Irawan Wibisono, RSJD dr. Amino Gondohutomo, Semarang. Pada penelitian ini terdapat du hipotesis, dimana H0 menyatakan tidak ada pengaruh terapi musik: instrumental piano terhadap pengontrolan pasien perilaku kekerasan dan H1 menyatakan ada pengaruh terapi musik: instrumental piano terhadap pengontrolan pasien perilaku kekerasan. Penelitian ini dilakukan dengan metode eksperimen dengan desain true experiment design dengan only control group design. Dalam eksperimen tersebut dibandingkan dua kelompok, satu kelompok eksperimen yang tidak dikenai perlakuan dan satu kelompok eksperimen yang dikenai perlakuan berupa terapi musik: instrumental piano. Sebagai indikasi ada tidaknya pengaruh terapi musik: instrumental piano terhadap pengontrolan pasien perilaku kekerasan. Dari pengujian hipotesis, diperoleh hasil bahwa kelompok eksperimen memiliki hasil yang lebih baik dari pada kelompok kontrol. Berdasarkan hasil perhitungan dapat disimpulkan bahwa ada pengaruh terapi musik: instrumental piano terhadap pengontrolan pasien perilaku kekerasan.   This study aims to determine whether there is no effect of instrumental piano music therapy on controlling patients with violent behavior in the room of Irawan Wibisono RSJD Dr. Amino Gondohutomo - Semarang. This study involved mental patients with violent behavior in the room of Irawan Wibisono, RSJD Dr. Amino Gondohutomo, Semarang. In this study there are two hypotheses, where H0 states that there is no effect of music therapy: instrumental piano on controlling patients' violent behavior and H1 states that there is an influence of music therapy: instrumental piano to control patients for violent behavior. This research was conducted with an experimental method with the design of true experiment design with only control group design. In the experiment compared to two groups, one experimental group that was not subjected to treatment and one experimental group subjected to treatment in the form of music therapy: piano instrumental. As an indication of the presence or absence of the influence of music therapy: instrumental piano to control patients for violent behavior. From testing the hypothesis, the results showed that the experimental group had better results than the control group. Based on the results of the calculation it can be concluded that there is an influence of music therapy: instrumental piano on controlling patients' violent behavior.
RIJOQ: VOCAL MUSIC OF DAYAK BENUAQ FROM KUTAI, EAST KALIMANTAN -, Ester; Listya, Agastya Rama
Harmonia: Journal of Arts Research and Education Vol 14, No 1 (2014): June 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i1.2784

Abstract

Rijoq, a Dayak Benuaq vocal music, has been passed down from generation to generation through oral tradition for hundreds of years. When and how it was founded, developed and preserved in the Dayak community remains questionable. But according to some research done by scholars, Rijoq has its origin from Dayak Bawo, a tribe living in the borderlines between Central, South, and East Kalimantan. Rijoq is normally performed during festivities, such as: initiation, reconciliation, menugal (rice planting) and potong kerbau (buffalo slaughtering). Rijoq’s texts have very deep messages which are considered still relevant to today’s life context. On the one hand, it speaks about the horizontal relationship—human beings and their fellows, and human beings and its nature—; and on the other hand, the vertical relationship—human beings with their Creator. The primary concern of doing this research is to preserve Rijoq as written and recorded documents. So far, this research has been successful in notating and recording five kinds of Rijoq, that is Peket Muat Bolupm (working together to build lives), Rijoq Patuk Ajer (advice), Rijoq Natal Tautn Bayuq (Christmas and New Year), Rijoq Isiq Asekng Sookng Bawe (the expression of a man’s feeling who is falling in love with a woman), and Rijoq Lati Tana Orekng Tepa (forests and lands are disappearing and gone). But this paper is not intended to discuss these five kinds of Rijoq. Isiq Asekng Sookng Bawe is chosen as it is the oldest and the most difficult Rijoq among the rest.
Kajian Musikologis Ya Tuhan, Tuhan Kami dalam Buku Nyanyikanlah Nyanyian Baru Bagi Tuhan Imanuela Indahmevia Putri Moniung; Agastya Rama Listya; Rachel Mediana Untung
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 6 No 1 (2023): Volume 6 Nomor 1 Tahun 2023
Publisher : Sekolah Tinggi Theologia Abdiel

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37368/tonika.v6i1.522

Abstract

Artikel ini bertujuan menganalisis secara struktural lagu Ya Tuhan, Tuhan Kami dengan menggunakan pendekatan musikologis. Penelitian ini merupakan penelitian tekstual dengan sumber data utama adalah partitur dari NNBT No. 17 Ya Tuhan Tuhan Kami. Hasil penelitian menunjukkan bahwa lagu Ya Tuhan, Tuhan Kami yang bertangga nada Es mayor dan bertanda sukat 4/4 merupakan lagu berbentuk dua bagian (binary form). Lagu Ya Tuhan, Tuhan Kami diadaptasi dari Mazmur pasal 8 yang menggambarkan tentang kemuliaan Tuhan. Lagu ini dinyanyikan dalam volume suara yang keras atau melengking, menggambarkan upaya manusia mendekatkan diri dengan sang Maha Kuasa serta menyatakan keagungan Tuhan. Lirik lagunya menggunakan bentuk sastra dialog dan litani. Lagu ini disajikan dengan mengadaptasi cara bernyanyi dalam maengket, budaya pertunjukan dari etnis Minahasa. Unsur maengket dari lagu ini dapat dilihat pada bagian A solo, yaitu suara sopran yang mencerminkan peran kapel, pemimpin perempuan. Pada bagian B, munculnya trio pada frase kelima.
Co-Authors Ester - Imanuela Indahmevia Putri Moniung Rachel Mediana Untung Siahaya, Presli Glovrig