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GAYA BAHASA SYAIR IKAN TERUBUK Ulul Azmi
Jurnal Ilmu Budaya Vol. 1 No. 1 (2004)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v1i1.671

Abstract

Syair ikan terobuk merupakan karya sastra lama yang mempunyai cm khas tersendiri dibandingkan dengan karya sastra lama yang lainnya. Int dapat dilihat setelah dianalisis dengan unsur gaya bahasa yang terdapat pada bait-bail syair ikan terubuk. Seperti penggunaan prosodi, penggunaan diksi dan penggunaan gaya perbandingan, sehingga dapat diketahui dengan seksama bahwa syair tersebut mempunyai unsur estetika apabila dipandang dari sudut gaya bahasanya. Syair ini merupakan satu dari kekayaan sastra yang terdapat dibumi indonesia pada umumnya dan Riau pada khususnya.
GAYA BAHASA PANTUN NIKAH KAWIN MASYARAKAT MELAYU BENGKALIS Ulul Azmi
Jurnal Ilmu Budaya Vol. 8 No. 1 (2011)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v8i1.1019

Abstract

'Pantun Nikah Kawin" is old literary work which still exists and develops in Bengkalis Malay sociery, it can be seen in wedding ceremof!Y, this Pantun is alwats used as a part ef the tradition. This Pantun Nikah Kawin which is found in Bengkalis Malay sociery has its own figure ef speech like prosody, diction, devices ef comparison like simile, metaphor, personification, hyperbole. Besides, it also consists ef repetitions like anfore, ephipore and respansion.
NILAI AGAMA DAN BUDAYA DALAM PANTUN NIKAH KAHWIN MASYARAKAT MELAYU BENGKALIS Ulul Azmi
Jurnal Ilmu Budaya Vol. 10 No. 2 (2014)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v10i2.1061

Abstract

The values of faith and worship are inseparable elements in the life of Bengkalis society. This is reflected in the life of the individual since his/ her childhood to his/her adulthood. These values are also portrayed in “Pantun Nikah Kawin” in which it provides advices for the new wedded couple in order they may get happiness in their life. Those advice are taken from Islamic guidance to guide the life.
NILAI AKIDAH DALAM GURINDAM DUA BELAS KARYA RAJA ALI HAJI Ulul Azmi; Rusli Zainal
Jurnal Ilmu Budaya Vol. 13 No. 1 (2016)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v13i1.1119

Abstract

Gurindam Dua Belas which was written by Raja Ali Haji has meaningful religious values. In its verses, this work advices its reader. It strengthens that someone who doesn’t apply his/her God’s commands is considered as someone who has no religion. The verses also advise the reader to know his/her religion, Allah, oneself, the world which deceives humans, and to know the life in the after world.
Pengenalan Pemakaian Tanjak Melayu Pada Mahasiswa Sastra Daerah Fakultas Ilmu Budaya Ulul Azmi; Essy Syam; Qori Islami Aris
BIDIK: Jurnal Pengabdian kepada Masyarakat Vol. 1 No. 1 (2020): Bidik: Jurnal Pengabdian kepada Masyarakat
Publisher : Fakultas Ilmu Budaya Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (549.652 KB) | DOI: 10.31849/bidik.v1i1.5062

Abstract

This service aims to introduce the use of Malay tanjak to students and provide understanding and awareness about the need to know the use of Malay tanjak in daily life. Tanjak is a tradition and identity of the Malay community. Tanjak is one of the clothing accessories for men in Malay, the tanjak is used on the head as a symbol of Malay society. Tanjak has a symbol of authority among the Malay community, the higher and more complex the shape will show the higher social status of the owner. Tanjak is usually used by men when they want to go out, like a skull cap. Tanjak is commonly used by Malay people in all layers of social class, both in the form of royal support as aristocrats and lower classes of society. The development of life which is followed by the development of technology and the inclusion of foreign culture slowly shifts the existence of the use of Malay inclines. Previously, not using a hill was considered to violate adat. Therefore, the use of tanjak is a true Malay identity. The use of the Malay hill was reintroduced because many people did not know it, one of which was the use of the hill climb for sultans, commanders and ordinary people, the way to use the Malay hill was certainly very different from one another, for which students could later apply the use of the Malay hill to the community.