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All Journal Islam Futura Gender Equality: Internasional Journal of Child and Gender Studies Jurnal Sosiologi USK (Media Pemikiran & Aplikasi) JUSPI (Jurnal Sejarah Peradaban Islam) Abrahamic Religions: Jurnal Studi Agama-Agama Indonesian Journal of Islamic History and Culture
Asmanidar Asmanidar
Universitas Islam Negeri Ar-raniry Banda Aceh
Religion Arts Humanities Education Social Sciences Other

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Journal : Indonesian Journal of Islamic History and Culture

 1 
THE EXISTENCE OF RENCONG MAKING AS A CULTURAL PRODUCT IN ACEH: A STUDY IN BAET RAYA DISTRICT ACEH BESAR REGENCY Rika Andalya Bukhari; Bustami Abubakar; Asmanidar
Indonesian Journal of Islamic History and Culture Vol 2 No 1 (2021): Indonesian Journal of Islamic History and Culture
Publisher : The Department of Islamic History and Culture in cooperation with the Center for Research and Community Service, Universitas Islam Negeri Ar-Raniry Banda Aceh, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (394.62 KB) | DOI: 10.22373/ijihc.v2i1.763

Abstract

This article is entitled "The Existence of Rencong Making as a Cultural Product in Aceh (A Study in Baet Raya, Sukamakmur District, Aceh Besar Regency)". Rencong is a typical traditional weapon that has become an icon of Aceh region, as it is called Tanoh Rencong (The Land of Rencong). In Aceh Besar, rencong is traditionally produced by the community. One of the rencong production areas is in Baet Raya, Sukamakmur District. The problems to be studied are how the existence of rencong making in Baet Raya, what are the obstacles faced by craftsmen in Baet Raya and how the community and Aceh Besar district government respond to the rencong making in Baet Raya. The method used in this research is descriptive analysis. Data was collected through observation, interviews and documentation. The selection of informants was completed by purposive sampling. From the results of the research, it is known that the existence of rencong making in Baet Raya continues to decline each year, as it could be seen from the decreasing number of teumpeun and rencong craftsmen. This is due to the many constraints in the production process such as lack of capital, high raw material prices, lack of public interest in rencong and it is difficult to take it out by plane if it is not decorated in a frame while the craftsmen could not afford with enough capital. The people of Baet Raya are grateful for the activity of rencong making because, in addition to increasing income, it preserves cultural products. On the other hand, there are also those who regret it as many youth decide to work in teumpeun instead of continuing their education to a higher level. The effort made by the community in preserving rencong making in Baet Raya is by teaching the young generation the skills of making rencong from the early age, while the form of conservation from the government is to exhibit the rencong at every important event such as the Aceh Cultural Week (PKA). However, the craftsmen admit that they have never received assistance from the government any more, especially since Covid-19 and it affects all rencong-making activities in Baet Raya. Therefore, government support is needed for the continuity of the existence of rencong making in Baet Raya.
THE KINGDOM OF ACEH DARUSSALAM AFTER THE EXILING OF SULTAN MUHAMMAD DAUD SHAH (1906-1942) Nita Juliana; Anwar Daud; Asmanidar
Indonesian Journal of Islamic History and Culture Vol 3 No 1 (2022): Indonesian Journal of Islamic History and Culture
Publisher : The Department of Islamic History and Culture in cooperation with the Center for Islamic History and Culture in Aceh and Malay World Studies (PUSAKA), Universitas Islam Negeri Ar-Raniry Banda Aceh, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/ijihc.v3i1.1642

Abstract

This study aims to examine the extent of Dutch intervention in destroying Aceh's sovereignty, and what efforts were attempted by Sultan Muhammad Daud Syah in restoring the sovereignty after his exile. The methods used are heuristics, critical interpretation, and historiography. The results showed that the Dutch violated the laws of war by kidnapping the two consorts and their children so that the Sultan would surrender. The contribution of Sultan Muhammad Daud Syah in his exile to restore Aceh's sovereignty was to provide financial support and hold communication with the fighters in the interior. In addition, he also asked for reinforcements from foreign powers (Japan) to expel the Dutch colonialists in Aceh.
PRESERVING THE TRADITION OF KASAB CRAFT IN NAGAN RAYA DISTRICT Sri Ayuda; Husaini Husda; Asmanidar
Indonesian Journal of Islamic History and Culture Vol 4 No 1 (2023): Indonesian Journal of Islamic History and Culture
Publisher : The Department of Islamic History and Culture in cooperation with the Center for Islamic History and Culture in Aceh and Malay World Studies (PUSAKA), Universitas Islam Negeri Ar-Raniry Banda Aceh, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/ijihc.v4i1.1974

Abstract

Kasab or kasab cloth, is a traditional textile embroidered with various types of local motifs in Keude Blang Village, Seunagan Timur District, Nagan Raya Regency, Aceh. However, the cultural richness of this society has never been scientifically researched. Therefore, the purpose of this study was to find out the types of motifs and the preservation of objects by the community and local government in that area. This is qualitative research, data collection involved observation, interviewing, and documentation. The results showed that kasab is one of the traditions for embroidering motifs on traditional textile surfaces. The use of gold thread in the components of traditional ceremonies not only provides aesthetic value, but also complements the meaning conveyed through symbols as a medium of public communication. The kasab motifs that are always embroidered in the Keude Blang Ara Village community include the bungong uret, bungong meulu, bungong pucuk pakis, and pucuk rembong (bamboo flower) motifs. Kasab preservation in Keude Blang Ara Village continues to be carried out by the local community and supported by the government. Preserving local culture (kasab) involves creating dynamic expressions and adapting to changing developmental situations to preserve cultural, artistic, and traditional qualities. However, with the support of the government, kasab has become something interesting, so that nowadays the demand for producing kasab is increasing.
Co-Authors Anwar Daud Bustami Abubakar Husaini Husda Khairil Fazal Khairil Fazal Nita Juliana Rika Andalya Bukhari Sri Ayuda