Miftah Nugroho
Universitas Sebelas Maret

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Dunia Arab Saudi dan Islam dalam pandangan orang Indonesia: Narasi pekerja migran dalam novel Pelukis Gurun Pasir (2018) karya Fuad Abdurahman Dwi Susanto; Miftah Nugroho; Rianna Wati
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 49, No 1 (2021)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1044.732 KB) | DOI: 10.17977/um015v49i12021p122

Abstract

The world of Saudi Arabia and Islam in the perspectives of Indonesians: The narrative of migrant workers in Pelukis Gurun Pasir (2018) by Fuad AbdurahmanThe world of Saudi Arabia in the diaspora experiences of Fuad Abdurahman is written in a novel entitled Pelukis Gurun Pasir (2018). The problems discussed in this study are: (1) the position of subject or author in the narrative structure of the text, (2) the author's relationship with the country of origin, and (3) the voices that appear within the migrant subject in dealing with Saudi Arabian tradition. The theory used is diaspora poetics, which emphasizes the concept of language expression as part of the subject's identity. The object of the research is Pelukis Gurun Pasir (2018) and the author's response to traditions in Saudi Arabia. The data include the narrative structure of the novel’s text, the ideas in the text, the author's biography, and diaspora discourse or social situations. The results show that the image of Saudi Arabian society tends to be evaluated negatively by emphasizing on the chaotic sexuality description of Arabic men, making Saudi Arabia a masculine country. In addition, the author finds tolerant Islamic values in Indonesia, which causes his longing to return to Indonesia.Keywords: diaspora, atuhor, Saudi Arabia, narrative structureDunia Arab Saudi dan Islam dalam pandangan orang Indonesia: Narasi pekerja migran dalam novel Pelukis Gurun Pasir (2018) karya Fuad AbdurahmanDunia Arab Saudi dalam pengalaman diaspora Fuad Abdurahman dituliskan dalam Pelukis Gurun Pasir (2018). Masalah yang dikaji dalam penelitian ini adalah (1) posisi subjek atau pengarang dalam tata naratif teks (2) hubungan pengarang dengan negeri asal, dan (3) suara-suara yang muncul dalam diri subjek migran dalam menghadapi tradisi Arab Saudi. Teori yang digunakan adalah puitika diaspora yang menekan pada konsep ekpresi bahasa sebagai bagian dari identitas subjek. Objek kajian penelitian adalah novel Pelukis Gurun Pasir (2018) dan tanggapan pengarang terhadap tradisi di Arab Saudi. Data yang digunakan adalah tata naratif teks novel, gagasan yang muncul dalam teks, riwayat pengarang, dan wacana diaspora atau situasi sosial. Hasil penelitian ini adalah bahwa citra masyarakat Arab Saudi cenderung dinilai secara negatif dengan menekankan pada deskripsi seksualitas yang kacau dari laki-laki Arab sehingga Arab Saudi adalah negeri maskulin. Selain itu, pengarang justru menemukan nilai-nilai keislaman yang toleran berada di Indonesia sehingga pengarang merindukan pulang ke Indonesia.Kata Kunci: diaspora, pengarang, Arab Saudi, tata naratif 
LANGUAGE INVESTIGATION ON IMPOLITENESS SERVED AT ‘INDONESIA LAWYERS CLUB’ TALK SHOW Dita Sukmawati Putri; Dwi Purnanto; Miftah Nugroho
English Language and Literature International Conference (ELLiC) Proceedings Vol 4 (2021): Creative and Innovative Learning Strategies in The Field of Language, Literature, Ling
Publisher : Universitas Muhammadiyah Semarang

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Abstract

Impoliteness lately becomes a common habit occurring in people interaction. It is not only revealed at informal, but also formal circumstances. What are the forms and strategies of impoliteness appearing at formal conversations? This question is discussed through this research explanation. This paper is an attempt to investigate the impoliteness implementation uttered by speakers of the “Indonesia Lawyers Club” show—a popular program that presents a dialogue on issues of law and politic. As the consequence, the data sources were conversations uttered by ILC speakers involving impoliteness. This descriptive qualitative study applied the concept of Culpeper (1996) to gain deep comprehending on impoliteness in public usage. The result shows that there were four impoliteness strategies at the show, including bald on record impoliteness, positive impoliteness, negative impoliteness, as well as mock impoliteness.
ISLAM, PEREMPUAN, DAN WACANA MODERNITAS DALAM RATU YANG BERSUJUD KARYA MAHDAVI DAN SERIAL JILBAB TRAVELER KARYA ASMA NADIA Dwi Susanto; Miftah Nugroho; Rianna Wati
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 6, No 1 (2022)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2022.06106

Abstract

The issue of Islam, women, and modernity discourses are common discussions in Indonesian literature. Literary works can be seen as part of an effort to welcome these ideas. This study discusses the literary works of Mahdavi and Asma Nadia in responding to issues of Islam, women, and modernity discourse. This study uses a postcolonial study point of view. The object of this research is Ratu Yang Bersujud (2013) by Mahdavi and Hijab Traveler (2012, 2014, and 2015) series from Asma Nadia. The formal object is the discourse of colonial modernity, Islam, and women. The data of this research are the contents of literary works, colonial discourse, Islam, women, and modernity. The data interpretation technique was carried out by following the binary opposition reading procedure in postcolonial studies. The response to the discourse on women, Islam, and modernity is done by negotiating and at the same time building women's constructions. However, women's voices become ambiguous when the subject is trapped in the discourse of modernity and capitalism through the issue of globalization. Women must continue to play their Islamic identity in entering the arena of modernity.