Garuda - Garba Rujukan Digital

p-Index From 2019 - 2024

2.012

P-Index

This Author published in this journals

All Journal Sabda: Jurnal Kajian Kebudayaan Jurnal Ilmu Perpustakaan Berkala Arkeologi ENDOGAMI Kiryoku: Jurnal Studi Kejepangan IHiS (Indonesian Historical Studies) Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi KALPATARU Lani: Jurnal Kajian Ilmu Sejarah dan Budaya

Alamsyah Alamsyah

Departemen Sejarah Fakuktas Ilmu Budaya Universitas Diponegoro

Author-ID : 3603839

Arts Humanities Earth & Planetary Sciences Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

Published : 21 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3

Perjalanan Panjang Paṭola Menjadi Jlamprang: Transformasi Motif Tenun Menjadi Motif Batik Siti Maziyah; Alamsyah Alamsyah
KALPATARU Vol. 30 No. 1 (2021)
Publisher : Pusat Penelitian Arkeologi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/kpt.v30i1.810

The background of this research comes from the public's understanding that the jlamprang motif is a typical Pekalongan batik motif, besides that there are also those who state that this motif is an imitation of the paṭola motif. Therefore, this paper aims to determine the transformation process of the patola woven motif into the jlamprang batik motif, one of the characteristic batik motifs of Pekalongan. Why can the weaving motif turn into a batik motif? Why does the jlamprang batik motif become the hallmark of Pekalongan? The method used in this research is to trace the trade of paṭola motif cloth from India and its distribution in Java, both in the form of the distribution of decorative motifs on temples and on cloth. The search was carried out through literary texts, decorative motifs on temple walls, and motifs of cloth worn by statues. The results showed that in Java the paṭola motif has undergone a transformation from a woven motif to a decorative motif on the temple walls to a batik motif. Jlamprang became the signature batik motif of Pekalongan because it was in this city that the motif was first developed by Arab traders to overcome the scarcity of paṭola woven motifs from India. Thus, it can be concluded that the Javanese society is an adaptive society, with local genius capable of processing foreign decorative motifs into their own motifs and making them a local identity.

Kesenian Kentrung Jepara dalam Perkembangan Zaman Alamsyah Alamsyah; Siti Maziyah
Endogami: Jurnal Ilmiah Kajian Antropologi Vol 4, No 1: Desember 2020
Publisher : Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/endogami.4.1.55-64

Kentrung art is one of the local arts in Jepara. According to oral tradition, the existence of kentrung around the 16th century. During its development, kentrung reached the peak of popularity in the 20th century. Currently the art of kentrung still survives thanks to the support of the community in performing activities both rituals and entertainment in various places. This condition makes kentrung art still exist in the midst of limited resources of art actors. At the end of the 20th century, along with the development of technology and information, this art was intended to match market needs through more attractive packaging in order to survive. When traditional kentrung retained its old performance style, this art experienced a decline in popularity. From here, kentrung was born, which was modified from the aspects of the equipment, players, and the content of the story to make it more interesting. Even so, kentrung which still maintains its old performance pattern still exists because it has the support of the community, government and cultural community. In order for this art to be sustainable, there needs to be efforts to regenerate actors and innovate performances by still paying attention to traditional values as distinctive and unique local arts

Kerajinan Batik dan Pewarnaan Alami Alamsyah Alamsyah
Endogami: Jurnal Ilmiah Kajian Antropologi Vol 1, No 2: Juni 2018
Publisher : Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro

BATIK -- craft is a cultural heritage of Indonesia which existence keep growing each day. It is characterized by the existence of batik craft in various regions with their own characteristics. As a cultural heritage, batik craft had been around since the time of the kingdom era in our nation. Before the discovery of synthetic materials technology, batik coloration has always been using natural colors that are available in Indonesia. Natural coloration can be taken from tinggi wood, tegeran plant, teak leaf, indigo plant, secang, mahogany, and other plants. As the times progressed, natural coloring began to be replaced and abandoned by the craftsmen. Crafters use synthetic coloring starting in the early 20th century. Currently there is an awareness to return to the natural coloring because it is considered to be more environmentally friendly and cheaper. The use of natural coloring also pushes batik selling value higher when compared to the one using synthetic color

Sejarah Budaya Partai Keadilan Sejahtera di Jepara Tahun 1999-2009 Ummi Nur Lutfiyah; Alamsyah Alamsyah
Endogami: Jurnal Ilmiah Kajian Antropologi Vol 3, No 2: Juni 2020
Publisher : Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro

This article discusses about the development of the Prosperous Justice Party in Jepara with various dynamics. The party originally called the Justice Party in Jepara, was founded by former campus religious activists. Initially, this party became a cadre party that applied strict standards in the recruitment process through the training process of its members. In its journey, the party did not fully become a cadre party because it needed the support of voters from all people. This reconstruction of the party uses historical methods consisting of heuristics, criticism, interpretation, and historiography. The results of this article illustrate that the development of the Prosperous Justice Party in Jepara was initiated in 1999 under the name Justice Party. In 2003, this party became the Prosperous Justice Party which in 2004, this party in Jepara became one of the participants in the election by getting a seat in the election. In the 2009 elections, the party won two seats in parliament, although the number of votes decreased compared to the previous election. The Prosperous Justice Party is not only involved in politics but also in the economic, social and health sectors

Jiwa Kewirausahaan dan Strategi Keberhasilan dalam Penjualan Sri Indrahti; Siti Maziyah; Alamsyah Alamsyah
Endogami: Jurnal Ilmiah Kajian Antropologi Vol 5, No 1: Desember 2021
Publisher : Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/endogami.5.1.1-7

Sales strategy in entrepreneurship activities has an important role in the success of the business. It takes persistence to create mutual trust between the seller and the buyer. Some of the efforts made by sellers who are engaged in the MSME sector in Semarang, among others, maintain quality, have standard prices according to the market and conduct healthy competition between sellers with the same or various types of business.

Perkembangan Motif Batik di Wonosobo Alamsyah Alamsyah
Endogami: Jurnal Ilmiah Kajian Antropologi Vol 2, No 2: Juni 2019
Publisher : Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro

Wonosobo Batik historically could be traced in Hindu period with the discovery of Syiva wore Parang motif. At the end of the 19th century Wonosobo batik motif was seen in clothes worn by traditional Dutch East Indies officers. In the post-independence period Wonosobo batik was also seen to be worn by the community. Motif used was dominated by Parang motif (machete) Lereng motif (slope) with dark and darkish color. The existence of batik was reappeared at the beginning of 21st century dominated by Carica and purwaceng motifs. These motifs were considered to have local peculiarities of Wonosobo. From these motifs carica combination motif had developed. The motifs which were combined with carica such as Sulur, Sekar Jagat, Kawung, Wayang, Lereng, Lubang Sewu, Kopi, Cabe, Teh, Rejeng, Sidomukti, Topeng, and etc. It meant that Wonosobo batik motifs were varies by adopting potential and local culture

Implementasi Shibori Di Indonesia SIti Maziyah; Sri Indrahti; Alamsyah Alamsyah
KIRYOKU Vol 3, No 4 (2019): Jurnal Kiryoku
Publisher : Diponegoro University

(Title: Shibori Implementation in Indonesia) Shibori is a technique for making batik-like cloth motifs carried out in Japan. Lately, this technique has been favored by many Indonesians because of its simpler technique and faster production than batik making. Actually this technique is similar to batik, which is doing a color barrier to create a motif on the fabric. If in batik the barrier device used is wax, then the shibori used can be from various tools such as rubber, yarn, clothespin, and so on. Based on a search on the culture of making traditional fabric motifs in Indonesia, it turns out that the shibori technique has also been carried out by fabric artisans in Indonesia. What is the implementation of shibori in Indonesia like? By using literature studies from various writings relating to making fabric motifs, finally some shibori techniques can be investigated that have been carried out by traditional fabric artisans in Indonesia.

Perkembangan Pelabuhan Perikanan Nusantara Kejawanan dan Kontribusinya terhadap Pemberdayaan Sosial Ekonomi Masyarakat Nelayan Kota Cirebon, 1994-2011 Juhaeriyah Juhaeriyah; Singgih Tri Sulistiyono; Alamsyah Alamsyah
Indonesian Historical Studies Vol 2, No 2 (2018)
Publisher : Diponegoro University

This article aims to analyze the development of the Fishing Port and its contribution to the economic life of fishing communities at Cirebon in 1994-2011. The Fisheries Port of the Surgeon was built in 1994 and began operating in 1997 with trial status. Then in 1999, the Cirebon fishing port status changed to the Nusantara Fisheries Port (PPN). PPN equipped with basic, functional, and supporting facilities that aim to support port activities. The basic facilities available in PPN Vocational consist of trapezoidal breakwaters. Meanwhile, the technical facilities available at PPN included administrative offices, Fish Auction Places (TPI), ice warehouses, water reservoirs, water networks equipped with water pumps, meters, and pipe installations that reach the port dock, as well as electricity networks. Besides, PPN also had supporting facilities consisting of security posts, mosques, bathrooms, and official homes. In its development, PPN Kejawanan had a significant contribution in the socio-economic empowerment efforts of fishing community at Cirebon. Those efforts were included in empowering women at households level and fostering the fishermen to increase welfare and employment opportunities.

Perkembangan Pelabuhan Perikanan Prigi dan Dampaknya terhadap Kehidupan Sosial Ekonomi Nelayan Desa Tasikmadu, Kabupaten Trenggalek, 1978-2004 Khoirun Nikmah; Sutejo K. Widodo; Alamsyah Alamsyah
Indonesian Historical Studies Vol 2, No 2 (2018)
Publisher : Diponegoro University

This article aims to analyze the development of Prigi Fishing Port and its impact on the socio-economic of fishermen community atTasikmadu Village, Trenggalek during the period 1978-2004. The Prigi Fishing Port experienced a stage of development from the Fish Landing Base (PPI) in 1978 to the Coastal Fisheries Port (PPP) in 1982, and then it was upgraded become the Nusantara Fisheries Port (PPN). The inauguration of Prigi holds in 2004. The impact of the port development affected in the socio-economic life of the coastal society in Tasikmadu. Social implications including on changes in fishing technology, work relations, and fishing catches. Meanwhile, economic impacts including changes in fishermen's income, employment, and the emergence of works opportunities.

Identifikasi Bangunan Cagar Budaya di Jawa Tengah (Studi Eks Rumah Dinas Residen) Alamsyah Alamsyah
Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Vol 2, No 4 (2018): Desember
Publisher : Program Studi Ilmu Perpustakaan, Fakultas Ilmu Budaya, Universitas Diponegoro

Bangunan eks rumah dinas residen yang ada di beberapa daerah di Jawa Tengah merupakan bangunan yang dapat dikategorikan sebagai bangunan cagar budaya. Bangunan ini merupakan susunan binaan yang terbuat dari benda buatan manusia untuk memenuhi kebutuhan ruang berdinding dan beratap. Bangunan ini merupakan peninggalan sejarah yang berusia lebih dari 50 tahun, mempunyai masa gaya lebih dari 50 tahun, dan mempunyai arti penting bagi sejarah dan ilmu pengetahuan. eks rumah dinas residen merupakan bangunan peninggalan pemerintah Hindia Belanda yang digunakan sebagai pusat pemerintahan dan kediaman residen beserta keluarganya. Adanya rumah dinas residen merupakan bentuk hadirnya birokrasi binnenlandsch bestuur (birokrasi kolonial), residen, yang strukturnya berada di bawah gubernur jenderal dan di atas asisten residen. Sebagai bangunan cagar budaya, maka keberadaan bangunan ini harus dilestarikan, dikembangkan, dan dimanfaatkan untuk kesejahteraan masyarakat.

Co-Authors Anan Tawazzun Nafi Juhaeriyah Juhaeriyah Khoirun Nikmah Lulu Fitria Aniskuri M. Ibnu Athoillah Nabila Prayumaulida Nur Asih Ariani Singgih Tri Sulistiyono Siti Maziyah Sri Indrahti Sutejo K. Widodo Sutejo Kuwat Widodo Ummi Nur Lutfiyah Yanuar Yoga Prasetyawan Yanuro Nisfi Nahariyah

Title Search

Found 21 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 21 Documents
Search