I Putu Mardika
Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

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Journal : Pramana: Jurnal Hasil Penelitian

Pewarisan Budaya Bali Aga dalam Tradisi I Putu Mardika
Pramana: Jurnal Hasil Penelitian Vol 2, No 2 (2022)
Publisher : Pramana: Jurnal Hasil Penelitian

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jp.v2i2.2691

Abstract

The Bali Aga community in Pedawa Village, Banjar District has the Saba Nguja Benih Tradition. This ritual is held at the village temple on the full moon of Sasih Kaulu every five years. Nguja Benih are believed to be a form of respect for Dewi Sri so that the glorified seeds can thrive. This article analyzes two things. Namely, how is the process of cultural inheritance in the Nguja Benih Tradition both formally and informally. Then this article also analyzes the media of inheritance through the jejumputan dance which accompanies the Saba Nguja BenihTradition in Pedawa Village. This qualitative study is based on data collected through observation, interviews, and literature study. As a result, Saba Nguja Benih are passed down from generation to generation across generations from children to adults through enculturation and socialization. Socialization is carried out both formally and informally. Jejumputan dance is part of the Saba Nguja Benih Ceremony procession. This dance is performed by children who have not reached puberty. This dance is a cultural identity of the Pedawa people and must be danced during Nguja Benih to please Dewi Sri.
Kajian Fenomenologi Ritual Nampah Batu Di Pura Puseh Desa Adat Depeha I Putu Mardika
Pramana: Jurnal Hasil Penelitian Vol 1, No 2 (2021)
Publisher : Pramana: Jurnal Hasil Penelitian

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jp.v1i2.1884

Abstract

This article examines the phenomenology of the Nampah Batu ritual at Puseh Temple, Depeha Traditional Village which is held once a year, precisely when Purwani Purnama Sasih Karo, which is one day before Purnama Sasih Karo. In this ritual, a unique offering is made called ngatarang lelampadan with offerings from the produce of the Depaha Village community after harvest. In addition there is a unique procession called nampah batu, which is a stone symbolized by a pig as a means of ceremony. There are several theories to dissect the problems studied, namely phenomenological theory, functionalism theory and religious theory. This research is a qualitative research with a qualitative approach. The type of data used is qualitative data and is supported by quantitative data. Data sources are primary data sources and secondary data sources. Data were collected using observation, interview, and documentation techniques. From the data collected, it was processed using qualitative descriptive methods through data analysis methods. The results, namely (1) The stages of the Nampah Batu ritual at the Puseh Temple, Pakraman Depeha Village, Kubuaddan District, Buleleng Regency are as follows: the first stage is registration at the Village Temple administratively to be recorded in the Tulud Apuh list; the second stage is the ritual of praying together at Puseh Temple; the third stage is the implementation of the ceremony at Yeh Kedis Temple, the fifth stage is prayer followed by eating together. The functions of the Nampah Batu ritual are: a) manifest functions, namely: 1) social functions 2) aesthetic cultural functions 3) educational functions 4) ethical and cultural functions. Meanwhile b) latent functions are: 1) religious function 2) purification function and 3) symbolic function. The meaning of the nampah stone ritual at Puseh Temple, Depeha Village, Kubutambahan District, Buleleng Regency is etymological meaning and symbolic meaning.