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Suryanti Suryanti
Institut Seni Indonesia Padang Panjang
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Representasi Rumah Gadang Pada Karya Lukis Hamzah Mukhtia Resfa; Suryanti Suryanti; Rica Rian
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.488 KB) | DOI: 10.26887/vartjofa.v1i1.2134

Abstract

This study discusses the representation of the rumah gadang presented by Hamzah in his paintings, viewed from an aesthetic point of view. This research will explain how the form of representation presented by Hamzah. In this study, qualitative methods used include observation, interviews, and literature study. In this study, we will review Hamzah's paintings based on the period from 2010-2020, so eight Hamzah paintings will be studied. Hamzah's paintings illustrate how the social life of the Minangkabau community has changed due to the changing times. Physical changes from the results of Minangkabau culture are changes that occur in the form of the rumah gadang. The visual of the rumah gadang is expressed in the forms of the rumah gadang that has been damaged, weathered, and even collapsed. Hamzah does not emphasize the forms of rumah gadang in one type only but symbolizes the symbolic rumah gadang. The representation of rumah gadang in Hamzah's painting can be analyzed that there are 3 visual types of rumah gadang in this study, namely the type of rumah gadang Gajah Maharam, Lipek Pandan and Balah Bubuang.
Estetika Karya Lukis Afianto Arifin Selvina Rahmi; Suryanti Suryanti; Miswar Miswar
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (580.307 KB) | DOI: 10.26887/vartjofa.v1i1.2138

Abstract

This study discusses Afianto Arifin's tendency to persist with a strong naturalism style during the incessant contemporary art. This study also discusses the journey of art, the factors behind his work attitude, and the aesthetic concepts contained in his paintings. To answer these problems, qualitative research methods are used which include observation, interviews, and literature study. The research was conducted in the City of Bukittinggi and Padang Pariaman district, West Sumatra province. Based on the research results, the beginning of Afianto Arifin's artistic career began in Jakarta. Apart from painting, Arifin also got a project to make sculptures and reliefs. After that, Arifin was diligent in making paintings. Arifin tends to raise objects of natural scenery and women's beauty. The idea of creating Arifin's paintings was influenced by artistic factors and cultural factors in his native area, namely Bukittinggi. The aesthetic concepts contained in Arifin's paintings are discussed from the point of view of art styles, art structures, as well as the interaction of media and meaning. Arifin is a person who tends to not want to be exposed and does not like to see exhibitions, this makes Arifin stick to his ideals and influences his artistic style until now.
Problematika Diri Sebagai Rangsang Cipta Karya Seni Lukis Abstrak Muhammad Hidayat; Suryanti Suryanti; Hamzah Hamzah
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.2772

Abstract

Problematics are obstacles or problems that must be solved; in other words, the problem is the gap between reality and something expected to work well to achieve maximum results. In everyday life, a person is never separated from various problems, one of which is the problems experienced while attending lectures. Problems arise from one's own negligence, resulting in self-defeating consequences. This is the basis for the creation of paintings. The form of the work presented is a two-dimensional work with an abstract style approach, emphasizing expressive and spontaneous lines using acrylic paint on canvas. The creation methods are preparation, observation, design, embodiment, and presentation. The creation of this painting has succeeded in producing five works entitled "Turbulence of problematic," "Red problematic," "Problematic attack," "Blue problematic," and "Wave control."
Co-Authors Hamzah Hamzah Miswar Miswar Muhammad Hidayat Mukhtia Resfa Rica Rian Selvi Kasman