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All Journal V-art: Journal of Fine Art
Miswar Miswar
Institut Seni Indonesia Padang Panjang
Arts Humanities Education Social Sciences Other

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Estetika Karya Lukis Afianto Arifin Selvina Rahmi; Suryanti Suryanti; Miswar Miswar
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (580.307 KB) | DOI: 10.26887/vartjofa.v1i1.2138

Abstract

This study discusses Afianto Arifin's tendency to persist with a strong naturalism style during the incessant contemporary art. This study also discusses the journey of art, the factors behind his work attitude, and the aesthetic concepts contained in his paintings. To answer these problems, qualitative research methods are used which include observation, interviews, and literature study. The research was conducted in the City of Bukittinggi and Padang Pariaman district, West Sumatra province. Based on the research results, the beginning of Afianto Arifin's artistic career began in Jakarta. Apart from painting, Arifin also got a project to make sculptures and reliefs. After that, Arifin was diligent in making paintings. Arifin tends to raise objects of natural scenery and women's beauty. The idea of creating Arifin's paintings was influenced by artistic factors and cultural factors in his native area, namely Bukittinggi. The aesthetic concepts contained in Arifin's paintings are discussed from the point of view of art styles, art structures, as well as the interaction of media and meaning. Arifin is a person who tends to not want to be exposed and does not like to see exhibitions, this makes Arifin stick to his ideals and influences his artistic style until now.
Ekspresi Takut Sebagai Ide Penciptaan Karya Seni Lukis Giva Kurnia; Miswar Miswar; Yunis Muler
V-art: Journal of Fine Art Vol 2, No 1 (2022): Juli - Desember 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v2i2.2755

Abstract

The artist's experience in childhood with bullying and discrimination is the source of the expression of fear depicted in this work. This experience creates fear that makes artists worse off, reluctant to socialize, and withdrawn. This fear is used as an idea in the creation of paintings. The scope of experience is focused on poor social interactions at school. The form of work created uses a representational approach with changes in the form of distortion and transformation in a surreal style. The method of creation used is preparation, namely reflecting on and recalling the disturbing past. The next stage is the design stage, namely, making alternative sketches. The forming stage begins with the process of transferring the sketch to the canvas and ends with the painting process. After completing all these stages, the work is exhibited. The painting was made using the aquarel technique and the plaque technique. The materials used are acrylic paint and canvas. The creation of this work has resulted in five paintings entitled "Complaint," "Confused," "Response," "Self Opera," and "The Past."
Co-Authors Giva Kurnia Selvi Kasman Suryanti Suryanti Yunis Muler