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All Journal Texture : Art and Culture Journal
Sapto Hudoyo
Televisi dan Film, Jurusan Mediarekam, FSRD, ISI Surakarta
Arts Humanities Education Social Sciences

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KEHIDUPAN KELOMPOK MARGINAL MASYARAKAT PESISIR PADA SETTING KAMPUNG TIRANG DALAM FILM TURAH (Analisis Semiotika Charles Sander Peirce) kharis Ardiyansah; Sapto Hudoyo
TEXTURE : Art and Culture Journal Vol 2, No 2 (2019)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (919.584 KB) | DOI: 10.33153/texture.v2i2.2785

Abstract

ABSTRACTOne of Indonesia's drama-genre films is Turah. Great attention to marginality is evident from the selection and depiction of Tirang village as the main setting. A settlement that stands on land arises in the coastal area. The life of marginal groups of coastal communities that are raised through signs uses the complex Charles Sanders Peirce semiotic approach by relating three main components, namely: representamen, object and interpretant. Keywords : Film Turah, Setting, Semiotica Charles Sanders Peirce, Marginal Group, Beach Society.ABSTRAKSalah satu film Indonesia ber-genre drama adalah Turah. Perhatian besar pada marginalitas tampak sekali dari pemilihan dan penggambaran kampung Tirang sebagai setting utama. Sebuah perkampungan yang berdiri di atas tanah timbul di daerah pesisir. Kehidupan kelompok marginal masyarakat pesisir yang dimunculkan melalui tanda-tanda menggunakan pendekatan semiotika Charles Sanders Peirce yang kompleks dengan mangaitkan tiga komponen utama, yaitu: representamen, object dan interpretant.Kata Kunci: Film Turah, Setting, Semiotika Charles Sanders Peirce, Kelompok Marginal, Masyarakat Pesisir
Co-Authors kharis Ardiyansah