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All Journal ANDHARUPA Arty: Jurnal Seni Rupa Fashion and Fashion Education Journal Gondang: Jurnal Seni dan Budaya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology
Nadia Sigi Prameswari
Fakultas Bahasa Dan Seni, Universitas Negeri Semarang
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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PEMANFAATAN LIMBAH KAIN BATIK UNTUK DIVERSIFIKASI PRODUK UMKM KERAJINAN BLANGKON Nadia Sigi Prameswari; Mulyanto Mulyanto; Arif Fiyanto; Pratama Bayu Widagdo
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 12, No 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i2.3233

Abstract

Eksistensi UMKM semakin mengkhawatirkan ditengah pesatnya pasar global. Salah satu UMKM yang masih produktif adalah UMKM kerajinan blangkon di Potrojayan, Surakarta. Studi ini bertujuan untuk mengembangkan limbah hasil dari kerajinan blangkon untuk dilakukan daur ulang guna menghasilkan produk masker yang bernilai ekonomi dan sangat dibutuhkan di era pandemi saat ini. Penelitian merupakan penelitian eksploratif. Teknik pengumpulan dilakukan melalui observasi dan wawancara. Tahap pertama, peneliti melakukan observasi dan wawancara terhadap identifikasi hasil limbah kain dan identifikasi kondisi tempat kerja perajin blangkon di Potrojayan, Surakarta. Responden yang dipilih berdasarkan kriteria yaitu sudah memiliki pengalaman kerja minimal 10 tahun sebagai perajin blangkon. Tahap kedua, peneliti membuat rancangan dan pembuatan produk masker hasil limbah kain batik. Draft atau konsep rancangan masker dibuat dengan ukuran panjang mencapai 17 cm dengan lebar 10 cm. Tali pengikatnya dibuat menjadi dua jenis tali, berupa earloop dan headloop. Tali earloop didesain dengan ukuran panjang 35 cm, sedangkan tali headloop didesain dengan ukuran panjang tali konektor 10 cm dan tali tunggal headloop dengan panjang 15 cm. Peneliti memutuskan untuk mengembangkan desain headloop karena sesuai dengan kebutuhan pengguna, dapat digunakan di telinga maupun dapat digunakan dengan cara diikat bagi pengguna berhijab.
PERSEPSI MAHASISWA TERHADAP SENI RUPA TRADISI DAN KONTEMPORER SERTA RELASI PROSES PENJELAJAHAN IDE KREATIF DALAM BERKARYA Narsen Afatara; Sigit Purnomo Adi; Sayid Mataram; Nadia Sigi Prameswari
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.691 KB) | DOI: 10.33153/bri.v10i2.2325

Abstract

ABSTRACTThe essence of art is creating beauty. Since ancient times beauty is something that is always sought after by humans. The beauty is getting worse due to traditional art increasingly abandoned. Traditional art is all things related to values in a particular community which are maintained purely from generation to generation. In contrast to contemporary art, one of the most prominent and prominent characteristics in contemporary art is the disappearance of boundaries between art. Both forms and styles of fine arts need to be preserved by students as the next generation. The importance of preserving art is part of the preservation of the arts and culture of the nation's heritage. Traditional and contemporary art are taught in the realm of education, especially at the university level through fine arts courses. The purpose of this study is to find out the perceptions of art students on traditional art and contemporary art, so that students as young people can identify and determine their interest in one form and style between traditional and contemporary art. Keywords: Fine Art, Contemporary and Traditional
Pengaruh Nilai Islam pada Visual Pakaian Pengantin Adat Minangkabau Koto Gadang Taufik Akbar; Desra Imelda; Nadia Sigi Prameswari; Selfi Mahat Putri
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol 8, No 02 (2022): June 2022
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v8i02.5268

Abstract

Abstrak Pakaian pengantin tradisional Koto Gadang merupakan salah satu produk seni budaya Minangkabau yang identik dengan nilai Islam. Walaupun bukan sebagai tempat masuknya Islam di Minangkabau dan Sumatera Barat tetapi masyarakat Koto Gadang mampu mencerminkan nilai Islam yang kuat pada visual pakaian pengantin yang khas. Penelitian ini adalah sebuah pengamatan visual tentang nilai-nilai Islam yang diwakili melalui pakaian pengantin Koto Gadang. Pengamatan dilakukan dengan pendekatan etnografis Spradley melalui analisis elemen dan komponen visual pakaian pengantin Koto Gadang serta didukung oleh teori semiotika dyadic Ferdinand De Saussure. Hasil penelitian menunjukan pengaruh nilai-nilai Islam pada busana mempelai wanita terdiri dari telekung, baju kurung, dan sarung kodek. Pada pakaian mempelai pria pengaruh Islam terlihat jelas pada atribut penutup kepala yang disebut deta ameh gadang dan kain penutup celana yang disebut sesamping. Penelitian ini dapat menambah studi tentang pengaruh sosio-kultural terhadap karya seni, khususnya di Sumatera Barat. Kata Kunci: budaya Minangkabau, nilai Islam, pakaian pengantin, Koto Gadang, etnografi AbstractThe Koto Gadang traditional wedding dress is one of the Minangkabau’s cultural arts product that are identical to Islamic values. Although not as a place for the entry of Islam in Minangkabau and West Sumatra, the Koto Gadang community is able to reflect strong Islamic values in the visuals of a distinctive wedding dress. This research is a visual observation about the Islamic values represented through the Koto Gadang wedding dress. Observations performed with an ethnographic approach through a process of Spradley’s visual components analyzing in the Koto Gadang wedding dress and also supported by the dyadic semiotics theory of Ferdinand De Saussure.The result of the analysis show that there are influences of Islamic values in trousseau consist of telekung, baju kurung, and kodek sarong. In the groom's clothes, the influence of Islamic values clearly visible in turban called deta ameh gadang and the cloth covering pants called sesamping. This research is expected to contribute to the study of socio-cultural influences in artworks, particularly in West Sumatra. Keywords: ethnographic, Islamic values, Koto Gadang, Minangkabau culture, wedding dress
ESTETIKA FOTOGRAFI VINTAGE COLOR STYLE PADA KARYA NIGHTSCAPE PROJECT Nadia Sigi Prameswari; Gunadi Gunadi; Eko Setiawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 14, No 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4083

Abstract

The purpose of this study is to identify how Cimahi batik is a form of cultural identity. So that the younger generation, especially the people of Cimahi City, can know and appreciate the form of cultural heritage in the form of one of the city's identities. The research method used is a qualitative method by analyzing the data found. This study uses a literature/library study approach in which the data comes from various literatures, both in print and electronic media related to cultural identity in the form of urban batik in the view of anthropology. This is motivated by the swift currents of globalization which can cause cultural shifts. Even the cultural identity of an area can be lost if it is not preserved. So this research is expected to increase the sense of respect and pride in the existing cultural identity.
Jagad Raya: Representation of Flora and Fauna in Wooden Craft From A Cosmological Perspective Eko Haryanto; Mujiyono Mujiyono; Nadia Sigi Prameswari
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.47582

Abstract

The art of teak wood carving was one of the leading export commodities, especially wood carvings with flora and fauna motifs. Javanese culture and Hindu mythology influenced the flora and fauna motifs, so they had their meanings. This research aimed to develop carvings of flora and fauna motifs inspired by classic batik motifs using wood media. The results showed that the media used was teak wood with a finishing process without painting to produce a natural color. It was adjusted to its function and use in creating teak wood carvings. Wood carving did not only function to be enjoyed for its aesthetic value but as a decorative and sacred medium where each motif influences one's beliefs when creating artwork. In addition, teak wood carvings were used as symbols of a culture, and the designed motifs often contained the meaning of teachings to humans in carrying out life. Based on the economic aspect, the teak woodcarving industry strategically improved the community's income, especially for craftsmen in tourism centers. By making woodcarving crafts with flora and fauna motifs, it hoped that woodcarving crafts would not only use as decorative objects, but it used as an educational media for fine art, history, and Javanese culture, which were full of meaning to the broader community so that they could increase knowledge and encourage people to behave following the concept of cosmology.
DESAIN E-KATALOG UMKM FESYEN “WOMANPRENEUR COMMUNITY” SURAKARTA DALAM TRANSFORMASI EKONOMI DIGITAL Nadia Sigi Prameswari; Maria Krisnawati; Pratama Bayu Widagdo; Karina Hanum Luthfia
Fashion and Fashion Education Journal Vol 12 No 2 (2023)
Publisher : Department of Home Economics, Faculty of Engineering, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/ffej.v12i2.74315

Abstract

UMKM di Indonesia terus mengalami perkembangan dan mampu menjadi garda terdepan dalam perkembangan perekonomian. Seperti pada komunitas UMKM yang tergabung dalam Womanpreneur Community (WPC) Surakarta. UMKM yang tergabung dengan WPC sebagian besar bergerak dalam bidang fesyen. Bidang fesyen mengalami pertumbuhan yang menjanjikan di pasaran dan termasuk ekspor andalan indonesia dalam memajukan perekonomian. Pemerintah juga sangat mendukung supaya UMKM mampu naik kelas dan mendapatkan akses pemasaran yang lebih luas dengan beralih pada ekonomi digital. Sehingga perlu untuk memperbaiki citra UMKM fesyen di Indonesia, karena fesyen Indonesia turut melestarikan budaya yang dikenal hingga ke mancanegara dengan memakai kain batik sebagai mode fesyen. Penelitian ini bertujuan untuk merancang desain e-katalog bagi UMKM yang tergabung dalam komunitas Womanpreneur Community (WPC) Surakarta sebagai media promosi sekaligus memperluas jaringan pemasaran digital. Metode yang digunakan dalam perancangan desain e-katalog adalah model prototype yang dikembangkan secara berkelanjutan berdasarkan analisis dengan pengguna. Adapun tahapan model prototype meliputi: (1) pengumpulan kebutuhan pengguna; (2) perancangan prototype; dan (3) evaluasi prototype. Hasil penelitian ini berupa E-Katalog yang telah di publish atau disebarluaskan melalui internet atau media sosial, UMKM yang tergabung dalam WPC juga telah mengetahui pembuatan E-katalog supaya nantinya dapat dikembangkan bila terdapat inovasi produk. Keunggulan yang dimiliki E-katalog sebagai media promosi dianggap mampu memasarkan layanannya secara online dengan lebih efektif dan efisien
Representasi Isu Sosial Budaya pada Desain Poster dan Relevansinya terhadap Kemampuan Literasi Visual Tingkat Perguruan Tinggi Nadia Sigi Prameswari; Agus Cahyono; Slamet Subiyantoro; Eko Haryanto
Prosiding Seminar Nasional Pascasarjana Vol. 5 No. 1 (2022)
Publisher : Pascasarjana Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstrak. Pendidikan seni di masa modern saat ini banyak sekali tantangan kontradiktif antara konsep dan implementasi di lapangan dalam kurikulumnya. Salah satu kompetensi yang harus dimiliki mahasiswa perguruan tinggi, khususnya mahasiswa Desain Komunikasi Visual di era modern ini adalah literasi visual. Namun, hingga saat ini kemampuan literasi visual mahasiswa masih sering dikesampingkan dalam dunia pendidikan. Penelitian ini bertujuan untuk mengetahui representasi karya dari mahasiswa Desain Komunikasi Visual yang dihasilkan dalam perkuliahan praktik, ditinjau dari keterampilan atau kemampuan literasi visual serta kreativitas dalam produksi ide. Sampel yang digunakan adalah mahasiswa Desain Komunikasi Visual dari empat universitas, yaitu Universitas Negeri Semarang, Institut Seni Indonesia, Universitas Dian Nuswantoro, dan Universitas Sebelas Maret. Teknik pengambilan sampel menggunakan purposive sampling. Data yang diperoleh dianalisis menggunakan teknik interpretivisme untuk menganalisis semua data tersebut. Dengan mengacu pada standar literasi visual di perguruan tinggi, hasil penelitian menunjukkan dari tiga gambar poster yang dibuat oleh mahasiswa Desain Komunikasi Visual, seluruhnya menunjukkan bahwa kemampuan literasi visual dan kreativitias produksi ide mahasiswa Desain Komunikasi Visual sudah baik dalam merepresentasikan isu – isu sosial dan budaya ke dalam hasil karyanya selama perkuliahan praktik, sehingga terdapat kebermaknaan pesan dalam karya tersebut. Abstract. Art education in the modern era today has many contradictory challenges between concepts and implementation in the field in the curriculum. One of the competencies that college students must possess, especially visual literacy students in this modern era, is visual literacy. However, until now, students’ visual literacy skills are still often neglected in the world of education. This study aims to determine the representation of the work of Visual Communication Design students produced in practical lectures regarding visual literacy skills or abilities and creativity in creating ideas. The samples used were Visual Communication Design students from four universities: Semarang State University, Indonesian Art Institute of Surakarta, Dian Nuswantoro University, and Sebelas Maret University. The sampling technique used was purposive sampling. The data obtained were analyzed using interpretivism techniques to explore all of the data. By referring to the visual literacy standards in universities, the results of the study show that from the three poster images made by Visual Communication Design students, all their work show that visual literacy skills and creativity in producing ideas for Visual Communication Design students are good at representing social and cultural issues into their work in lecture practice activities so that there is a meaningful message in their posters.
Finding Out the Visual Literacy Ability of College Level through the Analysis of Poster Design and Idea Creativity Nadia Sigi Prameswari; Agus Cahyono; Slamet Subiyantoro; Eko Haryanto
International Conference on Science, Education, and Technology Vol. 8 (2022)
Publisher : Universitas Negeri Semarang

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Abstract

The challenge of education in the 21st Century is to create an education that can produce thoughtful human resources who can build social order and economy and are aware of knowledge as an individual in the 21st Century. It is crucial for learning in the present era to prioritize visual literacy skills. Visual literacy skills help the students to be capable of communicating by utilizing visual language structure until they contribute to the more global dialogue organization such as metaverse era. The purpose of this research was to review the poster design, which covers visual literacy standards and visual literacy aspects, to determine the level of students’ visual literacy skills in college. This study uses purposive sampling on visual art students from four universities. The data in this study were analyzed using interpretivism. Based on the analysis result of students’ work presentation reviewed from the visual skill. Differences in the ability to convey information, effectiveness and efficiency of images, presentation of cultural, social, and historical photos, problem-solving, and creativity. Differences in the quality of work between one individual and another related to standards in visual literacy are influenced by several aspects, namely learning experience, source of visual literacy, and sense experience.
Promoting Success for MBKM-Curriculum through Internship Program in Higher Education Thohiriyah Thohiriyah; Rahma Ari Widihastuti; Marliza Arsiyana; Intan Andalas I. R. P; Nadia Sigi Prameswari
International Conference on Science, Education, and Technology Vol. 9 (2023)
Publisher : Universitas Negeri Semarang

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Abstract

Under the Regulation of the Minister of Education and Culture of the Republic of Indonesia Number 3 the Year 2020 about National Standard of Higher Education and Guidance of Freedom to Learn-Independent Campus (MBKM Curriculum) Year 2020, a higher education institution has the responsibility to encourage students to have learning experiences outside the study program (Prodi) and outside home university for maximum 3 semesters. The learning experiences that the students got from outside the Study Program and home university must be transferred into academic recognition equal to 20 credits. To meet this demand, Universitas Negeri Semarang (UNNES) through MBKM Body in each faculty initiated a program that can be transferred into academic recognition equal to 12 credits namely MBKM UNNES PRIGEL Program or simply the PRIGEL program. MBKM UNNES PRIGEL is developed from Internship Program (PKL) having 12 credits-academic recognition. This paper examines how an internship program in higher education can support the implementation of the MBKM curriculum, especially in the Faculty of Languages and Arts (FBS), Universitas Negeri Semarang. A qualitative method was employed to conduct this study specifically using the PDCA method proposed by Deming in Swamidass (2000). Two main issues faced by the Faculty MBKM coordinator in UNNES are 1) designing the form of learning activities (BKP), 2) meeting the academic requirements and policy. Key strategies for supporting the policy and the development of the form of learning activity (BKP) are discussed in this paper.
DESIGN OF SYAQILA CAKE KALIWUNGU KENDAL PROMOTIONAL MEDIA USING THE PROMOTIONAL MIX CONCEPT Muhammad Dziaa’ul Haq; Nadia Sigi Prameswari
Arty: Jurnal Seni Rupa Vol 12 No 02 (2023): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v12i02.75677

Abstract

Proyek studi ini bertujuan untuk menghasilkan rancangan media promosi denganmengaplikasikan logo Syaqila cake dalam beberapa media promosi yang disesuaikan dengan kebutuhan perusahaan, Sehingga dapat meningkatkan nilai penjualan sekaligus memfokuskanposisi (positioning) Syaqila cake sebagai produsen brownies cake dengan berbagai varian produk. Rancangan media promosi bertujuan sebagai penyampaian informasi (pesan) yang estetis danfungsional diharapkan menciptakan kesadaran akan merek (brand awareness) proses branding di ingatan masyarakat. Metode berkarya dalam perancangan media promosi ini menggunakanberbagai alat yaitu perangakat keras (hardware): Notebook Asus x45a dan Optical Mouse Logitech, perangkat lunak (software): CorelDraw dan Adobe Photoshop CS6. Pada perancangan mediapromosi memiliki beberapa tahapan proses berkarya dengan urutan proses yaitu tahap pra produksi, tahap produksi, dan pasca produksi. Proyek studi ini menghasilkan media promosi,meliputi: Stationary, Merchandise, Direct Marketing, Advertising dan Online Promotion. Dalam perancangan media promosi ini diharapkan bisa membantu Syaqila cake dalam membangun citradan karakternya kepada masyarakat (audiens), menjadi pembeda, menciptakan brand awareness dan dapat bersaing dengan kompetitor dipasar.
Co-Authors Agus Cahyono Agus Cahyono Angeline Sekar Antiqa Arif Fiyanto Desra Imelda Eko Haryanto Eko Haryanto Eko Haryanto Eko Setiawan Gunadi Gunadi Intan Andalas I. R. P Karina Hanum Luthfia Maria Krisnawati Marliza Arsiyana Muhammad Dziaa’ul Haq Mujiyono Mujiyono Mulyanto Mulyanto Nabila Rizky Amilya Narsen Afatara Pratama Bayu Widagdo Pratama Bayu Widagdo Putri, Selfi Mahat Rahma Ari Widihastuti Sayid Mataram sigit purnomo adi Slamet Subiyantoro Slamet Subiyantoro Taufik Akbar Thohiriyah, Thohiriyah