Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

p-Index From 2019 - 2024

1.497

P-Index

This Author published in this journals

All Journal Nirmana Scriptura Jurnal Leverage, Engagement, Empowerment of Community (LeECOM)

Asthararianty Asthararianty

UK Petra

Author-ID : 437164

Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Education Engineering Social Sciences

Published : 5 Documents Claim Missing Document

Claim Missing Document

Articles

Title

Faktor-Faktor Dalam Desain Penunjang Buku Autobiografi I Made Ada ., Asthararianty; Dektisa H., Andrian; Cahyadi, Jacky
Nirmana Vol 11, No 2 (2009): JULY 2009
Publisher : Institute of Research and Community Outreach - Petra Christian University

A sculptor named I Made Ada that comes from Pakuduwi village, Tegallalang, Gianyar, Bali and his work of garuda statues have been recognized worlwide. His works are spread all over the world. It causes fear that history will be repeated again. That is a claim from our neighboring country about our originsâ€™ culture. The journey of I Made Ada the sculptor is worth to be documented as an autobiography that contains and tells every authentic data in detail and also so that Indonesian people may know about I Made Adaâ€™s existence. The method used to collect all the needed data are observation, interview, and documentation. The making of an autobiography can create an understanding that this is one of Indonesian richness cultures that need to be kept and preserved. Furthermore, this book is presented as an authentic proof that can facilitate in managing patents and legality rights processes on intellectual properties. This autobiography book is designed by combining modern with traditional impressions and supported by photography, information resources, and other attractive interests.

Mengungkap Nilai-nilai Simbolis di Balik Warna Tradisional Bali Nawa Sanggha melalui Rancangan Desain Buku Asthararianty, Asthararianty; Widodo, Pribadi; Ekobudiwaspada, Agung
Nirmana Vol 16, No 1 (2016): JANUARY 2016
Publisher : Institute of Research and Community Outreach - Petra Christian University

Nilai-nilai dari warna tradisional Bali adalah salah satu budaya Bali yang harus terus diperkenalkan dan diturunkan dari generasi ke generasi. Nilai-nilai ini yang harus terus dipelajari oleh generasi muda, bukan hanya menjalaninya saja namun juga memahami. Pemahaman ini menjadi penting karena terkait kelestarian nilai tersebut terhadap kemajuan jaman yang terus berubah. Banyak sekali informasi yang masuk dan berkembang di Bali. Kemajuan ini juga berpengaruh dengan bergabungnya kebudayaan luar yang beradaptasi dengan kebudayaan Bali sendiri. Hal ini membuat suatu ketakutan bahwa dalam perkembangannya generasi muda menjadi tidak bisa menyaring dengan benar seluruh informasi yang masuk dan malah mengesampingkan kelokalan dari latar belakang generasi muda sendiri yaitu Bali. Dengan adanya kenyataan bahwa, sebenarnya masyarakat Bali dalam hal ini khususnya generasi muda mengetahui bahwa warna-warna tersebut adalah hal yang sangat identik terhadap lingkungannya. Namun, pengetahuan ini tidak disertai dengan pemahaman yang penuh terhadap nilai-nilai yang terkandung di dalamnya dan juga kurangnya sarana pendukungnya. Pentingnya pengetahuan mengenai nilai-nilai luhur yang tersembunyi di balik warna-warna tradisional Bali bagi generasi penerusnya dan juga bagi keberadaannya sebagai warisan budaya yang harus tetap eksis, merupakan dasar dalam melakukan penelitian ini. Penelitian ini menggunakan dua tahap metode, diawali dengan metode penelitian menggunakan metode kajian budaya untuk mencari data-data mengenai nilai dari warna tradisional Bali. Metode yang dipakai untuk melakukan perancangan adalah metode eksperimen berdasarkan proses membuat buku yang terdiri dari proses edit buku, proses desain buku dan proses produksi buku

Penafsiran Warna-Warna Tradisional Bali dalam Buku Autobiografi Seniman I Made Ada dan Made Wianta Melalui Pendekatan Hermeneutika Asthararianty, Asthararianty
Nirmana Vol 15, No 1 (2013): JANUARY 2013
Publisher : Institute of Research and Community Outreach - Petra Christian University

The use of color that occurs in some cultures is seen in Balinese, Javanese, and Minangkabau cultures, as well as a few places around the island. These colors state their respective regions, making them the regionâ€™s traditional color. These colors must intersect with the culture of origin of each area. In the process, each region and its culture each has a set of media in demonstrating their color richness. Be it in the form of traditional arts, such as puppet, or dance with the beauty of the clothes, they give the hallmark of their respective regions. Likewise, art from Bali which appears identical to the results of their work is beautiful, interesting and very attractive. Based on this development, then how is the position of the traditional colors in this modern era, especially in Bali? How is the position of the traditional colors in the eyes of some Balinese artists to books which the contents are about themselves? This problem is seen through an interpretation by referring to existing theories of the books that perpetuate each artistâ€™s work and themselves at work.

Co-Authors Andrian Dektisa Andrian Dektisa H. Angelia Caroline Ongkorahardjo Anggrean, Cindy Atmaja, Halim Kusuma Billiam Wijaya Chelia Zagita Wijaya Cicilia Claresta Siswanto David, Agustinus Dennys Christian Dennys Christian, Dennys Dera Chandra Maulana Devina Devina Ekobudiwaspada, Agung Fanny Lesmana Felia Maria Adiwijaya Gabby Thanissia Halim Gananjaya, Eric Flavio Guntoro, Andre Harry Hartanto Tan Jacky Cahyadi Jeremy, Jevon Jevon Mark Sutjitra Lidya Hartanto Lidya Tjunggono Michael Timothy Ferrari Lukman Obed Bima Wicandra Obed Bima Wicandra Pribadi Widodo Putra, Hendriko Ade Pireno Rista Dwi Irawan Thomas Randy Adhitya Vanessa Yovansa Wijaya, Annetta Dewi

Title Search

Found 3 Documents Search Journal : Nirmana

Abstract

Abstract

Abstract

Title

Found 3 Documents
Search
Journal : Nirmana