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All Journal Interaksi Online Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Yunni Wulan Ndari
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Religion Arts Humanities Economics, Econometrics & Finance Library & Information Science Social Sciences

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The Silencing of Women in Marlina: The Murderer in Four Acts Ndari, Yunni Wulan
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 5, No 1 (2022): Budapest International Research and Critics Institute February
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i1.4266

Abstract

Today, violence against women is becoming a globally important issue. This is inseparable from the record of cases that continue to increase every year, not least in Indonesia. The recorded numbers are like an iceberg phenomenon that only some victims dare to report. There are still many cases that have not been revealed. Violence against women also varies in types, not only limited to physical violence but also verbal to sexual violence. As one part of the mass media, film is a powerful mass communication media in conveying judgments or general images of many things. . Films are considered to have the ability to shape public opinion including people's perception of male dominance in the social order. One of the films that represents this is Marlina: The Murderer in Four Acts. Marlina: The Murderer in Four Acts has a uniqueness in the delivery of messages that are rarely found in films made by domestic filmmakers. Taking place in Sumba Regency, East Nusa Tenggara, the film depicts how Marlina was sexually, physically and verbally assaulted. The severity of this violence was done while she was grieving the death of her husband. This film reaffirms to all of us that women are the liyans of male oppression. Even as women defended the violence that befell them, women were again discredited for the existing system.
REPRESENTASI KORBAN KEKERASAN DALAM RUMAH TANGGA PADA RUBRIK “NAH INI DIA” DI SURAT KABAR POS KOTA (ANALISIS WACANA SARA MILLS) Yunni Wulan Ndari; Lintang Ratri Rahmiaji; Dr Sunarto; Hapsari Dwiningtyas
Interaksi Online Vol 3, No 2: April 2015
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (217.883 KB)

Abstract

Skripsi ini melihat bagaimana representasi korban kekerasan dalam rumah tangga (KDRT) yang ada pada rubrik “Nah Ini Dia” di Surat Kabar Pos Kota. Skripsi ini merupakan penelitian kualitatif dengan metode analisis wacana Sara Mills. Tujuan skripsi ini adala h menjelaskan bagaimana strategi teks pemunculan korban KDRT, melihat viktimisasi korban KDRT yang ditampilkan dalam rubrik ini serta mengetahui ideologi dominan apa yang melatarbelakanginya. Hasil dari skripsi ini menunjukkan bahwa kemunculan korban KDRT dilakukan melalui empat tahap yaitu konstruksi karakter lelaki dan perempuan dalam teks pemberitaan (character), penggambaran bagian tubuh perempuan (fragmentation), sudut pandang gender (focalization) dan bagaimana ideologi dominan yang ada tumbuh dalam perbedaan gender. Adapun viktimisasi korban KDRT dilakukan dengan menggunakan bahasa dan ekpresi humor yang membuat KDRT sebagai hiburan bagi pembaca dan bukannya sebagai masalah serius, penyudutan korban KDRT, dan terakhir memanfaatkan konstruksi sosial budaya. Sedangkan ideologi patriarki dan ekonomi politik media adalah ideologi dominan yang melatarbelakangi representasi korban KDRT.
Co-Authors DR Sunarto Hapsari Dwiningtyas Lintang Ratri Rahmiaji