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Penerapan Primary Chord dan Secondary Chord dengan Pendekatan Primary Beat pada Mata Kuliah Harmoni Manual Olan Yogha Pratama; Robby Ferdian
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (884.845 KB) | DOI: 10.24036/js.v11i3.119309

Abstract

This study aims to provide basic knowledge and skills for students in the application of Primary and Secondary Chords by limiting the chord composition roadmap centered on the melody of the song which is in the primary beat position. This research can be used as a reference for students in restructuring the Chord Progression of a song or better known as the Reharmonization of Chord for the beginner stage. This research method uses a qualitative research method with an Art Practice-Based Research approach with the object of study in the form of a Kelok Sembilan folk song and a literature study on the theory of the concept of the application of Primary and Secondary Chord harmonies. The results showed that the Primary Beat approach made it easier for students to determine the chord progression arrangement for the song twists, students only needed to follow the strong beats of each bar as a reference for determining the chord progression, so both in theory and practice, students did not have much difficulty playing it. This approach is also very effective to be applied in restructuring the chord progression of other simple songs because it is able to give a newer and fresher feel to the chord progression. 
Menjelajahi Komposisi Musik Instrumental Kontemporer: Teknik dan Tren di Era Modern Robby Ferdian; Hengki Armez Hidayat; Irdhan Epria Darma Putra; Olan Yogha Pratama
SENDRATASIK UNP Vol 12, No 2 (2023)
Publisher : FBS Padang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i2.122679

Abstract

Contemporary instrumental music has developed rapidly in recent decades, creating unique sounds and attracting the attention of many listeners. This article aims to explore the techniques and trends in contemporary instrumental music composition in the modern era. The methods used in this research are data analysis and literature review, which include case studies of several prominent instrumental music composers, as well as a review of the latest techniques in contemporary instrumental music composition. The results of this research show that in contemporary instrumental music composition, composers use various techniques to create more dynamic and complex music. Some commonly used techniques are the use of complex harmonies, unusual musical instruments, and modern technology to create innovative sound effects. Trends in contemporary instrumental music composition also continue to change over time, ranging from the fusion of different music genres to the use of AI technology and real-time music applications for sound design. In conclusion, this article provides an overview of the techniques and trends in contemporary instrumental music composition in the modern era. It is hoped that this will provide insights and inspiration for composers, music enthusiasts, and stakeholders in the music industry to continue to develop and create innovative and interesting music in the future.
Studi Organologi pada Alat Musik Seruling Bambu dalam Pertunjukan Kesenian di Desa Tebat Ijuk Ayuthia Mayang Sari; Olan Yogha Pratama
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 7 No. 2 (2023): Oktober
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v7i2.28956

Abstract

Penelitian ini mengkaji proses pembuatan alat musik seruling bambu di desa Tebat Ijuk kecamatan Depati VII kabupaten Kerinci. Seruling Bambu merupakan alat musik tradisional dengan suara yang unik dan pada awalnya dimainkan secara individu oleh masyarakat yang berprofesi sebagai petani. Dalam perkembangannya seruling bambu dijadikan pertunjukan kesenian berbentuk ensambel musik tradisional. Saat ini tidak banyak masyarakat desa Tebat ijuk dan generasi muda yang mengetahui proses pembuatan alat musik ini. Tujuan penelitian ini untuk membedah mengenai bahan, proses serta teknik yang digunakan dalam pembuatan alat musik seruling bambu.  Penelitian ini memakai pendekatan kualitatif yang bersifat deskriptif dalam menjelaskan proses pembuatan seruling bambu dan menggunakan kajian organologi sebagai landasan dalam menganalisa objek tersebut. Hasil penelitian didasarkan pada teori teknis organologi yang terdapat didalamnya pengukuran alat musik, pendeskripsian, penggambaran serta teknik pembuatannya. Kesimpulan dari penelitian ini bahwa proses pembuatan alat musik seruling bambu masih menggunakan teknik tradisional dalam penggunaan bahan, alat dan metode pembuatannya untuk menghasilkan suara seruling bambu yang nantinya dapat digunakan dalam pertunjukan kesenian seruling bambu.   This research examines the process of making bamboo flute musical instruments in Tebat Ijuk village, Depati VII sub-district, and Kerinci district. The bamboo flute is a traditional musical instrument with a unique sound that was originally played individually by people who worked as farmers. In its development, bamboo flutes were used as performing arts in the form of traditional music ensembles. Currently, not many residents of Tebat Ijuk village and the younger generation know the process of making this musical instrument. The aim of this research is to dissect the materials, processes, and techniques used in making bamboo flute musical instruments. This research uses a qualitative, descriptive approach in explaining the process of making bamboo flutes and uses organological studies as a basis for analyzing this object. The research results are based on the technical theory of organology, which includes the measurement of musical instruments, descriptions, depictions, and manufacturing techniques. The conclusion from this research is that the process of making bamboo flute musical instruments still uses traditional techniques, both in the use of materials, tools, and manufacturing methods, to produce bamboo flute sounds that can later be used in bamboo flute art performances.