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All Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Suar Betang Jurnal Onoma: Pendidikan, Bahasa, dan Sastra
Sukarjo Waluyo
Universitas Diponegoro
Humanities Education Languange, Linguistic, Communication & Media Library & Information Science

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Journal : Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya

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Semiotika Nonverbal dalam Musik Video “Azza” Karya Rhoma Irama (Kajian Semiotika Roland Barthes) Anindita Fikri Amalia; Nurdien Harry Kristanto; Sukarjo Waluyo
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 4 (2022)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v5i4.494

Abstract

This study aims to describe non-verbal semiotics and its relation to Roland Barthes' semiotics, namely connotation and denotation. This research with the object of the study of the music video "Azza" by Rhoma Irama uses qualitative research methods to find non-verbal semiotics contained in the object of study. The results of this study, namely in the music video "Azza" by Rhoma Irama, there are seven body signs, namely (a) signals; (b) facial expressions; (c) eye contact; (d) body language; (e) touch; (f) cue; and (g) dance. It is also related to Roland Bathes' semiotics. Signs expressed in the music video have connotative and denotative meanings that the singer wants to convey through his music and videos. The connotative meaning in the music video "Azza", sung by Rhoma Irama, can be seen in the scenes glorifying God's power.
Sengkarut kemiskinan masyarakat desa dalam novel Aib dan Nasib karya Minanto Chintya Angesty; Eta Farmacelia Nurulhady; Sukarjo Waluyo
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.914

Abstract

This research was carried out with the aim of analyzing (1) the structure of “Aib dan Nasib” with heuristic reding, (2) the village and its chaos in poverty according to Robert Chambers' view, and (3) the reasons why the village community experiences a chaotic life. This research was carried out using the literary sociology method with the help of the theory of poverty put forward by Robert Chambers and presented in a qualitative descriptive manner. This research is in the form of a literature study with the novel “Aib dan Nasib” as the main source or object of research. The results of this research prove that people in rural areas tend to experience poverty due to various factors such as proper poverty, helplessness, vulnerability in facing emergency situations, dependency, and alienation. People in villages also experience a messy life caused by the shackles of poverty that never escape. The tangled threads between events make their lives even more complicated because there is no way out that can be taken because of the limitations they have.
Hubungan nilai budaya suku Batak dengan ideologi patriarki pada karakter pria dalam film Ngeri-Ngeri Sedap Fadila Rana Laluna; Muhammad Suryadi; Sukarjo Waluyo; Michael Kevin Bryan Sahertian
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 2 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i2.970

Abstract

This research was carried out to understand the relationship between Batak cultural values and patriarchal ideology, which is reflected in the masculinity of the male characters (Mr. Domu, Domu, Gabe, and Sahat) in the film Ngeri-Ngeri Sedap, directed by Bene Dion Rajagukguk. This research was carried out based on interpreting the emerging patriarchal ideology in the film Ngeri-Ngeri Sedap through signs of masculinity of male characters who live in Toba, North Sumatra, or those who choose to emigrate. The method used in this research is a qualitative approach through the sociology of literature and gender (masculinity) and literature study. The theory used in analyzing this film is the theory of masculinity by Tuncay. The results found are that there is a relationship between patriarchal ideology, which is reflected through the masculinity of male characters in films, and Batak cultural values. Individuals who live their lives with strong Batak cultural values almost every day will have a higher level of masculinity, which will result in a stronger patriarchal ideology that they display. Meanwhile, individuals who live a life with strong Batak cultural values will show less of their patriarchal ideology to those around them.
Co-Authors Anindita Fikri Amalia Ari Setiawan Chintya Angesty Dinda Aprilia Putri Eta Farmacelia Nurulhady Fadila Rana Laluna Ilham Awaliyah Pimay M Suryadi M. Suryadi Michael Kevin Bryan Sahertian Muhammad Suryadi Nurdien Harry Kristanto Septian Rifki Sugiarto