Yunitari Mustikawati
Universitas Negeri Makassar

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FIGURATIVE LANGUAGES IN BTS SONGS LYRIC’S Nurwahida Nurwahida; Yunitari Mustikawati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 2, No 3, Dec (2022): ELITERATE: Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

Figurative language was a way of expressing feelings, thoughts, and ideas. The song lyrics analyzed by the researcher were: Louder than Bombs, Spring Day, Butter, Dynamite, 00:00 (zero o'clock), Fake Love, and Magic Shop. Figurative language in this study used the theory of X.J Kennedy and message theory by several experts and sources. This researcher used the descriptive qualitative method. Lyrics is an expression that songwriter feels to describe an object or experience. In this study, researcher found 11 kinds of figurative language in BTS song lyrics, namely: personification, metaphor, simile, hyperbole, paradox, irony, metonymy, synecdoche, symbol, allusion, and repetition. The most dominant figurative language is simile. Thus, researcher found 22 messages through figurative language in BTS songs, in the Louder than Bombs song messages is everyone is good at hiding sadness, In the Spring Day song messages is expectations and reality. In the Butter song messages, is keep trying to get you want, The Dynamite song messages is fun has no limit. In the 00:00 (Zero O'clock) song messages is don’t stop praying for happiness. In the Fake Love song messages is loving ourselves is much more fun, In the Magic Shop song messages is never give up on our own life.
Youth’s Depression of an Artist Portrayed in “Lonely”Song by Justin Bieber Mufida Julia Mursalim; Yunitari Mustikawati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 2, No 2, Aug (2022): ELITERATE: Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

The aims of this study are to analyze the messages in the song "Lonely" and the factors that make Justin Bieber depressed portrayed in "Lonely" by Justin Bieber using psychological approach with the theoryof Edward Bibring;The Mechanism of Depression(2018) and of Aaron Beck;Cognitive Theory of Depression(2009). The historical background of Bieber’s mental health has been examined based onarticles from newspapers or magazines, Bieber’s official Instagram, and Justin Bieber’s Youtubedocumentary. The researchers used the qualitative descriptive method in conducting this research.Researchers found three messages in "Lonely" by Bieber based on data provided by Bieber. There areexpressions of despair and helplessness and struggles of life with fame. Based on the data above,researchers found four factors that made Bieber depressed. Those are substance abuse (drugs), abusiverelationships (emotionally and physically), Lyme disease, and irresponsible behavior.
SPEECH ACT OF SUSI PUDJIASTUTI IN FORMING PERSONAL BRANDING Nurannisa Azzahrah; Yunitari Mustikawati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 1, No 1, April (2021): ELITERATE: Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

The aim of this research is to determine the types and the functions of Speech Act by Susi Pudjiastuti in forming personal branding in public. This study uses a descriptive method based on the Searle’s theory on Illocutionary speech act. The data is taken from Pudjiastuti Speeches on Understanding Indonesia’s Marine Police: Economic and Security Challenges (2015) and World should unite agains illegal fishing (2018). The result of this research indicate that all the types ofillocutionary act. They are Representatives, Directives, Commissives, Expressives, and Declarations. The functions of speech act used by Susi Pudjiastuti are Representatives functions such as statements of fact, assertions, conclusions, and descriptions. Directive acts, namely commands, orders, requests, ask, and suggestions. Commissive function to do something to some future with uses action, they are promising, threatening, offering, refusing, and pledging. Expressive function such as thanking, congratulating, pardoning, blambing, praising, and condoling and the last is Declaratives functions such as resigning, dismissing, christening, naming, appointing, excommunicating, sentencing. By explaining the speech acts used Pudjiastuti in forming personal branding, it can be concluded that speech actsare very important in forming personal branding, both formally and informally.
WOMEN’S LANGUAGE FEATURES OF THE MAIN FEMALE CHARACTER IN HARPER LEE’S TO KILL A MOCKINGBIRD Aisyah Aulia Tahir; Murni Mahmud; Yunitari Mustikawati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 2, No 1, April (2022): ELITERATE: Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

This research aims to find out the women’s language features that used by the main female character in “To Kill a Mockingbird Novel 1960” using Lakoff’s theory (1975) Women’s Language theory. The research will also describe how the main female character expressed every sentence that has women’s language features with stylisctic analysis and show the situation in the sentence with Hyme’s (1974) Speaking theory. The descriptive analytics approach was applied in this research to characterize the aspects and qualities of the subject. The research findings show that lexical hedges or fillers, tag question, rising intonation on declaratives, empty adjective, emphatic emphasis, superpolite form, hypercorrect grammar, avoidance of powerful swear words, and intensifier are nine features of women's language used by the main female character. The researcher also finds how the main female character expressed her sentences with linguistic deviation and literary analysis. And the researcher discovers 8 elements of situation that happened in the conversation, namely setting, participant, ends (goal), act sequence, key, instrumentalities, norms of interaction, and genre. The research was able to identify the women's language features and define how they are communicated as well as the situation in the conversation as a conclusion.
ANALYSIS OF FIGURATIVE LANGUAGE IN SONG LYRICS "MAKE IT RIGHT" AND "PERMISSION TO DANCE" BY BTS Adilia Eka Agustina; Yunitari Mustikawati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 3, No 1,Apr (2023): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

This study's purpose is to examine the kinds of figurative language and the meaning contained in the figurative language contained in the lyrics of the songs "Make It Right" and "Permission to Dance", with reference to Griffiths (2006) on semantics for meaning and Knickerbocker and Renninger's (1963) theoretical framework for figurative language. The researcher used a descriptive qualitative method in conducting this research. The researcher found five types of figurative language and their meanings contained in the lyrics of the songs "Make It Right" and "Permission To Dance," namely: metaphor, simile, personification, hyperbole, and alliteration. The two types of figurative language most commonly used by researchers are metaphor and simile. Based on the data obtained, 4 metaphors, 4 similes, 3 personifications, 2 hyperboles, and 1 alliteration were found. The most dominant figurative languages are metaphor and simile. The meanings of these two songs are very different; it can also be seen that these two songs have a different atmosphere even though the type of music is almost the same, namely R&B remixes. In the song "Make It Right," they (BTS) are telling the beginning of their career journey, which previously was that of ordinary singers that not many people knew about. While the song Permission to Dance encourages fans to remain optimistic in the midst of a worldwide pandemic.
LANGUAGE STYLE AT ADVERTISEMENT IN CNN Ananda Dwi Putri Caesary; La Sunra; Yunitari Mustikawati
Journal of English Literature and Linguistic Studies Vol 1, No 2, Sept (2022): Journal of English Literature and Linguistics Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

Language is very important in conveying the right information with the aim of influencing the individual. Advertising language shows more persuasive, attracts people's attention, and is creative. More attractive and creative advertising can influence more people to try these advertisements. This study focused on the category of language style and how the use of advertising formula in conveying message of the advertisement on CNN. The purpose of this study is to identify and describe the types of language style in advertisement on CNN and to explore how the use of advertising formulas convey messages in advertisement on CNN to viewers. In conducting this research, the researcher used qualitative research and descriptive methods. The advertisements were taken randomly from as many as 13 advertisements from three videos on commercial breaks channel. The results of this study show that there were 4 categories of language style used in advertisements on CNN, namely the morphological style, syntactical style, rhetorical style, and sloganized style. Advertisement on CNN uses a different type of language style. In terms of morphological category, advertisement on CNN uses simple and formal language, misspelling or coinage, loanword, the use of verb, and the use of adjectives. In terms of syntactical category, advertisement on CNN uses interrogative sentences and imperative sentence. In terms of rhetorical category, advertisement on CNN uses simile, repetition, and rhyming. In terms of sloganized category, advertisement on CNN use slogan and taglines. Furthermore, there were 6 advertising formulas used in advertisement, namely, soft sell, slice of life, comparison, straightforward, demonstration, and spokesperson.
ILLOCUTIONARY ACTS UTTERED BY THE MAIN CHARACTER IN “THE VOW” MOVIE Sri Ramadhani; Yunitari Mustikawati
Journal of English Literature and Linguistic Studies Vol 2, No 1,Mar (2023): Journal of English Literature and Linguistic Studies (JELLS)
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

The Vow movie has been selected by the researcher as the study's subject. “The Vow” is a romantic comedy directed by Michael Sucsy that aired in 2012. This movie is inspired by a real story. The movie is about a husband and wife named Leo and Paige. They had just come out of the cinema, but on the way home they had an accident which resulted in Paige (Leo’s wife) experiencing a severe brain injury, so that Paige’s memory for the last 5 years was lost. So Paige forgot all her memories of her husband (Leo). In this study, the researcher discusses the use of illocutionary acts. The researcher focuses on identifying the types of illocutionary acts and examine the meanings of the illocutionary acts uttered by the main character in “The Vow” movie. In determining this, the researcher uses the theory by John R. Searle (1979). In researching the problem the researcher used a qualitative descriptive method. The researcher watched the movie several times and then transcribed the movie for research. The results of this study are all the types of illocutionary acts namely; representative, directive, commissive, expressive, and declaratives, as found in “The Vow” movie. The researcher has found 56 utterances in total which stated by the main characters Leo and Paige. The first type is Representatives, and the researcher found 23 utterances. The second type is directives, and the researcher found 20 utterances. The third type is commissive, and the researcher found 4 utterances. The fourth type is Expressives, and the researcher found 7 utterances, The last type is Declaratives, in this type the researcher found 3 utterances and they are 3 deciding. So, the researcher found all the types of illocutionary acts in “The Vow” movie
METAPHORS IN MICHAEL BUBLE’S FIFTH STUDIO ALBUM “CALL ME IRRESPONSIBLE” Nuraulia Ashshalihah; Abd Halim; Yunitari Mustikawati
Journal of English Literature and Linguistic Studies Vol 2, No 2June (2023): Journal of English Literature and Linguistic Studies (JELLS)
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

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Abstract

This research discusses metaphors used in Michael Buble’s fifth studio album “Call Me Irresponsible”. This research examines the types of metaphors in Michael Buble’s fifth studio album “Call Me Irresponsible” and the meaning of each metaphors in the album. The researcher uses the descriptive qualitative method to analyze the objectives of the research. The results of this research indicate that there are 26 data found in the form of lyrics containing metaphors. Among them are 12 structural metaphors, 9 orientational metaphors, and 5 ontological metaphors which consist of personification metaphor. In addition,the meaning that contained in each of metaphors depends on the type of metaphor used which are: 1) structural metaphors happen when a concept is expressed in terms of other defined concepts, 2) orientational metaphor can highlight how cultural representations of physical and emotional experience such as “Happy is up, sad is down.”, and 3) ontological metaphors happen when we see events, activities, feelings, and ideas as beings and things.Keywords : Structural Metaphors, Orientational Metaphors, Ontological Metaphors, Song, Call Me Irresponsible Album