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All Journal ProTVF: Jurnal Kajian Televisi dan FIlm JADECS (Journal of Art, Design, Art Education and Culture Studies) Gelar : Jurnal Seni Budaya Jurnal Desain
Ranang Agung Sugihartono
Institut Seni Indonesia Surakarta
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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SI OTAN: NILAI-NILAI PENDIDIKAN DALAM KARAKTER ANIMASI Laska Indah Wulankawukir; Ranang Agung Sugihartono
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 8, No 1 (2023)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v8i12023p78-87

Abstract

This research was conducted to determine the educational value of the Otan character in the Si Otan TRANS7 program. The type of research used is descriptive qualitative, with the object of studying the character of Otan in the Si Otan program. Collecting data used purposive sampling technique with the observation method and literature study, as well as analysis of Semiotics Roland Barthes. The result of this study shows that the Otan character has 8 educational values, namely: positive thinking, not committing violence, living together, respecting others, being yourself, critical thinking, solving problems and love for the environment. The value of education in critical thinking is the most dominant value in Otan's character. The eight values can be found from the body posture exhibited by Otan, the facial expressions displayed, the clothes Otan wears, and the voiceover that is spoken.Penelitian ini dilakukan untuk mengetahui nilai pendidikan pada karakter Otan dalam program acara Si Otan TRANS7. Jenis penelitian yang digunakan adalah deskriptif kualitatif, dengan objek kajian karakter Otan dalam program acara Si Otan. Pengumpulan data menggunakan teknik purposive sampling dengan metode observasi dan studi pustaka, serta analisis Semiotika Roland Barthes. Hasil dari penelitian ini menunjukkan bahwa karakter Otan memiliki 8 nilai pendidikan, yaitu: pikiran positif, tidak melakukan kekerasan, hidup bersama, menghargai orang lain, menjadi diri sendiri, berpikiran kritis, menyelesaikan permasalahan dan cinta terhadap lingkungan. Nilai pendidikan berpikir kritis merupakan nilai yang paling dominan pada karakter Otan. Delapan nilai tersebut dapat ditemukan baik dari postur tubuh yang diperagakan oleh Otan, ekspresi wajah yang ditampilkan, pakaian yang digunakan Otan, maupun voiceover yang diucapkan.
The aesthetics of virtual wayang performances during the covid-19 pandemic Sunardi Sunardi; Jaka Rianto; Katarina Indah Sulastuti; Tatik Harpawati; Purbo Asmoro; Ranang Agung Sugihartono
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4571

Abstract

This paper discusses the aesthetics of virtual wayang performances by puppeteers. The problems studied are: (1) why puppeteers have a new tendency to perform virtual wayang; and (2) the aesthetic style of the virtual wayang performances. Data collection methods by interviews with puppeteers, literature studies about virtual wayang, and observations of wayang virtual performances by puppeteers were analyzed by aesthetic theory. The study results showed that puppeteers used digital platforms to maintain their profession's continuity and economic living conditions. The tendency of virtual wayang to give rise to an aesthetic style of digital puppets is known as aesthetics of taste, with the orientation of wayang performance to meet public tastes. The conclusion results state that the aesthetic style of the virtual wayang performance: (1) the camera as a representation of the audience's eyes; (2) puppeteers are required to be creative, innovative, and productive; (3) the audience has the freedom to determine their tastes; and (4) the importance of collaboration that must be carried out by the puppeteer.
Characterization of Juno in the Film Kucumbu Tubuh Indahku Ranang Agung Sugihartono; Diego Aiwawi Wanggay
ProTVF Vol 7, No 2 (2023): September 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i2.46538

Abstract

Background: The film Kucumbu Tubuh Indahku (Memories of My Body) raises the theme of gender and the social life and culture of the Javanese people. This film has a main character named Juno, who has a strong and interesting character. Purpose: This study aims to explain how the main characters embody the film Kucumbu Tubuh Indahku. The reading of Juno’s character is carried out to explain how the character Juno through his name and appearance, can represent his life as a Lengger dancer. Methods: This research uses a qualitative descriptive approach to explain the characterization using the Telling Method of Albertine Mainderop. Data collection used observation and literature study methods and was processed using qualitative data analysis techniques. Results: This film presents the main character’s complexity from childhood to adulthood. The results of character analysis based on three character dimensions show that physical, sociological, and psychological typologies also influence the determination of character functions. Character development is increasingly obvious when Juno is a small teenager until he grows up. The study shows an overview of Juno’s character and the changes formed by the influence of the sociocultural environment of the community. The character of Juno reflects the conditions of his life journey and the social conditions at that time. Implications: It can provide an overview for society about the psychological life of a man who looks like a woman. It can be a learning tool for novice filmmakers in creating the characters in their films.
Ekspresi Budaya Jawa pada Figur Dewa dalam Ilustrasi Pawukon Santi Sidhartani; Ranang Agung Sugihartono; Suyanto Suyanto
Jurnal Desain Vol 11, No 1 (2023): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v11i1.17376

Abstract

Artikel ini membahas penggambaran figur dewa dalam ilustrasi pawukon yang disampaikan dalam gaya visual wayang. Figur dewa yang menaungi setiap wuku pada ilustrasi pawukon merupakan simbol yang menyampaikan pesan mengenai karakter manusia sehingga penggambarannya mewakili ekspresi tertentu. Pada penggambaran karakter wayang, penyampaian pesan karakter tokoh dapat dilihat dari postur, posisi kepala dan arah pandang mata serta warna yang ditampilkan. Pembahasan figur karakter dewa pada artikel ini dibatasi pada penggambaran wajah dan postur kepala yang menjadi aspek penting dalam penyampaian ekspresi dan karakter figur wayang. Metode yang digunakan dalam kajian ini adalah analisis interpretatif dengan mengelompokan figur dewa berdasarkan penggambaran elemen pada wajah serta postur kepala. Hasil pegelompokan dibandingkan dengan penjelasan karakter tokoh dewa yang ada dalam naskah.  Hasilnya menunjukan adanya perbedaan dalam penggambaran ekspresi wajah dan postur kepala dalam figur dewa yang terkait makna yang dikembangkan dalam seni wayang purwa.
Co-Authors Diego Aiwawi Wanggay Jaka Rianto Katarina Indah Sulastuti Laska Indah Wulankawukir Purbo Asmoro Santi Sidhartani Sunardi Suyanto Suyanto Tatik Harpawati