Article Per Year (5 Year)
p-Index From 2019 - 2024
0.444
P-Index
This Author published in this journals
All Journal Capture : Jurnal Seni Media Rekam Jurnal Desain
Natalia Depita
Universitas Multimedia Nusantara
Arts Humanities

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
LOCAL FILM FESTIVAL CHARACTERISTICS: A CASE STUDY OF THE MERDEKA FILM FESTIVAL Edelin Wangsa; Natalia Depita
Capture : Jurnal Seni Media Rekam Vol 14, No 2 (2023)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4124

Abstract

Local cinema festival is an alternative form of entertainment for locals. Merdeka Film Festival in Solo, Central Java, is an annual event involving the youth community and local government institutions. This film festival offers entertainment in the form of film screenings on plugged screen (layar tancap). This research mainly seeks to investigate the production pattern of a local film festival. This research employs a descriptive qualitative approach that includes interviews with festival’s organizers and film festival experts. The results indicate that Merdeka Film Festival exhibits the characteristics of local film festival. Besides, the organizers must have a close relationship with the locals through the youth community and local government institutions in order for the film festival to operate smoothly. 
Implementation Of Conflict in Creating Rip-O-Matic for Feature Film Telusur Silah Putri Sarah Amelia; Salima Hakim; Natalia Depita
Jurnal Desain Vol 11, No 2 (2024): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v11i2.21474

Abstract

Conflict is an important element that can drive the story, inform tension, suspense and interest of the characters. The purpose of this research is to identify how conflict can be implemented as a video representation tools for the fundraising stages of a feature-length film titled Telusur Silah. Telusur Silah is a story that focuses on the dynamic relationship between a mother and a daughter dealing with an inter-ethnic marriage issue which therefore questioned the notion of each other’s reality and expectation being a woman. In the context of commercial works, Rip-o-matic is commonly constructed of ripping-off an original work which consist of existing movie clips, advertisement or television programs to simulate a fragment of how the overall work will look and feel. Using a descriptive qualitative research method and implementing 4 stages of creative process approach, this paper focused on exploring how conflict can be implemented in the making of a Rip-o-matic for Telusur Silah, for the purpose of both a visual representation tool as well as an engaging the story that emphasize the overall atmosphere and conflict of the film.
Co-Authors Edelin Wangsa Putri Sarah Amelia Salima Hakim