<![CDATA[Conflict is an important element that can drive the story, inform tension, suspense and interest of the characters. The purpose of this research is to identify how conflict can be implemented as a video representation tools for the fundraising stages of a feature-length film titled Telusur Silah. Telusur Silah is a story that focuses on the dynamic relationship between a mother and a daughter dealing with an inter-ethnic marriage issue which therefore questioned the notion of each other’s reality and expectation being a woman. In the context of commercial works, Rip-o-matic is commonly constructed of ripping-off an original work which consist of existing movie clips, advertisement or television programs to simulate a fragment of how the overall work will look and feel. Using a descriptive qualitative research method and implementing 4 stages of creative process approach, this paper focused on exploring how conflict can be implemented in the making of a Rip-o-matic for Telusur Silah, for the purpose of both a visual representation tool as well as an engaging the story that emphasize the overall atmosphere and conflict of the film.]]>
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