Article Per Year (5 Year)
p-Index From 2019 - 2024
1.728
P-Index
This Author published in this journals
All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya HARMONI Logat: Jurnal Bahasa Indonesia dan Pembelajaran SULUK: Jurnal Bahasa, Sastra, dan Budaya Tamumatra : Jurnal Seni Pertunjukan Mimesis Wicara
Herpin Nopiandi Khurosan
Universitas Diponegoro
Arts Humanities Biochemistry, Genetics & Molecular Biology Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 10 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 10 Documents
Search

 1 
DUNIA YANG DILAPORKAN, DIRI, DAN LIYAN DALAM NOVEL EDENSOR KARYA ANDREA HIRATA Khurosan, Herpin Nopiandi
Logat: Jurnal Bahasa Indonesia dan Pembelajaran Vol 6 No 1 (2019): LOGAT: Jurnal Bahasa Indonesia dan Pembelajaran
Publisher : Universitas Sriwijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

ABSTRAK Tokoh Ikal dalam Novel Edensor karya Adrea Hirata disinyalir merupakan alter-ego dari penulisnya sendiri. Pertemuan antara Ikal dengan orang-orang asing beserta kebudayaan asing di Eropa, dan negosiasi atas perbedaan dan persamaan yang melingkupinya disinyalir terekam dalam novel Edensor tersebut. Sehingga hal itu mengimplikasikan bahwa di novel Edensor terdapat pelaporan keadaan dunia luas yang tak biasa, juga nilai-nilai asumsi penulisnya, serta perbedaan antara budaya penulis dengan budaya yang dikunjunginya. Oleh karena itu menurut hemat penulis perlu untuk mencari bagaiman dunia, diri, dan liyan ditampilkan dalam novel Edensor tersebut. Penulis menggunakan teori Travel Writing dari Carl Thompson guna menganalisis bagaimana dunia dilaporkan, serta bagaimana diri dan liyan dipresentasikan dalam Edensor. Konsep janus-faced penulis gunakan untuk mengungkap bagaimana Edensor melaporkan dunia. Fashioning digunakan untuk mengungkapkan bagaimana diri disajikan dalam Edensor. Sedangkan konsep othering penulis gunakan untuk mengungkap bagaimana liyan dan peliyanan dipresentasikan dalam Edensor. Hasil yang diperoleh adalah bahwa dalam Edensor Andrea Hirata melaporkan dunia melalui dua direksi janus-faced. Ia melihat dunia asing di sekelilingnya sekaligus melihat kedalam dirinya sendiri yang tak terlepas dari detil-detil yang bersifat personal. Aktifitas janus-faced tersebut merupakan representasi diri romantik yang terbuka akan perubahan. Sedangkan diri romantik itu muncul akibat adanya pembedaan diri yang hierarkis dan ambigu terhadap liyan yang ia temui kala melakukan pergerakan spasial. Kata Kunci: Edensor, Andrea Hirata, Sastra Perjalanan, Carl Thompson.
BAHASA PERLAWANAN DAN POLITIK TUBUH DALAM TEORI DRAMA PASCA-KOLONIAL HELEN GILBERT DAN JOANNE TOMPKINS Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins?s sense. I use ?Post-Colonial Drama: Theory, Practice, Politics? as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
PERFORMATIVITAS IDENTITAS GENDER DAN SEKSUALITAS DALAM NOVEL IMARAH YAKUBIAN KARYA ALA AL-ASWANI Khurosan, Herpin Nopiandi
MIMESIS Vol 1, No 2 (2020): JULI 2020
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v1i2.2053

Abstract

This study examines aspects of the performativity of gender identity and sexuality in the novel Imarah Yakubian by Alaa al-Awani. Through Judith Butler's theory of performativity, the author examines how the identity and gender sexuality performativity of the characters and how the attitude of the characters in the novel Imarah Yaqubian in responding to the dominance of heteronormativity.The results showed that Egyptian society which was dominated by heteronormativity ideology gave birth to the marginalization of homosexuals. Individuals who have 'deviant' gender and sexuality tendencies respond to compliance, negotiation, or resistance. Compliance in the novel IY was shown by Abduh by positioning and publicly showing himself as what was considered normal by the general public. The moderate-negotiate response was demonstrated by Hatim al-Rashid's figure by showing the things that were acceptable to the public in the public sphere and showing what he wanted in the private sphere.
Bahasa Perlawanan dan Politik Tubuh dalam Teori Drama Pasca-Kolonial Helen Gilbert dan Joanne Tompkins Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i2.2294

Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins’s sense. I use “Post-Colonial Drama: Theory, Practice, Politics” as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
Pluralitas Mesir dalam Imarah Yakubian: Dialogisme Bakhtin dalam Novel Al-Aswany Herpin Nopiandi Khurosan
SULUK: Jurnal Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2020): September (Special Theme)
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (221.062 KB) | DOI: 10.15642/suluk.2020.2.2.150-159

Abstract

Al-Aswany is known as the writer who often calls for Egyptian democracy. In his creative work, al-Aswany made the themes of democracy, freedom of speech, equality of rights and so on. The various thematic (democracy) in Bakhtin terms are called carnivalistic and/or polyphonic, have many voices. In this paper the author will map carnivalistics/polyphonic through the novel Imarah Yakubian written by al-Aswany. The carnivalism and polyphony of the Jacobian Empire are tested by Bakhtin's dialogic theory. The elements studied include: 1) carnivalization, 2) composition of the polyphonic novel, 3) character and author position, 4) dialogue of the novel consisting of: a) dialogue between characters; b) representation of ideas; and c) intertextual dialogue. As a result, the Jacobian Imarah can be categorized as a polyphonic novel with predominantly carnivalistic features. In the novel there are many dialogical voices. The dialogue is in the form of dialogue between figures as well as dialogue between novel texts (Imarah Yakubian) and other texts.
DEKONSTRUKSI NILAI-NILAI KEBAIKAN CERPEN LELAKI YANG KEMBALI MENEMUI IBLIS KARYA FAWAIZUL UMAM Herpin Nopiandi Khurosan
CARAKA Vol 6 No 2 (2020)
Publisher : Universitas Sarjanawiyata Tamansiswa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30738/.v6i2.7987

Abstract

This study examines Fawaizul Umam’s Lelaki yang Kembali Menemui Iblis short story by applying Derrida's deconstruction theory. This study will try to answer whether the novel deconstructs binary opposition between goods and evils or establish the opposition in hierarchy. The result shows that there are pairs of oppositions created in the novel abort themselves and postpone the meaning structures they have.
PERFORMATIVITAS IDENTITAS GENDER DAN SEKSUALITAS DALAM NOVEL IMARAH YAKUBIAN KARYA ALA AL-ASWANI Herpin Nopiandi Khurosan
MIMESIS Vol. 1 No. 2 (2020): JULI 2020
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v1i2.2053

Abstract

This study examines aspects of the performativity of gender identity and sexuality in the novel Imarah Yakubian by Alaa al-Awani. Through Judith Butler's theory of performativity, the author examines how the identity and gender sexuality performativity of the characters and how the attitude of the characters in the novel Imarah Yaqubian in responding to the dominance of heteronormativity.The results showed that Egyptian society which was dominated by heteronormativity ideology gave birth to the marginalization of homosexuals. Individuals who have 'deviant' gender and sexuality tendencies respond to compliance, negotiation, or resistance. Compliance in the novel IY was shown by Abduh by positioning and publicly showing himself as what was considered normal by the general public. The moderate-negotiate response was demonstrated by Hatim al-Rashid's figure by showing the things that were acceptable to the public in the public sphere and showing what he wanted in the private sphere.
PELESTARIAN WARISAN BUDAYA MELALUI SOSIALISASI CERITA PANJI KEPADA GURU DAN SISWA SDN 2 GOGODALEM KEC. BRINGIN KAB. SEMARANG Herpin Nopiandi Khurosan; Yuniardi Fadilah; Fajrul Falah
Harmoni: Jurnal Pengabdian Kepada Masyarakat Vol 6, No 2 (2022): HARMONI
Publisher : Departemen Linguistik, Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/hm.6.2.260-264

Abstract

ABSTRAKPelestarian kebudayaan yang dimiliki oleh Indonesia penting untuk dilakukan pada keseluruhan budaya yang dimiliki. Upaya ini juga dilakukan terhadap salah satu kekayaan budaya Indonesia: Cerita Panji. Pelestarian Cerita Panji ini menjadi penting sebab statusnya yang merupakan warisan kebudayaan dunia. Oleh karena itu, sosialisasi keberadaan dan nilai penting Cerita Panji perlu dilakukan dengan menyasar generasi muda beserta pihak terkait. Dalam hal ini, generasi muda adalah para siswa SD kelas 6 sedangkan pihak terkait mencakup para pengajar atau guru SDN Gogodalem 2, Kecamatan Bringin, Kabupaten Semarang. Sosialisasi ini bertujuan agar para siswa dan guru sadar, tidak sekadar mengetahui, nilai penting Cerita Panji serta upaya pelestariannya. Ini dilakukan guna mengingatkan keberadaan Cerita Panji serta mencegah kepunahannya. Selain sosialisasi, kegiatan ini juga diisi oleh inventarisasi Cerita Panji dalam bentuk buku bacaan ringkas–booklet–untuk menambah bacaan perpustakaan sekolah. Kata kunci: Cerita Panji, Sosialisasi, Pelestarian Budaya, Sekolah Dasar ABSTRACTPreservation of the culture that Indonesia owns is vital to be carried out on the whole culture it has. This effort is also carried out on one of Indonesia's cultural treasures: the Panji tales. The preservation of the Panji tales is essential because of its status as a world cultural heritage. Therefore, the socialization of the existence and importance of the Panji tales needs to be carried out by targeting the younger generation and related parties. In this case, the younger generation is the 6th-grade elementary school students while the related parties include the teachers of SDN Gogodalem 2, Bringin Sub-District, Semarang Regency. This socialization aims to make students and teachers aware, not just knowing, of the important value of the Panji tales and its conservation efforts. In addition to socialization, this activity was also filled with an inventory of Panji tales in the form of short reading books–booklets–to add to the school library reading.Keywords: Panji Tales, Socialization, Cultural Preservation, Elementary School    
Nasionalisme, Segregasi, dan Separatisme dalam "Mayat yang Mengambang di Danau" Karya Seno Gumira Ajidarma Herpin Nopiandi Khurosan
Wicara: Jurnal Sastra, Bahasa, dan Budaya Vol 1, No 1: April 2022
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (261.26 KB) | DOI: 10.14710/wjsbb.2022.14332

Abstract

Sebagai lokus penolakan terhadap imperial, kajian nasionalisme dalam karya sastra nyaris selalu dioposisikan dengan kolonialisme semata. Untuk mengisi celah kajian yang ada sebelumnya, penulis akan mengkaji cerpen Mayat yang Mengambang di Danau karya Seno Gumira Ajidarma dengan tak hanya menghadapkan wacana nasionalisme pada kolonialisme, namun juga pada wacana lain yakni segregasi dan separatisme. Dalam penelitian ini penulis menggunakan perspektif pascakolonialisme dan metode diskursif untuk melihat bagaimana cerpen tersebut membentuk wacana nasionalisme yang labil dan terbuka untuk menjadi sesuatu yang lain. Hasil dari penelitian ini menunjukkan bahwa wacana nasionalisme itu labil tidak hanya semata ketika dihadapkan pada kolonialisme, namun juga ketika dihadapkan dengan wacana segregasi dan separatisme yang pada akhirnya melahirkan penindasan paralel tanpa ujung. 
UNDIMINISHED POWER OF IDEOLOGICAL DISTORTION IN RIYANA RIZKI’S SHORT STORY “SUDAH KUKATAKAN, AKU TIMUN MAS” Herpin Nopiandi Khurosan; Dyah Kristyaningsih
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 18, No 2 (2023): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v18i2.23854

Abstract

This study examines how folkloric form in Riyana Rizki's Sudah Kukatakan, Aku Timun Mas (SKATM) becomes the aesthetic strategy at a time when most Indonesian writers deconstruct Ramayana-Mahabharata Epic. Specifically, this study examines the aspects of socially symbolic act, ideologeme, and ideology of form in SKATM. To examine these aspects, the authors laboring political unconscious horizon of interpretation, proposed by Jameson, through three concentric horizons, consisting of the political, social, and historical horizons. The political horizon of interpretation showed that the SKATM narrative is a socially symbolic act of the author over social contradictions that cannot directly be resolved. Additionally, the social horizon of interpretation revealed that the symbolic social actions of SKATM are based on ideologemes or antagonistic social class collective discourses. Later, the historical horizon of interpretation demonstrated that the ideologemes drama at the social level of SKATM are held in a wider space. From the findings, SKATM manifests the folkloric form as a symbolic act, class struggle ideologeme, and cultural revolution
Co-Authors Dyah Kristyaningsih Fajrul Falah Riyana Rizki Yuliatin Yuniardi Fadilah