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All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya HARMONI Logat: Jurnal Bahasa Indonesia dan Pembelajaran SULUK: Jurnal Bahasa, Sastra, dan Budaya Tamumatra : Jurnal Seni Pertunjukan Mimesis Wicara
Herpin Nopiandi Khurosan
Universitas Diponegoro
Arts Humanities Biochemistry, Genetics & Molecular Biology Education Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Tamumatra : Jurnal Seni Pertunjukan

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BAHASA PERLAWANAN DAN POLITIK TUBUH DALAM TEORI DRAMA PASCA-KOLONIAL HELEN GILBERT DAN JOANNE TOMPKINS Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

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Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins?s sense. I use ?Post-Colonial Drama: Theory, Practice, Politics? as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
Bahasa Perlawanan dan Politik Tubuh dalam Teori Drama Pasca-Kolonial Helen Gilbert dan Joanne Tompkins Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i2.2294

Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins’s sense. I use “Post-Colonial Drama: Theory, Practice, Politics” as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
Co-Authors Dyah Kristyaningsih Fajrul Falah Riyana Rizki Yuliatin Yuniardi Fadilah