SASDAYA: Gadjah Mada Journal of Humanities
SASDAYA: Gadjah Mada Journal of Humanities (GMJH), is a multidisciplinary scientific journal with the primary aim of exchanging, developing, and disseminating of Humanities on Southeast Asia. Articles published in journals are based on research results, fieldwork, and literature studies (development of theory) by first through a peer-reviewed process. The Management of the journal invites academic, and researcher to submit their critical writing to contribute to the development of the humanities sciences.
Articles
63 Documents
<![CDATA[Gardu dalam ‘Struktur’ Politik di Indonesia: Sebentuk Pertemuan Historisisme, Strukturalisme Levi-Strauss dan Posmodernisme (?) ]]>
<![CDATA[Asti Kurniawati]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.36455
<![CDATA[This article aims to examine the possibility of meeting three paradigms of Historicism, Structuralism of Levi-Strauss and Postmodernism by analyzing the book of Abidin Kusno, Penjaga Memory; Gardu di Perkotaan Jawa, using the paradigm of Levi-Strauss structuralism, exploring the paradigm that used by the author and the philosophy behind the writing history. This step was done to find out the possible paradigm meeting between those used by the author of the book and the Levi-Strauss structuralism paradigm that used to analyze the book.]]>
<![CDATA[PENULISAN INKLUSIF DI PRANCIS: TANTANGANNYA BAGI POLITIK LINGUISTIK DAN TRANSMISI BAHASA PRANCIS DI INDONESIA ]]>
<![CDATA[Merry Andriani]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 1 (2017): November ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.31745
<![CDATA[French society recently sparked a debate on the gender inclusive way of writing suggested by the Haut Conseil d’Egalité. Within the polemic of this new politic of linguistic, this article aims to describe the nature of the inclusive writing in French and why it is becoming the challenge to the politic of linguistic of French in Indonesia and its transmission in general. In order to expose these purposes, the sociolinguistic in critical approach is chosen to analyse the politic linguistic discourses aspects concerning this subject in diver French media. This research shows that despite the ideal purposes of inclusive writing system in French, there are a great potentiality that this new politic of linguistic will risk the transmission of French language in Indonesia. The difficulty is due to the complexity in the gender differentiation on the writing system adding a difficulty to the French learning which already well reputed as a difficult language to learn by the Indonesian public. The second problem is the uncertainty way of reading the new words using the median points, putting language instructors also in difficulty within their didactical task. ]]>
<![CDATA[DARI MITOS TUJUH PUTRI HINGGA LEGITIMASI AGAMA: SUMBER KEKUASAAN SULTAN TERNATE ]]>
<![CDATA[Rustam Hasyim]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.27777
<![CDATA[Noble people from the circle of Sultanate of Ternate construct and maintain their power base by creating the magical aspect of religious and Culture. This hegemonic strategy allowed this group to pose a certain powerful position and to have a certain place in the heart of the people of Ternate. There are, at least, four important heritage elements in the Sultanate of Ternate used as a strategy to form and strengthen their position. The first is the doctrine Jou se Ngofangare (king and servant) which means Sultan as the representation of God's power (macro cosmos). Second is the mythical Seven Princess, which justifies the Sultan position by using magical-religious as a means to gain people consent. Third, this group tends to use their noble title and heirloom as signs of charisma and sacred magical power. Those heirlooms such as sword and title function to legitimize the Sultan as ruler. Fourth, Kadaton (palace) which produces cultural meaning as the highest indigenous identity and the source of magical belief]]>
<![CDATA[Peran Semantis Argumen Klausa Verbal Bahasa Dawan Dialek Amanuban, Nusa Tenggara Timur ]]>
<![CDATA[Horiana Ilyadim Tenis]]>;
<![CDATA[Yoseph B. Kroon]]>;
<![CDATA[Johnson W. Haan]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.36449
<![CDATA[This research entitled “The Role of Semantic Argument on Verbal Clauses of Dawan Dialect Amanuban”. The Problems discussed in this research are (a) How is the basic structure of verbal clause of Dawan Dialect Amanuban? (b) What role does the semantic argument contain in the verbal clause of Dawan Dialect Amanuban? The study aims to (a) Describe and analyze the structure of the verbal clause argument of Dawan Dialect Amanuban, (b) Identify and analyze the role of semantic argument verbal clause of Dawan Dialect Amanuban. The Method used is qualitative descriptive method and macro perceived theory (Macro rules). Based on this theory, the analysis of the research results shows that the basic structure of the BDDA verbal clause is Subject-Predicate-Object (SPO) and Subject-Predicate (SP) in the intransitive clause. Percent macro actors are realized through the thematic role of locative influencing agents, theme, instrumental, and benefactive. The role of the macro underground is realized through the thematic, benefactive, instrument, theme, locative, and influence roles. ]]>
<![CDATA[AMBIVALENSI: CARA BARU MEMAHAMI IDENTITAS POST-KOLONIALISME BUDAYA INDONESIA ]]>
<![CDATA[Muharina Harahap]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.27786
<![CDATA[Buku ini memuat kumpulan sembilan esai yang membicarakan tentang poskolonial dengan fokus pada perbincangan mengenai ambivalensi. Ke-ambivalensi-an tersebut masing-masing memiliki aspek yang berbeda-beda. Pembicaraan tersebut berpusat pada konsep mimikri, hibriditas, ‘ruang antara’, hegemoni, resistensi, dan sebagainya. Konsep-konsep tersebut dijadikan alat untuk membedah serangkaian wacana poskolonial mulai dari musik hingga yang terkait dengan agama.]]>
<![CDATA[Nasionalis Pembaru Tanpa Kegaduhan: Biografi Manusiawi Sultan Hamengku Buwono IX ]]>
<![CDATA[Bambang Purwanto]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.36456
<![CDATA[Ada satu hal yang selalu membekas setiap kali selesai membaca biografi, yaitu muncul kesan betapa pentingnya setiap figur itu di dalam proses sejarah yang dijalaninya. Setiap tokoh yang ada di dalam biografi itu selalu dihadirkan sebagai keutuhan diri yang sempurna, seseorang yang seakan-akan tidak pernah memiliki kekurangan layaknya seperti malaikat. Masing-masing tokoh hadir dengan kebesaran diri yang luar biasa, dan bahkan dalam banyak hal cenderung digambarkan melampaui kenyataan diri sebagai manusia, atau paling tidak seperti manusia super. Akibatnya, intersubjektivitas dalam penulisan sejarah dan mitologisasi atas figur yang menjadi objek tulisan tidak dapat dihindari. Perbedaan antara sejarah sebagai historiografi yang merupakan konstruksi atas kenyataan yang terjadi di masa lalu dengaan mitos yang dipenuhi oleh subjektivitas normatif dan sarat dengan kepentingan legitimatif, menjadi sangat tipis. Dalam banyak kasus bahkan sejarah dan mitos bercampur aduk menjadi satu, namun di dalam memori kolektif dipercaya benar-benar sebagai kenyataan masa lalu oleh masyarakatnya. Terlepas dari berbagai tinjauan kritis yang ada di dalam biografi ini, kebesaran Sultan Hamengku Buwono IX sebagai nasionalis dan pembaru baik dalam konteks sejarah Yogyakarta maupun sejarah Indonesia tetap lebih menonjol dan tidak tergantikan, harimau mati meninggalkan belang gajah mati meninggalkan gading manusia mati meninggalkan nama. Nama besar Sultan Hamengku Buwono IX sebagai nasionalis Indonesia sejati yang tidak pernah melupakan asal usul kejawamataramannya tidak akan hilang oleh tinjau kritis atas tindakan-tindakan politik dalam konteks masanya. ]]>
<![CDATA[Keberlanjutan ]]>
<![CDATA[Bambang Purwanto]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.43882
<![CDATA[Berkelanjutan, merupakan sebuah kata yang selalu menantang setiap insan akademik yang mengelola sebuah jurnal ilmiah seperti Sasdaya ini. Sejak edisi pertama terbit pada akhir tahun 2016, kata itu terus mengusik para pengelola. Namun ketika optimisme dan selalu berpikir positif berpadu dengan komitmen, tantangan itu ternyata mampu menghasilkan buah semangat untuk terus bekerja dari waktu ke waktu menghadirkan edisi demi edisi. Kepercayaan diri terus tumbuh untuk memperbaiki dan memantapkan pengelolaan jurnal, sehingga tantangan lain agar jurnal berstatus terakreditasi dan terindeks pada pangkalan data ilmiah baik nasional maupun internasional menjadi sesuatu yang tidak lagi dianggap berlebihan. Berbagai dukungan yang telah diberikan baik oleh Fakultas Ilmu Budaya maupun Universitas Gadjah Mada selama ini, semakin memperjuta tekad para pengelola untuk meningkatkan kinerja, mutu, dan status jurnal ini.]]>
<![CDATA[LANGUAGE KINSHIP BETWEEN KOMERING VARIATION AND LAMPUNG MENGGALA ]]>
<![CDATA[A.M. Sudirman]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.43883
<![CDATA[Artikel ini mengkaji kekerabatan Isolek Komering dan Lampung Menggala kedua isolek tersebut, secara kualitatif ditandai perbedaan dalam persamaan atau persamaan dalam perbedaan tuturan 'mutually intelligble' antarpenutur bahasa yang diperlihatkan oleh evidensi unsur bunyi [u]~[eu] pada ultima terbuka leksikon, pada kata [batu]~[batteu]; evidensi unsur bunyi [nt]~[tt] (homorgan~geminasi) pada posisi antar-vokal pada leksikon [bintaŋ]~[bittaŋ]; evidensi unsur pinjaman pada kata bermakna 'baru', 'pasir' menjadi inovasi [baReu] dan [pasiR]; dan secara diakronis telah terjadi inovasi [ampay]*~[ompay]'baru' dan [həni]*~[honi] 'pasir'. Sedangkan secara kuantitatif hasil kajian komparatif 200 kosa-kata Swadesh status isolek Komering dan bahasa Lampung merupakan bahasa kekerabatan 'language of family', kriteria Dialektometri, evidensi di atas merupakan perbedaan dialek dalam kelompok bahasa Lampung, karena hasil persentasi Isolek Komering-Menggala 82,16%, disokong oleh Crowley, bahwa hubungan tersebut, termasuk hubungan antar-dialek dalam satu bahasa]]>
<![CDATA[FOTO SEJARAH PADA MEDIA DIGITAL: PEWARNAAN DAN MEME BERKONTEN SEJARAH ]]>
<![CDATA[Iman Zanatul Haeri]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.43884
<![CDATA[Technological developments make it easier for historical reviewers to approach historical sources. But there is a trend in Indonesian digital society to change historical sources such as historical photos as information consumption. Along with the development of the times, analog photos turned into historical photos that were present in the millennial era appeared in two ways; first coloring photo history, the second "meme" set in historical photos. In order to track digital footage of this phenomenon, historical methodology and photo analysis of Roland Barthes are used to show the birth of historical photo coloring trends and memes in the digital world. The coloring of historical photos causes a change in time awareness of historical sources and memes on historical photographs cause a change and multiplication of meanings in digital photos as historical sources.]]>
<![CDATA[MENERAWANG MASA LALU DI ERA DIGITAL: FILM SEJARAH VIS A VIS HISTORIOGRAFI ]]>
<![CDATA[Luqman Abdul Hakim]]>
<![CDATA[ SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February ]]>
Publisher : <![CDATA[Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada ]]>
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DOI: 10.22146/sasdayajournal.43885
<![CDATA[In recent years historical film production or historical films — Historical Film, Historical Movie, Historical Cinema—have become increasingly massive in Indonesia. In its development, historical films in Indonesia are a massive medium to present a past that deserves to be remembered as a collective memory of society. Since the reform era, dozens of historical film titles have been produced and colouring the Indonesian film industry. As a result, many historical films have become references and reference sources for the community to find information about the past. It becomes reasonable to see the development of multimedia-based information technology (audiovisual) which has encouraged the emergence of post-literacy phenomena. In historical studies, historical films can be studied as a thematic study as well as in a methodological realm. As a thematic study, historical films are mental products (mentifact) and social products (sociofact) of society in a certain space of time. Whereas in the methodological realm, historical films can be explored through debates about historical sources or as narratives and representations of the past presented through film media. The study of historical films as a study of history is still a rare and less desirable subject for historians in Indonesia. This paper utilizes literature studies to answer some of the research problems posed. Literature studies of sources related to historical film studies are the focus of the researchers. In addition, a deeper understanding of the development of historical films in Indonesia is also a concern to uncover the souls of the times that surround historical film production. This study concludes that the existence of historical films in the present is a challenge for historians to face the era of openness and variety of media that presents information about the past.]]>
