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SASDAYA: Gadjah Mada Journal of Humanities
ISSN : 25483218     EISSN : 25493884     DOI : -
SASDAYA: Gadjah Mada Journal of Humanities (GMJH), is a multidisciplinary scientific journal with the primary aim of exchanging, developing, and disseminating of Humanities on Southeast Asia. Articles published in journals are based on research results, fieldwork, and literature studies (development of theory) by first through a peer-reviewed process. The Management of the journal invites academic, and researcher to submit their critical writing to contribute to the development of the humanities sciences.
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Articles 63 Documents
PENATAAN KOTA DAN MASYARAKAT PERKOTAAN: MAKASSAR SEBAGAI IBUKOTA NEGARA INDONESIA TIMUR (NIT) 1946-1950 Ilham Daeng Makkelo
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 1 (2017): November
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1851.835 KB) | DOI: 10.22146/sasdayajournal.31746

Abstract

The main focus of this article was dynamics and transformation of Makassar when it became the capital of the State of East Indonesia (NIT), 1946-1950. The discussion is emphasized mainly on two main issues namely the arrangement of cities and community life. The first issue relates to the burden of providing infrastructure to support the role of the nation's capital. The development of facilities and infrastructure is a necessity that must be provided for smooth government at the central level. From this city, the NIT government apparatus, such as the President, ministry, and parliament, have offices and organize their activities. The second issue relates to the consequences of the arrival of people from outside Makassar to work in various institutions or organizations. Makassar is synonymous with a diverse population, concerning ethnicity, religion and profession. This working paper is more detail explain about infrastructure both in terms of administration and physical development of the city, as well as the dynamics of urban community life, especially in cultural activities. In the context of progress, they become the space of expression of modernity as the times change. The described reality explains that many different responses are occurring in each region of Indonesia in responding to the changing times. Especially in this period is better known as the revolution.
HUTAN JATI BERKALUNG BESI: PENGANGKUTAN KAYU JATI DI JAWA PADA AKHIR ABAD KE-19 DAN AWAL ABAD KE-20 Warto Warto
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27781

Abstract

Teak forests became one of the important resources in Java in the past. Teak forests did not only provide economic benefits for residents to fulfill their daily needs but also provided other benefits, especially in stabilizing the forest environment. However, the condition began to change when the teak forests exploited. In the 19th century and early 20th century, the environmental teak forests experienced degradation and deforestation that was difficult to control. The presence of teak logging companies at the end of the 19th century became the starting point of the accelerated deforestation. In running a business, they used modern tools that can simplify the process of harvesting and be transporting of teakwood. Some of the modern tools called trams and trains which were used to carry teak logs from the forests to shelters and ports. By utilizing modern transportation, teak woods can be transported quickly, accurately and massively. This paper shows that the opening of tram and train rail road’s in teak forests in addition to facilitating the transportation of goods and people, also led to the improvement and expansion of teak massive deforestation.
BAHASA SUNDA DAN PENGGUNAANNYA DALAM INTERAKSI JUAL BELI DI PASAR SINDANG KABUPATEN CIREBON Afi Fadlilah
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 1 (2016): NOVEMBER
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.17035

Abstract

One dialect of Cirebon language is dialect Jawareh. It is the Java language which mix with Sundanese used in South of Cirebon regency, especially in Sindang Market on Lemahabang districts. This paper will discuss the language use in Sindang Market because it has its own characteristics that are different from the others Sundanese in West Java. This is because it is influenced by the geographical location and the diversity of backgrounds of the speech community. Based on this, this paper will discuss the Sundanese language and its use in the buying and selling interaction on the sindang market of Cirebon with the aim to describe the structure of the language and how to use it. The method used in this paper is the observational method with taping and recording techniques of the speech event data that is analyzed descriptively qualitative by using linguistic theory. The results of this study is that the specific characteristics of Sundanese in buying and selling interaction in the sindang market contained in intonation and the removal of vowel phonemes / a / and / ӧ / on specific vocabulary.
Kita Dan Dunia Kontemporer (Atau Mengapa Sejarawan Harus Menyesuaikan Cara Kerjanya Dengan Tuntutan Perkembangan Teknologi Informasi Digital) Agus Suwignyo
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36450

Abstract

In the last 15 years, the interest of Indonesian people in the history and study of history has increased very rapidly. This is indicated by the number and various type of historical books sold in bookstores and the posting of different historical events on social media. However, the history taught at school and university lecture does not seem to improve. The efforts of writing and teaching history lessons/courses still focus on models and the results of the formal study which tend to be a state-centric in nature. In particular, historical writing and teaching have faced challenges of the emerging changes caused by the global connectivity of information technology as a historical fact of the contemporary world that is growing. The contemporary world presents a new challenge in the study and teaching of history through the development of digital communications technology. This paper reviews historical positions and historians in the rapid dynamics of the development of digital communications technology. Why and how historians should develop a proper perspective in placing their studies in the current era of digital technology? Papers process data using digital technology and contrast it with the model and approach of historical study in Indonesia so far.
JEJAK BUDDHISME DALAM NOVEL KARYA KWEE TEK HOAY “BOENGA ROOS DARI TJIKEMBANG”: PERSPEKTIF FENOMENOLOGI Yulianti Yulianti
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 1 (2017): November
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (997.97 KB) | DOI: 10.22146/sasdayajournal.31750

Abstract

In the first half of the 20th century, many Buddhist background texts were published, primarily by private publishers. One of the scriptwriters was a Chinese Peranakan named Kwee Tek Hoay (KTH). As a Chinese philosopher and philosopher, KTH has written many short stories, novels, and translations in the field of kebatinan. The article attempts to investigate Buddhism, especially Buddhist phenomena with a phenomenological paradigm in one of the KTH works entitled Boenga Roes from Tjikembang.
DARI DEPOK LAMA KE DEPOK BARU: Berjuang Menjadi Kota, 1970an – 1990an Tri Wahyuning Mudaryanti
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 1 (2016): NOVEMBER
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.17037

Abstract

This research deals with the process of spatial development in the city of Depok, West Java and its relation to the government’s policy during 1970s – 1990s. Administratively, it has become a city which is separated from the capital Jakarta since 1999, but Depok is struggling to establish its own identity. In the beginning, Depok was designed to solve the urban problems of Jakarta. In the later period, Depok experienced a slow progress for new urban area. This is due to the government’s policy that continues to treat Depok as a supporting city of Jakarta. On the other hand, the presence of Universitas Indonesia in Depok fails to support the creation of an autonomous city of Depok.
Perusahaan Rekaman Lokananta, 1956-1990-An: Perkembangan Produksi dan Kiprahnya dalam Penyebarluasan Seni Pertunjukan Jawa Surakarta Dhanang Respati Puguh
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 2 (2018): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.36457

Abstract

This article examines on the role of Lokananta in disseminating Javanese performing arts of Surakarta during 1956-1990. It is focused on records production either in vinyl or tape cassettes and its distribution. This article composed using historical method and utilize wide range of historical sources, such as archives, newspapers, vinyl and cassette covers, articles, books, and oral history. The results showed that during 1957-1971, Lokananta has produced vinyl records which were classified into National Music, Regional Entertainment, and Regional Theatre Music. In that period, Lokananta production was dominated by recording of National Music and Music-Theatre of Central Java. During 1971-1985 Lokananta produced many music and theatre records of Central Java printed into cassette tape. In 1985-1990’s, Lokananta produced and made reproduction on cassette recordings. Quantitatively, production and reproduction recording number has drastically decreased compared to the previous period. Records vinyl and tape cassettes sale, as well as the distribution via Radio Republik Indonesia and private broadcasts, proved that Lokananta has been instrumental in disseminating Javanese performing arts of Surakarta.
SEMARANG DAN SURABAYA DALAM PERSPEKTIF HISTORIS DAN EKONOMI KOTA: SEBUAH PEMIKIRAN HISTORIOGRAFIS Putri Agus Wijayati
SASDAYA: Gadjah Mada Journal of Humanities Vol 2, No 1 (2017): November
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (956.014 KB) | DOI: 10.22146/sasdayajournal.31747

Abstract

This article describes the economic history of the town and its dynamics. As part of the historical reality, urban economics further accentuates its economic elements based on trade, industry and services activities. Of the three factors above, which one actively contributes to growth in urban economic development? Or, among the three, may be intertwined or synergised, which in turn form a support force that can stimulate the economic growth rate of a city. However, is it that simple in explaining the economic history of the town?, because a historical study must also be considerate of changes over time, while when discussed is the economic dimension, then, we are dealing with statistical data used to understand a change in time, as is done by quantitative economic history. This paper takes spatial space in the cities of Surabaya and Semarang as both cities, dominantly influenced by elements of trade, industry and services.
TRADISI MASYARAKAT SELO DAN PARIWISATA DI TAMAN NASIONAL GUNUNG MERBABU, BOYOLALI JAWA TENGAH Indah Riadi Putri; Lies Rahayu Wijayanti Faida; Chafid Fandeli; Ris Hadi Purwanto
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27782

Abstract

Culture can form civilization or tradition in meeting the needs and well being of the people involved in the environment. One of form the human culture is a work of art. Artwork reveals the attitudes, processes, Symbolics meaning in the form of movement, carvings, paintings, material realized from social and cultural knowledge. Cultural attractions have a high appeal because it has a special value in the form of art performances, traditional ceremonies, the noble values that are contained in an object of man's work in the past. People have a variety of cultural art that consists of various traditions ceremonies, art performances, habits of indigenous people in life. It can be a potential cultural attraction for tourists who visit the National Park area of Mount Merbabu in District Selo, Boyolali regency. The purpose of this research is to know the traditions of performance, art, and culture the people of Selo, Merbabu Mountain National Park, Boyolali Central Java. Culture can shape civilization or tradition in the needs and welfare of life for the people involved in its environment. One form of human culture is the work of art, which reveals attitudes, processes, symbols of meaning in the form of movements, carvings, paintings, material embodied from social and cultural knowledge. Social and cultural knowledge embodies special things such as artistic attractions, traditional rituals passed down until to the present day. The meaning of this honor is an expression of gratitude to the spirit of the ancestors who have helped keep the balance of the region and the agriculture of the Selo community to be safe, safe and abundant. This research uses qualitative and quantitative analysis method by measuring distribution/frequency of performance and implementation of tradition/culture of Selo society. The Selo community has various artistic and traditional cultures, including art performances, ancestral honors (sadranan on the 1st night of Suro), clean villages, and thanksgiving for the harvest. The results of the study found that: 1) the tradition of traditional ceremonies in the form of homage to ancestral spirits (ancestors) of 7.1 percent, 2) performances sendratari of 54.52 percent, 3) the use of public buildings with local architecture of Java that serves as a gallery art as much as 59.03 percent, and 4) Community activities work together 75.48 percent. The data also indicates that the traditions and culture of the Selo community, not only as a potential support for tourism but become an integral part of the development of nature tourism in the area of Gunung Merbabu National Park Boyolali, Central Java.
KAMPUNG PULO: TRACES OF ISLAMIC CULTURE IN GARUT REGENCY, WEST JAVA Abdul Syukur
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 1 (2016): NOVEMBER
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.17026

Abstract

Cangkuang merupakan salah satu tujuan para wisatawan di Kabupaten Garut. Ada banyak tempat dan atraksi wisata di Desa Cangkuang, yaitu Danau (Situ), Candi Hindu, Museum, Kuil Arif Muhammad dan masyarakat tradisional yang dikenal sebagai Kampung Pulo; mereka semua bersama-sama menjadi satu paket wisata bagi agenda agen perjalanan. Kampung Pulo juga dikenal Kampung Adat karena masyarakatnya masih mempertahankan kebiasaan atau tradisi yang mereka warisi dari nenek moyang mereka. Mereka, misalnya, dilarang untuk melakukan beberapa prohibitons (larangan) seperti menambahkan jumlah rumah yang menjadi enam dan harus pacuan dan anyaman bambu untuk dinding dalam model; melakukan pesta dengan musik menggunakan suara gong; sistem pewarisan harus matrilineal, dan sebagainya. Selain itu, orang-orang dari Kampung Pulo mengklaim bahwa mereka adalah keturunan Arif Muhammad yang, seperti umumnya mengatakan, seorang penyebar agama Islam di daerah. Sebagai misionaris Muslim yang menarik telah meninggalkan beberapa naskah yang sekarang disimpan di museum di sebelah Kampung Adat.