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Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk)
Published by Institut Seni Indonesia Yogyakarta
ISSN : 24777900     EISSN : 25797328     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 1, No 1 (2015)" : 6 Documents clear
Transformasi Keris Jawa Dari Karya Seni Rupa Fisis-Simbolis Menjadi Karya Desain Produk Krishna Hutama
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 1, No 1 (2015)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/productum.v1i1.1654

Abstract

Keris is a traditional weapon developed in Java, Madura, Bali, and others. Geographical and environmental influence has resulted in the difference between its function and form as a practical weapon.  In Javanese life, it has been liberated from its limited function as a practical weapon. Keris is no longer a solely a stabbing weapon, but has grown in the Java community to be a sign or social attributes, and became a kind of embodiment of an ideology of philosophy of life. Keris is not just a physical work of art but also s symbolic one. For a reason, there are people who believe that the dagger has a magical power but there are also those who do not believe it. At present, people believing in the magical power of the keris believe that its making is not the business of everyone. For people who do not believe it, its may be done by anyone so there is a mass and commercial keris production in the form of things of product design.Keywords: keris, phyisical work, symbolic meaning, product design
Melirik Ciri Khas Batik Lasem RA Sekartaji Suminto
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 1, No 1 (2015)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (8063.349 KB) | DOI: 10.24821/productum.v1i1.1521

Abstract

Batik is a priceless cultural heritage of the Indonesian archipelago. Many parts of Indonesia has a batik tradition, especially Java and its surounding areas. Batik has been known since centuries ago. Batik is classsified into two major types, namely inland and coastal batik. Batik Lasem is one of the famous coastal batik textiles which has some special features characterizing batik Lasem. Blood red color that can only produced by the roots of Mengkudu tree from Lasem is one of characteristic of batik Lasem. Similarly, Pusung Tumpal motif is still maintained until now. Maintaining the hallmark is the effort to preserve the quality and beauty of batik, in this case is batik Lasem. Keywords: Batik Lasem, blood red, tumpal pusung, hallmark
Potensi Limbah Kayu Industri Mebel untuk Produk Home Accessories Rahmawan Dwi Prasetya
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 1, No 1 (2015)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/productum.v1i1.1652

Abstract

Special Region of Yogyakarta has a lot of the furniture industry. Most of the industries are oriented to export products, while others tend to market them on the domestic market. The existence of the industry has a positive impact on the economy of the Special Region of Yogyakarta. The frequent furniture production that tends to increase over time, as a matter of fact, needs more raw materials. This rise of furniture production gives rise to a great volume of waste because it is not possible to reuse it to make furniture. The waste out of every 18-20 m3 wood are mainly in the form of 5-6 m3 of sawdust and 2-2.5 m3 wood chips. This paper describes the results of two workshops related to the utilization of wood waste. Workshop I was done by inviting participants from Small And Medium Enterpreneurship (SME) throughout Bantul by socializing design trends and international market to enable SME in Bantul can customize its design with the condition. Workshop II conducted as a follow-up to the workshop I, with output in accordance with the design trends of 2010.Keywords: meubel, home accessories, waste
Prinsip-prinsip Desain Biofilik Sumartono Sumartono
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 1, No 1 (2015)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4731.737 KB) | DOI: 10.24821/productum.v1i1.1515

Abstract

Prinsip-prinsip Desain Biofilik
Teknik Casting Pada Perhiasan Guna Menunjang Daya Beli Pandansari Kusumo
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 1, No 1 (2015)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6759.851 KB) | DOI: 10.24821/productum.v1i1.1516

Abstract

Along with the development of jewelry in Indonesia, several techniques of making are used. in the design of industrial products, jewelry by casting tehcniques is one of the techniques of making jewelry of bulk; using several models of jewelry will obtain many products of casting at the same time. This casting technique is very supportive in the process of production, working efficiently and also cost efficient. But when the jewelry products are made manually, it will not achieve high productivity results as expected.Keyword: casting technique, efficently, high productivity
Desain Industri Refleksi Spirit Dinamika Jaman Baskoro Suryo Banindro
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 1, No 1 (2015)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7444.122 KB) | DOI: 10.24821/productum.v1i1.1520

Abstract

Industrial design has become a part of visual culture and penetrates all sides of human life. As a scientific, profession, and maa production. its exixtence has caused the emergence of great industrial designers, monumental industrial products, renewable techniques, and materials, fashionable models that can be considered as reality and reflection of an era dynamics. Industrial design has resulted not only mas products but also aesthetic styles, streams, and idioms that transformed them into universal trends of design.Keywords: industrial design, representation, spirit of age

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