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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 10 Documents
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Search results for , issue "Vol 7, No 1 (2015)" : 10 Documents clear
PEMBELAJARAN SENI TARI DI SMPLB BINA KARYA INSANI KARANGANYAR Katarina Indah Sulastuti
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1636.501 KB) | DOI: 10.33153/acy.v7i1.2001

Abstract

This research aims to identify a model of dance learning in SMPLB Bina Karya Insani Karanganyar. Dance learning for the special need students in SMPLB is very important for the ability and the chance to express become an activity that is able to make a strong self-confidence grows. For the reason, it is urgent to provide a special learning system for the students in order to express themselves through dance activities. The research target is identification of the dance learning model for the students in SMPLB Bina Karya Insani Karanganyar. The research uses descriptive qualitative method. The ways include: library study of learning model for dance practice; observation and exploration ofdance learning model for the tunagrahita students; descriptive qualitative analysis of dance learning model for tunagrahita students; and designing dance learning model for tunagrahita students. The research result shows that the identification of dance learning method in SMPLB Bina Karya Insani become a reference for arranging the design of dance learning model with a newmethod.Keywords: identification, learning method, dance art, SMPLB.
ACCEPTIBILITY DUBBING PADA FILM ANIMASI ANAK ‘POCOYO’ Donie Fadjar Kurniawan
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1075.495 KB) | DOI: 10.33153/acy.v7i1.1993

Abstract

This study is to explore how the voiceover or dubbing can fulfill all the criteria of a good job in the perspective of Target Language user. To produce voiceover or dubbing in kid film program is really a multi-dimensional job. The first dimension is the linguistic aspects which rules two languages both source language (SL) and target language (TL). Sometimes we find a very long phrase or clause in SLand we finally get the voiceover or dubbing as a quite short phrase or clause and the vice versa. The second dimension is the scope of the social culture that also covers both sides. Sometimes, we find a very difficult terminology in SL to find the acceptability in TL. It is because the specific use relating toevery social and cultural background. English has many words that is hardly found in Indonesia Language. The next dimension is naturality. How a composition in SL should be voiceover or dubbing in the same naturality in the sense of TL. All of those conditions should be answered to the bestsolution by the director of voice over or dubbing. Therefore the results must consider the naturalness language dubbing for children. Vocabulary is selected in such a way that the story can get into the domestic children.The subject of this study is Kid Film Program ‘Pocoyo’ episode A Little Drummer and the Indonesian voice over or dubbing version.Keywords: dubbing, the source language, target language.
ANALISIS ANTROPHOMETRI DESAIN MEUBEL RUANG BELAJAR PAUD (STUDI KASUS PADA TK AL KHOIR SURAKARTA) Putri Sekar Hapsari; Agung Purnomo
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2094.019 KB) | DOI: 10.33153/acy.v7i1.2003

Abstract

The good education tools and infrastructure becomes one of the important components in supporting the improvement of national education system. Furniture is one of the supporting tools. Furniture is designed to support the user’s activities in this case, they are children. It means that if their physicsgrow in accordance to their ages, consequently, the table and the chair must be suitable to their size. When it is ignored, it will influence their physical growing and decreases relieve their concentration in the learning process because of the uncomfortablefurniture and it even can influence their health. This research aims to get a description of furniture design in the early children’s study room in PAUD/ TK AL KHOIR Surakarta based on the erghonomy and anthropometry. The children table, chair, and shelf become the research focus because the furniture directly in touch with the children when they have learning process in class.The research uses the method of descriptive with qualitative and quantitative approach or namely the multiple strategy of research. It means that it uses various methods in solving the research problems.Quantitative approach is meant to use numeric data resulted from the field measurement observation, then it is compared with the referred reference and analyzed based onresearcher’s interpretation sourced from field analysis. The result of this research shows that during this time, anthropometry size used in furniture making has commonly been suitable with the children size of 6 to 7 years. Otherwise, there is still a note that is the table width needs to be increased, the hip seat and the backrest need to be adapted to the form of children hip bone and backbone or it can be given foam in order to make comfortable when the children sit for a long time. The shelf size has been suitable with the children’s reach.Keywords: Anthropometry, furniture, PAUD (pre elementary school)
POLA, TATAHAN DAN SUNGGINGAN BONEKA WAYANG KULIT DAGELAN GAYA SURAKARTA DAN YOGYAKARTA SERTA KREASI PENGEMBANGANNYA Agus Ahmadi
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2775.001 KB) | DOI: 10.33153/acy.v7i1.1985

Abstract

The choice of clown (painting) puppet as the object of research is because of its simple and funny shape. This simple shape of puppet is very appropriate for a reference in making the pattern, inlaying and painting of the leather puppet for the beginner. Clown leather puppet /panakawanis a typical thing in Indonesia and it cannot be found in Indian where the original story comes from. The objectives of research are: to classify and to elaborate the inlay pattern/shape, size and motive applied to the clown puppet group; to explain the process and result of painting applied to Surakarta and Yogyakarta styles of clown puppet; as well as to express the clown puppet development creation. The research method used in this current study is a qualitative research method so that the research process is conducted in cycle, with repeatedly, ongoing or sustainable data collection activity. The result of research shows that the clown puppet group could be divided into 5 types consisting of 13 puppet characters in which each character of clown puppet is given puppet pattern example, inlay motiveshapes, and painting manifestation, in both Surakarta and Yogyakarta styles. The pattern and in lay of clown leather puppet group is much different from that of other leather puppet group. The difference is that the pattern and inlay of clown leather puppet group are simpler than that of jangkahan or bokongan puppet group. The unity of inlay and painting has been seen clearly in the painting inlay shape that becomes an overlapping decoration.Inlay is the border of painting motive and painting is the filler/color of inlay motive.Keywords: clown, leather puppet, creation.
POHACI H., Hartanto
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2577.957 KB) | DOI: 10.33153/acy.v7i1.1995

Abstract

This research on art work is entitled “Pohaci”, (Hartanto, S. Sn., M. Sn., 2012, 50 pages). The Grants are funded by DIPA 2012 ISI Surakarta. Pohaci is a dance which is inspired by the story of Dewi Sri or Nyai Pohaci Sanghyang Sri, the rice goddess story from West Java. This work takes the figure of Dewi Sri as a reflection of Javanese women who have the elegance, beauty, softness, flexibility, goodness and perfection of a woman. The creation lasts for 27 minutes which is performed as a new form of work. The problem of research includes how the story of Sanghyang Sri Pohaci treated in a different concept is and how the form of the dance work “Pohaci” is. The purpose of the study is asan abstraction of the female figure as well as the contents which will be realized in art form through Bedhayan genre. In addition, it adds knowledge and repertoire of dance work that comes from the literature of arts. The method used in the research is interpretation and construction. Interpretationmethod is a method through interpretation of the various elements on the content, form, movement, music, fashion and make up lighting. Construction method is a method to do the activity of composing starting from the movement design until the work composition.Alpha The result of study is the dancework “Pohaci” which pick up the figure of Dewi Sri which is identified by Javanese women. The form of treatment is Bedhayan using seven (7) female dancers accompanied by Javanese gamelan and its development.Keywords: Pohaci, the art of dance, Dewi Sri, Javanese women.
TEKNIK SENI LUKIS KLASIK BALI GAYA KAMASAN KARYA I NYOMAN MANDRA I Nyoman Suyasa; Amir Gozali
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2808.024 KB) | DOI: 10.33153/acy.v7i1.1987

Abstract

One of the most popular Bali Klasik (classical Bali) painting arts is the painting of Wayang Kamasan. It is called that because it comes from Kamasan village, Klungkung. Formerly, the painting form follows the form of wayang kulit. The figures are painted in thin form of two dimensions with the stories taken from epos Ramayana and Baratayuda, stories from Malat Panji (stories of the 12 -14centuries), the theme of “Pelelintangan” that forecast about the effect of earthquake in our lives, and also the theme of folk stories such as Men Brayut as a mother who has many children. Object of this article is the painting arts of Wayang Kamasan as the classical Balinese painting that takes root anddevelops in the local culture. The article stresses on the studies of visual art of Wayang Kamasan especially on the design and process of making. The previous library results are used to analyze technique and the creative process of Wayang Kamasan creating by I Nyoman Mandra. Some methods of approach are used directly towards the craftsmen and the existing musicians especially I Nyoman Mandra. The article also uses literature studies with the theoretical approach to solve the problems. The aesthetic theory of sanggit says that an art work represents a reproduction form with treatment innovation and a sanggit work with revitalization concept. The work has an interest refers to the conservation form of traditional art by giving the alternative works with reproductiontechnique of treatment innovation. Technically, it experiences the processing reduction through the elements, contour lines, coloring technique, and the field content as well as changes of the story theme. The art of revitalization vitally and mainly refers to the traditional arts. The work uses strategy of conservation concept by mutrani (nunggak semi). The result of research shows that Mandra’s work has followed the proportion and structure formulated in traditional aesthetics, but he also adds his own unique citra at the work. His work is characterized by a high delicacy, a lofty delicate value that is Bali traditional art, WayangKamasan.Keywords: painting arts of Klasik Bali, Kamasanstyle, technique.
PEMBELAJARAN MEDIA VISUAL BAHASA INGGRIS UNTUK ANAK-ANAK PAUD/TK DI SURAKARTA Johnny Prasetyo
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (691.9 KB) | DOI: 10.33153/acy.v7i1.1997

Abstract

The swift technological advances can make a great contribution in the field of education. Because of this, the experts in education have a wish to improve the system of learning models. One of the learning models developed recently is the learning model made use of visual media. Due to that, the learning model in PAUD/TK is beginning to be developed into visual media. The visual media developed is in English to make the teacher easier in mastering the subject matter of the language. The subject matter of the lesson could be in the form of pictures, video, film and so on. The research entitled The Innovative Technique of Visual Media in Learning English for PAUD/TK in Surakarta is qualitativedescriptive in nature. The goal of this research is to describe the facts, natures and relations of the phenomena systematically, factually, and accurately. The results of the research are a visual media learning model for English for PAUD/TK students and the usage of the visual mediaKeywords: visual media, English, PAUD (play group), TK (elementary school), model.
KAJIAN TEKNIK MENGGAMBAR WAYANG BEBER GAYA PACITAN JOKO SRI YONO Amir Gozali; S., Sutriyanto
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2035.898 KB) | DOI: 10.33153/acy.v7i1.1989

Abstract

Wayang beber is one of the local heritage arts genius of our ancestors were awarded UN World Board through the (United Nations Educational, Scientific and Cultural Organization) UNESCO. Wayang beber consists of two styles of Pacitan style and Wonosari style. Both have a very clear distinction, which is present in the background and some of the characters involved. This study aimedto Pacitan style wayang beber, which is characterized by a very complicated background and has a very interesting artistic value. From both also have different kaedah manufacture especially when applying the colors used. This study examined the anatomy contained in wayang beber body, be it amain character or some other supporting cast. Anatomy directed against members of the body are found in various types of puppets such as eyes, nose, mouth, ears, hands, feet up clothes and accessories that are used. In addition, this study will reveal some of the symbols contained in the background, where the background can be seen from the condition and location that is happening ineach scene. In this study, the object is wayang beber with emphasis minitik studies on aspects of its art techniques and media that manufacture Pacitan style wayang beber Sri Yono Joko work. To solve some of the issues raised using a direct approach to the puppeteers, craftsmen and artists were stillprimarily Joko Sri Yono as an artist who holds the grip wayang beber style Pacitan, as well as the review of existing literature and using some of the theoretical approaches in the hope to replied the existing formula.Keywords: Wayang Beber, Style, Pacitan.
MODEL PERTUNJUKAN BARONGAN ANAK SEBAGAI TRANSMISI BUDAYA DAERAH K., Karyono; S., Slamet; Tubagus Mulyadi
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (743.292 KB) | DOI: 10.33153/acy.v7i1.1999

Abstract

This research represents an action research that put the data as a material processing for research activities as a performance model of BaronganAnak (kids Barongan). Barongan is one of the folk arts that havetaken root in Blora. It is related to their belief that Barongan is reputed to protect and it can be seen in the ritual ceremony Lamporan. During this time, Barongan is presented in procession for ritual as well as national ceremony. After watching the kids play Barongan and imitateBarongan movements, there appears an idea to do research and to design a performance model of the Barongan Anak. The performance model needs to be introduced to the society in order to make regeneration and conserving local cultures. The method used in the research is experimentation and formation. Experimentation method is used to seek the alternative of performance model and the formation method is used to make a model.Keywords: model, kids Barongan, transmission system, inheritance.
BENTUK DAN GAYA PENUTURAN FILM DOKUMENTER BERBASIS BUDAYA DAERAH PB XII: BERJUANG UNTUK SEBUAH EKSISTENSI KARYA IGP. WIRANEGARA Nur Rahmat Ardi Candra
Acintya Vol 7, No 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1264.499 KB) | DOI: 10.33153/acy.v7i1.1991

Abstract

This research entitled “Bentuk Dan Gaya Penuturan Film Dokumenter berbasis Budaya Daerah; PBXII: Berjuang Untuk Sebuah Eksistensi, Karya IGP. Wiranegara” (The Form And Style of Speech in Documentary Film Based On The Local Culture; PBXII: Fighting For An Existence, by IGP. Wiranegara). The research aims to describe the form and style of speech as well as the dramatic plot of the film. IGP Wiranegara, through the documentary film, tries to present the outstanding form and style in conveying the theme of the film. The film is told dramatically by giving the point of view of strong character through the description of Paku Buwana XII. In the film, Paku Buwana XII is described to try hard in order that Surakarta Palace continuously exists as part of the Central Java cultures, especially Surakarta (Solo).Keywords: form, style, documentary film, local culture.

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