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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 7 Documents
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Search results for , issue "Vol 10, No 2 (2018)" : 7 Documents clear
SPIRIT OF NOAH : MEMAKNAI ULANG SEMANGAT KENABIAN DALAM ALKITAB MELALUI KARYA SENI RUPA Theresia Agustina Sitompul
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (578.978 KB) | DOI: 10.33153/bri.v10i2.2331

Abstract

In the legend of Noah's Ark, God punished one whole generation of Noah who were wicked and defying God by sending a natural disaster in the form of the Great Flood, destroying the nature. Noah was commanded to build an ark (medium) to save himself, his family, and his followers, also all kind of animals in pairs; to save a generation of life that later will create a new civilization and culture in a new area or location. The legend of Noah's Ark can be found in almost every holy book of divine religions where the story conveys the message of a life-cycle and how we learn about the meaning of life.Associating the story with our current lives, Noah's Ark has two concepts of interpretation; in the context of salvation and at the same time as a mediation space of the birth of a new culture. How human save themselves from their worldly problems, and at the same time a mediation space, a shifting space from the old culture into the new culture. These two concepts of Noah's Ark are the background and the base this creation for the writer. Keywords : Spirit of Noah, graphic art, hermeneutika.
RASIONALISASI DAN REALITAS BUDAYA JAWA TERHADAP MOTIF GURDA Aan Sudarwanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (494.029 KB) | DOI: 10.33153/bri.v10i2.2326

Abstract

The article that discusses the motive of the gurda aims to find out more clearly how the position and changes in the gurda motives in the perspective of Javanese society. In addition, it is also to find out the forms of the gurda motif and its application to Javanese culture from several perspectives, namely tradition, modern and postmodern.Changes from tradition to modernism then arrive at postmodern discourse to be interesting, because from there it can be analyzed how far the changes are from aspects of form, structure and application, as well as several causes. Several approaches are used in analyzing these problems. among others, using the concept of Max Weber's rationality and the concept of deconstruction that Derrida proposes.The importance of material objects raised in this article is based on the idea that the gurda motif on batik does not appear suddenly but has undergone a very long journey. The motif that symbolizes the eagle was originally described as more realistic and even anthropomorphic which can be found in various temple realiefs on Java, including Prambanan temple, Penataran temple, jago temple, candi Belahan and Sukuh temple. After becoming a batik motif until the postmodern era also experienced a very interesting dynamic to study so that it could become a model of changing a cultural phenomenon. Keywords: motifs of gurda, tradition, modern, postmodern discourse
METAFORA DAN IDEOLOGI FILM IKLAN MANDIRI SECURITAS H., Handriyotopo; GR Lono Lastoro; SP Gustami
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (528.152 KB) | DOI: 10.33153/bri.v10i2.2332

Abstract

The Mandiri Securitas advertisement film is a corporate advertisement that contains a persuasive message to increase brand image as a leader in investment in the Stock Exchange or trusted banking investment in Indonesia. The metaphor in the Mandiri Securitas advertisement contains cinematographic images that borrow keris culture to be sided with banking culture. This qualitative descriptive study uses a semiotic approach to appropriate verbal and visual messages from the system of rhetorical marks "Minus One". The content of visual rhetoric and verbal rhetoric on the Mandiri Securitas advertisement was reviewed by Roland Barthes's semiotic theory, because it was considered capable of uncovering the relationship of the sign meaning behind the denotative marker system and connotative markers from the ideology of Mandiri Securitas advertisements with the  theme of empu keris (keris maker). The results of this study prove that the application of the "Minus-One" method is very helpful to find and recognize the roles played by the constituent elements of a film construction. The Mandiri Securitas advertisement film is an example of the appropriation of the tradition world for the benefit of the modern world. The tradition world is not displayed in its entirety as it is, but is displayed partially and determined based on the image of the modern world wants to construct as an imagery form of advertising. Keywords: Metaphor, rhetoric, Semiotics, and ideology 
REFLEKSI DIRI TERHADAP HUBUNGAN MANUSIA DAN ALAM SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI RUPA EKSPERIMENTAL Farid Dwi Bagus Sugiharto; Satriana Didiek Isnanta
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (601.312 KB) | DOI: 10.33153/bri.v10i2.2327

Abstract

Creation of experimental art with the title "Self Reflection Against Human and Natural Relations" in the background of the writer's anxiety about the environmental damage caused by humans. From the source of the idea, the writer creates experimental fine arts that will be used as an awareness media on how important the role of nature is for the survival of living thing on earth.The results of this creation are experimental installation with elements of painting, audio, video and motion installation to point a space. The processing of this final project refers to the method of creation of Henri Cholis which refers to Hawkins, namely that in the process of create there are three stages: exploration, imvising and forming. Keywords: self-reflection, experimental art, nature damage 
PEMBELAJARAN EKSTRAKULIKULER SENI LUKIS KACA DI SMP NEGERI 3 SUKASADA I Gde Suryawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (352.027 KB) | DOI: 10.33153/bri.v10i2.2328

Abstract

Glass painting art as a “Kosa Rupa Bali” wealth especially Buleleng was very important to keep, one of them was in education. Because of that, it must be trained and directed for skill development through glass painting art extracuricular in many level, in this research focus on junior high scool especially at SMP N 3 Sukasada. The problem, that would be analyzed in this research are: (1) How are the glass painting art extracuricular learning process at SMP N 3 Sukasada. (2) How is the result of glass painting art extracurricularat SMP N 3 Sukasada. (3) What are the factor that affect the glass painting art extracuricular at SMP N 3 Sukasada. The research method that used was qualitative. The location that was choose for this research was SMP N 3 Sukasada. The technique that was used for collecting the data included: observation, interview, and documentation. The data was analysed by descriptive. Keywords: Learning, Ekstracuricular, Glass Painting
PEMANFAATAN SENI KOLASE SEBAGAI PRODUK KREATIF UNTUK PENGEMBANGAN KARYA PROYEK STUDI MAHASISWA JURUSAN SENI RUPA FBS UNNES Arif Fiyanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (408.788 KB) | DOI: 10.33153/bri.v10i2.2329

Abstract

Efforts to develop artworks from student study projects at the FBS UNNES Department of Fine Arts which choose collage art are very interesting when applied to tottebag, as a creative product. After going through observations and various considerations, collage artworks that have been worked on as student study projects will be more economically valuable, and become creative products. So that the work can collaborate into handmade products with archipelago images. Because the material used in making these products uses batik patchwork with designs that utilize Indonesian decorative motifs, especially in developing the tourism potential of Semarang. Thus the use of collage art as a creative product for the development of student study project works can be a research that discusses inspirational and innovative methods of development. Keywords: study projects, creative products, collage art
PERSEPSI MAHASISWA TERHADAP SENI RUPA TRADISI DAN KONTEMPORER SERTA RELASI PROSES PENJELAJAHAN IDE KREATIF DALAM BERKARYA Narsen Afatara; Sigit Purnomo Adi; Sayid Mataram; Nadia Sigi Prameswari
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 10, No 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.691 KB) | DOI: 10.33153/bri.v10i2.2325

Abstract

ABSTRACTThe essence of art is creating beauty. Since ancient times beauty is something that is always sought after by humans. The beauty is getting worse due to traditional art increasingly abandoned. Traditional art is all things related to values in a particular community which are maintained purely from generation to generation. In contrast to contemporary art, one of the most prominent and prominent characteristics in contemporary art is the disappearance of boundaries between art. Both forms and styles of fine arts need to be preserved by students as the next generation. The importance of preserving art is part of the preservation of the arts and culture of the nation's heritage. Traditional and contemporary art are taught in the realm of education, especially at the university level through fine arts courses. The purpose of this study is to find out the perceptions of art students on traditional art and contemporary art, so that students as young people can identify and determine their interest in one form and style between traditional and contemporary art. Keywords: Fine Art, Contemporary and Traditional

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