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Capture : Jurnal Seni Media Rekam

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Published by Institut Seni Indonesia Surakarta

ISSN : 2086308X EISSN : 2338428X DOI : -

Core Subject : Humanities, Art,

Arts Humanities

The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.

Arjuna Subject : -

Articles 7 Documents

Search results for , issue "Vol 3, No 2 (2012)" : 7 Documents clear

STRATEGI PROGRAM TVRI JAWATENGAH DALAM MENINGKATKAN KUALITAS MELALUI KONTEN BUDAYA PADA TEPOTULODHO Firdaus Azwar Ersyad; Fitri Murfianti
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

The background of this research is based on today problems of TVRI station bothintegral and influence quality programs.The aim of the research is to know whatTVRI strategiesto upgrade the quality which has locality content function in the Tepo Tulodho programs.Thisresearch use qualitative descriptive method to dig up the empirical phenomenon in TVRI,Central Java.In addition,there are three sources: informant,document,and book.To completethe data, this research uses observation, interview, and documentation.The research resultsshowed thatTVRI used dynamic pattern in strategy program. Program production was moredominate than acquisition. Supervision and program evaluation applied by Evaluation MeetingPress. Strategy of locality culture in the TepoTulodho program described Javanese culture andone of the supporting of pictured strategy.Keywords:Program strategy, local culture, picturisation, and rtistic design.

ANALISIS DRAMATURGI BANYOLAN KARTOLO EPISODE SETORAN DI JTVSURABAYA Mega Pandan Wangi; Basnendar H P
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

This study is based on the curiosity of the author regarding of aspects of thecharacterizations contained in the program JTV Surabaya namedBanyolan Kartolo (Kartolo Jokes),especially the episode 273 with the titleâ€œSetoranâ€.The study focused on the art of dramaturgyand the division of roles on the player.This study uses a qualitative research especially thefenomenology approach.With this approach disclosed to any phenomenon that occurs in theproduction of Kartolo Jokes. Data were analyzed using an interactive model, namely datareduction,data presentation,and then draw conclusions.The results of this study indicate thatthe elements that exist in Ludruk characterization Kartolo Jokes.In the jokes only use three typesof roles which the protagonist,antagonist and extras.Supporting element is the script,directors,steering studio, production assistants, camera person, lights man, sound engineers, and artisticdirector.Keywords:Ludruk,BanyolanKartolo,JTV Surabaya,and Dramaturgy

REPRESENTASI IDENTITAS AGAMA DALAM KONSEP SPIRITUALITAS MELALUI KONFLIK CERITA FILM JOKOWI Albertus Angga Adi Pamungkas; Achmad Sjafi'i
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

The way in conveying the teachings of every religion known as religious identity. Filmshould be able to make sense of religious identity in the concept of spirituality as a universal wayto convey his message.Research on the representation of religious identity in the Jokowi aims tolook religious values which presenting in one of the central elements of narrative, the conflict.Representation of the concept of spirituality contained in the teachings of education in thefamily, attitudes courage, honesty, social norms, tolerance, and devotion to parents who allcomes down to the rules of how a man should live.All of this,is a form of representation of thereligious teachings of Islam on these aspects.This analysis uses the Cultural Circuit model to seethe representation system that worked on the Jokowi.Keywords:Religion,representation,identity,spirituality,and conflict.

PENERIMAAN KHALAYAK DESA PONGGOL MAGELANGTERHADAP PROGRAM GENDU-GENDU ROSO GRABAGTV Reni Diyah Yulita; Fitri Murfianti
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

GrabagTV is one of community televisions that has been operated in Indonesia.It wasestablished in 2004 in District Grabag, Magelang regency, Central Java. Grabag TV is noncommercial television. One of programs that aired is Gendu-Gendu Roso.This program is aninteractive dialogue aimed as a space to accommodate the aspirations of the people Grabag.This problem is then focused on how the public acceptance of the program Gendu-Gendu Rosoas a medium channeling the aspirations of the people in accordance with the goals and ideals ofIndonesia broadcasters.The purpose of this study is how the reader understand on how thepublic acceptance of the program being broadcasted on television community and the factorsthat affect the acceptance of the audience. This thesis using qualitative methods and theapproach used is reception analysis.This approach is used in order to determine how audiencesreceive the contents of the messages conveyed by the media viewed from a variety ofcontextual factors that influence.Audience acceptance will be obtained by a long process thatbecame valuable experience within the public and shaping the mindset and worldview different.The results of this study show that community acceptance of Gendu Gendu Roso in defendingfreedom of speech in the category dominant reception where the community agreed that theevent was able to become the voice of the container,as well as public acceptance of the use ofsetting events are also included in the reception dominant. While the acceptance of theaudience to the information included in the reception is dominant and negotiated.The lastdiscussion on the use of regional languages in the event showed that the acceptance of theaudience entered the reception is dominant,negotiated and oppositional.For people who fallinto the category of oppositional means that the use of the local language cannot be receivedwell.Public acceptance of the programs shown on television was not the same community.It isinfluenced by various factors in daily life such as social background, occupation, age, sex andneighborhood audiences.Keywords: Community television, audiences positioning, and Grabag TV

TEKNIK ONE SHOT DAN PEWARNAAN KONTRAS DALAM PENATAAN KAMERATELEVISI KREATIF Arif Pujo Suroko; Setyo Tohari Caturriyanto
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

There are several television programs format,including the drama and non-drama.Videoclip is not drama or non-drama or journalism.However,video clips and commercials is a part ofa television program. Creative television is the format of audio-visual works that consist ofvideo clips and commercials. In making the creative television programs should be requiredcreative ideas for producing a visual work that is interesting and innovative.Video clip (musicvideo) is a tool for music producers to market a product or its artists through the medium oftelevision.So video clips can be defined as audiovisual works from a song produced by a group ofmusic in order to promote or popularize the music group along with their songs.Advertising isany forms of communication that is intended to motivate someone of potential buyers andsellers to promote a product or service.Advertising as a media campaign is divided into severalcategories,including:TV Commercial and Non-commercial ads.Commercial ads are advertisingthat aim to support the marketing campaign of a product or service. Meanwhile, noncommercial ads are ads in the form of a social marketing campaign to sell the idea or ideas forthe benefit or public service.Director of photography has an important role in determining thevisual concept. Changes of the script into a visual form is through the role of a camera personthinking through the medium of the camera.The use of One Shot shooting technique and colorcontrast are a visual concept that is applied in making this work.The One Shot technique is usedin the manufacture of video clips,while the contrasting coloring is applied in the manufacture ofadvertising is also on the video clip.With the visual concept is expected to give an idea of the feelof the new visualization mainly to the appreciation of communicative media are experimentaland educational, so as to form a pattern of thinking creatively in generating ideas artvisualization.Keywords :One Shot technique, color contrast, video clip, and creative television

SHOT DESKRIPTIF SEBAGAI ELEMENVISUAL PROGRAM DOKUMENTER KERIS : REFLEKSI BUDAYA J AWA S Sugito; Andry Prasetyo
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

One of the works of art and cultural traditions of Indonesia that have a high value isKris.Kris is a product of original culture created by the ancestors of Indonesia.Apart from beinga piece of art that has a high value and full of symbolic meanings,the Javanese community is stillwith confidence Kejawen believe Kris has a strength,magical power that has an influence on thelife of its owner.The documentary program is the theme of the existence of art and culturaltraditions in the midst of modern society life activities. This work has the characteristicsedutainment,meaning that in addition to providing entertainment also have purpose to provideeducation or knowledge to the audiences.The idea of this documentary is the story of theJavanese community relations with Kris, in any ceremonial activities and rituals performed bythe Javanese community,Kris never comes off as the completeness of culture that should not beabandoned.The use of shot-shot descriptive meaning the use shot more varied such as, panshots, follow shots, tracking shots, low shots, high shots, over-shoulder shot, is needed in themaking of this documentary,because shooting is mostly done on an event without scenario ordirect camera. Type of shot that is widely used among others: Long shot with reason andpurpose to be flexible to follow the area or wide when the scene moving fast, to show wherethe scene is located (showed a), to indicate progress, as well as to show how to position thesubject has a relationship with others.Type medium shot, shot like this type most commonlyencountered in film and television.This type of shot is the most save,because there is no specialemphasis to the object.Type close shot or close-up function to create a suppressive effect,withsolid images.Keywords :Documentary film,Kris,and Java culture

PENYUNTINGAN CUTTO CUT DAN COMPOSITING VIDEO MUSIK PANTAIKU KALAMASOUL BAND Endang Retno Ambarwati; Setyo Bagus Waskito
Capture : Jurnal Seni Media Rekam Vol 3, No 2 (2012)
Publisher : Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Sur

There are a lot of reggae musics that can be taken advantage,among them can be usedas a means of delivering a moral message,voice calling for weak communities,provide relaxationand well able to bring a message of peace for others.Departing from this fact,producer seeks tocreate two music videos using different construction techniques, the Cut to Cut technique andCompositing technique to eliminate negative view of reggae musics and the choice was on mybeach songs created and sung by Kalamasoul Band.The Cut to Cut technique to arouse feelingsand emotions of the audience,so the audience feel being at the beach and can capture the moralmessages in the videos my beach music easily.The Compositing techniques to provide a varietyof different and interesting spectacle for the community that after seeing the music video, theaudience is not immediately forgotten of what he had just seen. Cultivation of the Pantaikumusic videos through three main stages, namely editing offline, online editing, and mixing. Byusing two different techniques on the same music,it turns out Pantaiku music video compositingtechniques packaging more attractive and entertaining. But seen from the delivery of themessage,the music video by cut to cut technique in my beach songs was more communicativeand easily received by the audience.Objective of the video was to create good music and finallyactractively reached.Keywords:Editing,cut to cut,compositing,Kalamasoul Band,dan Pantaiku

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Ranang Agung Sugihartono

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ranang@isi-ska.ac.id

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Location
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Jawa tengah

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Ranang Agung Sugihartono

Contact Email ranang@isi-ska.ac.id

Phone -

Journal Mail Official ranang@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Ranang Agung Sugihartono

Contact Email
ranang@isi-ska.ac.id

Phone
-

Journal Mail Official
ranang@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA