Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

Lakon Jurnal Pengkajian & Penciptaan Wayang

Website

Published by Institut Seni Indonesia Surakarta

ISSN : - EISSN : - DOI : -

Core Subject : Education,

Education

Arjuna Subject : -

Articles 104 Documents

1 2 3 4 5

Sekilas Tentang Perkembangan Pertunjukan wayang kulit di jawa dari masa ke masa Sebuah tinjauan historis Sarwanto Sarwanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

The article discusses about the life and development of puppet show from time to time since 1920s until 1990s. PuppetÂ show, nowdays, has become more sophisticated and professional and it can become a guarantee that puppet show will continuously develop and will be able to compete with over popular art shows. Besides, the dalang with their developing creativities are able to work on tke pakeliran elements which can touch the aesthetic feeling and the audience interest. For the reason, the function of puppetÂ show as a guadiance as well as entertaining can be obtained.Â Key words: puppet show, lif and development, historical.

SANGGIT TOKOH DALAM BANJARAN SENGKUNI YB Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 15, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Banjaran Sengkuni is a play that tells about the life journey of a character named Sengkuni. Through the play the puppeteer believes that the characterâ€™s character is formed not only from birth, but also from the process of the fetus through sexual intercourse by both parents. Unless formed since in the womb, it will also be formed by the environment that surrounds it. What is meant by the environment includes the family environment, the surrounding community, and the universe. The character of Sengkuni in Banjaran Sengkuni is very determined by the process of the occurrence of a baby or fetus in the womb, which is through the process of adultery that is culturally considered negative even sin. He inherited his fatherâ€™s character, namely a gandarwa named Setibar. The thing that signifies the character that can be observed is that Sengkuniâ€™s baby despite being born in a handsome face but he fuses like a fangled father. In the tradition of canine puppet reflects a negative value.Keywords: character, fetus, environment, universe

Situasi Pakleiran Wayang Kulit Purwa Sekarang Bambang Suwarno
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 3, No 1 (2006)
Publisher : Institut Seni Indonesia Surakarta

DURSASANA GUGUR: SEBUAH KAJIAN RESEPSI Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 12, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

A valuable literary work will get continually perception from its surrounding society. Problem of thisresearch is how the perception of society towards the death of Dursasana is. The study aims todescribe the various perceptions towards Dursasanaâ€™s death. Based on the perception approach,finding of this research shows that the death of Dursasana gets perception on five thingsincluding the name of Dursasana, his reason to join in the war, the place of his death, the way heis killed, and the finding of the legend village around Kroya, Cilacap.Keywords: literature, perception, the death, Dursasana.

INOVASI ARTISTIK DAN APPROPRIASI KULTURAL SENI PERTUNJUKAN TRADISI TERHADAP BUDAYA GLOBAL Isa Ansari
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 11, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

This paper aims to analyze the relationship between tradition and contemporary conditions,especially with the implementation of the AEC (Asean Economic Community). The problems ishow-cultural trendconducted by the local communities related to the interaction with the globalculture in the context of art.Usingcultural adaptation concept on the ecological anthropologyperspective. This approach is theorized that the process of adaptation is an active humansaction by using the power of reason while physically works in order to take advantage of thenatural resources. From visual observation of the socio-cultural phenomenonand a review ofseveral books, the research result at least there are some propensity adaptations made bytraditional artists, artistic innovation, cultural appropriation, and cultural delocalization.Keywords: Artistic inovation, cultural-appropriation, delocalization.

Wayang Boneka Untuk Anak Dewanto Sukistono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Planning of wayang boneka for children is supposed to be used as a developing media for behavior and basic ability shaping for play group children. This puppet can be extended personally as a game and in a group as a performance. It is defferent from other puppet performance. In wayang boneka performance, children act as the puppet, the dubber even the musician. The performance form can make them work cooperatively, self confidence, disciplined, responsible, and appraise each other.Keyword : wayang boneka, game, performance,play group children

Lakon Kalebandu Sajian Ki Mantep Soedharsono Di Mata seorang Pengamat Wayang Blacius Subono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

The article entitled pakeliran observation on lakon Kalendu presented by Manteb Sedharsono on 25 March in Taman Budaya Surakarta, studies about problems in relation to garap elements in lakon Kalendu. Problem which is found is how the presented lakon elements are. This study aims to describe garap lakon, catur, sabet, and iringan presented by Manteb Soedharsono in lakon Kalendu. The result shows that presented garap lakon is suitable for the present day. The presented garap catur is, sometimes, brought up exactly and densely, but it can gove an interesting performance. Garap sabet shows that wayang movements in certain condition, event without previous dialogues. Garap iringan is also presented in unity with other elements.Key words: Kalendu, Mantep Soedharsono, shadow play

AKTUALISASI IDENTITAS ETNIK TIONGHOA DALAM PERTUNJUKAN LIONG DI SEMARANG Fawarti Gendra Nata Utami
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 15, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

lndonesian political reform, which began in 1998, directly influenced the ethnic identity of the chinese community in Semarang. The Liong dance, as a chinese art form, began to be performed once again in the streets of Semarangâ€™s China town, as part of parade to celebrate the anniversary of Hok Tek Tjing sien.The Liong dance means to give tangibility, to become an icon and metaphor, and to actualize various myths, beliefs, imagination, and world-views, which in reality are means of self-definition for a group or individual. A parade of a Liong dance, with its various symbols and attributes, with many Chinese people gathered together in one place, strengthens their social ties through symbols of their cultural system. This event is also a form communication, to show their identity, both as individuals and as a group, to the rest of the community and to those in power.Keywords: etnik, Tionghoa, pertunjukan, Liong, naga, Cina, identitas.

ARAKTER TOKOH KARNA DALAM CERITA PEWAYANGAN VERSI JAWA DAN SUNDA Timbul Subagya
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 11, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

The community of wayang (puppet) lovers often idolizes the characters of Mahabharata andRamayana stories. One of the idolized characters is Karna. The idolizing of Karna focuses on hiscourage in defending Korawa in the War of Bharatayuda. In Indonesia, wayang grows in severalareas with their own characteristics that create their own tradition or version of wayang. Thereare similarities as well as disparities among the traditions including the character of Karna inJavanese and Sundanese wayang as well.Keywords: puppet, Karna, Javanese, Sundanese.

MORAL SEKS DALAM CERITA PEWAYANGAN Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 7, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Sex (intercourse) representsÂ a relation of two personalities that is between a husband and a wife involvingÂ physic, feeling, emotion, and the soul based on love and mutual respect.Â Sex that is executed by unmarried couple is supposed to beÂ adultery sin and immoral in someÂ religions as well as cultures. Each culture against the adultery so that people who does the adultery willÂ get a heavy moral sanction. The moral sanction means the fall ofÂ the manâ€™s dignity as a cultured human being.Â Key words:Â Â sex (intercourse), moral, dignity

Page 1 of 11 | Total Record : 104

1 2 3 4 5

Filter by Year

2006 2023

Filter By Issues

All Issue Vol 20, No 1 (2023) Vol 19, No 2 (2022) Vol 19, No 1 (2022) Vol 18, No 2 (2021) Vol 18, No 1 (2021) Vol 17, No 1 (2020) Vol 16, No 2 (2019) Vol 16, No 1 (2019) Vol 15, No 2 (2018) Vol 15, No 1 (2018) Vol 12, No 1 (2016) Vol 11, No 1 (2015) Vol 7, No 1 (2010) Vol 5, No 1 (2008) Vol 4, No 1 (2007) Vol 3, No 1 (2006) More Issue

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
-

Contact Email
-

Phone
-

Journal Mail Official
-

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name -

Contact Email -

Phone -

Journal Mail Official -

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
-

Contact Email
-

Phone
-

Journal Mail Official
-

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA