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Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris
Published by Universitas Komputer Indonesia
ISSN : 23015543     EISSN : 23015535     DOI : -
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris merupakan sebuah wadah bagi para peneliti dalam bidang ilmu bahasa, sastra, dan budaya untuk menyampaikan berbagai gagasan yang dapat mengembangkan khasanah keilmuan masyarakat akademis Indonesia. Pada edisi perdana ini, kami mengangkat beberapa tema berkaitan dengan gejala bahasa maupun sosial yang muncul dalam pelbagai aspek kehidupan dan media
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol 11 No 1 (2022): Februari 2022" : 5 Documents clear
IDENTIFYING CATEGORY SHIFTS IN THE ENGLISH-INDONESIAN TRANSLATION OF JOKER (2019) MOVIE Suardana, I Wayan; Jayantini, I Gusti Agung Sri Rwa; Suastini, Ni Wayan
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 11 No 1 (2022): Februari 2022
Publisher : Program Studi Sastra Inggris, Fakultas Sastra, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v11i1.5352

Abstract

The research focuses on the analysis of category shift in the movie of Joker (2019). This study has two aims, namely (1) to identify the types of category shifts that appear in the English-Indonesian translation of Joker (2019) movie and (2) to describe the use of category shifts of Joker (2019) movie texts on transferring messages from the source language into the target language. Descriptive qualitative method was used in study to analyze the data. In this study, Catford's (1965) theory of translation shifts was applied. The data source of this study was the Joker (2019) movie by Todd Phillips in English with Indonesian subtitles. Observation and documentation method were applied in collecting the data. The subtitle of the film was the object of the observation. The results showed that all types of category shifts presented by Catford were found in the translation. The structure shift occurred in the highest occurrence, consisting of 46 data (43,40%) out of the 106 data. It appeared because there were different classes and functions of the word between English into Indonesian. The fewest occurrence was class shift consisting of 17 data (16,03%). The majority of the class shifts discovered in this study is shifts from noun to a verb. Unit shift occurred 24 cases (22,65%). Most of the unit shifts found in the source language were transferred from words to phrases in the target language and intra-system shift occurred 19 data (17,92%) from the total of 106 data found. This shift was represented by the plural forms in English that were mostly translated into singular forms in Indonesian because, as it can be seen in the translation, the markers of plural quantifier were followed by the singular noun in Indonesian. The plural forms were shown by the use of them in the noun phrases.
PERJALANAN HIDUP TOKOH DALAM PUISI THE RAVEN KARYA EDGAR ALLAN POE Sidik, Fajar
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 11 No 1 (2022): Februari 2022
Publisher : Program Studi Sastra Inggris, Fakultas Sastra, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v11i1.5427

Abstract

The title of this research is Perjalanan Hidup Tokoh dalam Puisi The Raven karya Edgar Allan Poe. This research explains the description of the main character and the way of the main character live his life using imagery and figurative language. The Descriptive and Qualitative use on this research by taking all the data's poem in the form of lines and stanzas. The approach in this study uses the Objective Approach, because this research focuses on the literature itself. The result of this research show the main character as a coward, hypophrenia, and unstable. The main character in The Raven lives a life full of struggles, sorrows and sacrifices.
ASPEK EMPATI TREASURE ISLAND KARYA ROBERT LOUIS STEVENSON SEBAGAI KARYA SASTRA INGGRIS ADILUHUNG DAN RELEVANSINYA PADA ERA DIGITAL Azza, Sekar Yolanda
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 11 No 1 (2022): Februari 2022
Publisher : Program Studi Sastra Inggris, Fakultas Sastra, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v11i1.5890

Abstract

Pada era digital, teknologi informasi dan komunikasi menyebabkan batasan antar negara menjadi pudar. Informasi yang didapatkan acap kali berbaur dengan hal-hal negatif sehingga mengikis rasa empati yang dimiliki. Nilai empati yang terkikis dapat mengakibatkan hilangnya tegang rasa sehingga dapat menimbulkan konflik dalam tatanan masyarakat. Membaca adalah salah satu kegiatan yang dapat meningkatkan rasa empati. Saat ini, sastra adiluhung mulai tidak diminati ditengah arus sastra populer. Untuk meminimalisir hilangnya karya Sastra Inggris adiluhung, penelitian ini mempertemukan mahasiswa muda dan karya sastra adiluhung dalam aspek empati. Data primer yang akan digunakan dalam penelitian kualitatif ini adalah narasi serta dialog dalam karya Robert Louis Stevenson yang berjudul Treasure Island (1883). Kemudian, data sekunder berupa hasil kuisioner yang ditujukan pada empat (4) mahasiswa Sastra Inggris Universitas Muhammadiyah Lampung. Teori yang akan digunakan dalam membantu penelitian ini adalah teori respons pembaca / Reader Response dan teori aspek empati. Hasil dari penelitian ini menunjukan Treasure Island sebagai karya sastra Inggris adiluhung dapat mengasah kemampuan empati para mahasiswa Sastra Inggris Universitas Muhammadiyah Lampung. Kehangatan, kelembutan, rasa peduli dan kasihan adalah aspek empati yang di temukan dalam karya sastra ini. Relevansi Treasure Island dengan kondisi era digital saat ini adalah tentang nilai nilai kerjasama, nilai kebaikan hati, dan nilai kekeluargaan.
INTERNAL FOCALIZATION OF CHARACTERS IN FRANKENSTEIN BY MARY SHELLEY Nurjaya, Muhammad Luthfi; Juanda, Juanda
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 11 No 1 (2022): Februari 2022
Publisher : Program Studi Sastra Inggris, Fakultas Sastra, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v11i1.5925

Abstract

This research analyses the internal focalization of characters in the novel Frankenstein by Mary Shelley. Based on narratology, focalization can be divided into three kind zero focalization, internal focalization and external focalization. Internal focalization is when narrator knows what character thoughts, they cannot explain the thought of others character. Frankenstein by Mary Shelley told us about the story about a man named Victor Frankenstein who created monster and brought that back to life. After that Victor was terrorized by the monster and ruin his life. The story mostly uses internal focalization as every character told the story through their perspective. This paper uses a qualitative method. The data are collected and represented in direct quotes from the book. The theory that is used in this research is based on Gérard Genette's theory about narratology, which is provide the information about how the story is told based on narrator. The research reveals that Mary Shelley uses more than one internal focalization in Frankenstein. The first is coming from Captain Walton to Victor Frankenstein to the monster and come back to Victor and ended with Captain Walton. The shifts point of view in internal focalization shows others character perspective about how the story goes.
IDENTIFYING CHARACTERS OF JAVANESE COMEDY KUNTET EDAN BY LUDRUK BUDHI WIJAYA Ernawati, Luluk; Hanifa, Siti
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol 11 No 1 (2022): Februari 2022
Publisher : Program Studi Sastra Inggris, Fakultas Sastra, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v11i1.6133

Abstract

ABSTRACT Drama in the world of literature is a form of literary work that provides an overview of human life through dialogues, actions, and emotions. The topic of this research is characters and characterizations in the Javanese Comedy Kuntet Edan. The objective of the study is to identify the types of characters and characterization in this Javanese Comedy. The writer focuses on all characters in this Javanese Comedy. The method in this study is a descriptive qualitative method, the object and the source of the data of this study is the Javanese Comedy entitled Kuntet Edan by Ludruk Budhi Wijaya, which was performed in 2017. The writer uses the theory of New Criticism focusing on intrinsic elements, e.g., character and characterization. The data of this study are the characters’ utterances and actions. This study found that the characters of the Javanese Comedy are categorized as flat, round or dynamic, and protagonist. Next, the types of characterization include (1) direct, and (2) indirect characterization. Keywords: Characters, Characterization, New Criticism, Javanese Comedy ABSTRAK Drama dalam dunia sastra merupakan salah satu bentuk karya sastra yang memberikan gambaran tentang kehidupan manusia melalui dialog, tindakan, dan emosi. Topik penelitian ini adalah tokoh dan penokohan dalam Komedi Jawa Kuntet Edan. Tujuan dari penelitian ini adalah untuk mengidentifikasi tipe-tipe tokoh dan penokohan dalam Komedi Jawa ini. Penulis memfokuskan pada semua karakter dalam Komedi Jawa ini. Metode dalam penelitian ini adalah metode deskriptif kualitatif, objek dan sumber data penelitian ini adalah Komedi Jawa berjudul Kuntet Edan karya Ludruk Budhi Wijaya yang dipentaskan pada tahun 2017. Penulis menggunakan teori Kritik Baru dengan fokus pada unsur intrinsik, misalnya karakter dan penokohan. Data dari penelitian ini adalah ucapan dan tindakan para tokoh. Penelitian ini menemukan bahwa karakter dalam Komedi Jawa dikategorikan datar, bulat atau dinamis, dan protagonis. Selanjutnya, jenis-jenis penokohan meliputi (1) penokohan langsung, dan (2) penokohan tidak langsung. Kata kunci: Tokoh, Penokohan, Kritik Baru, Komedi Jawa

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