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Deny Efita Nur Rakhmawati
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English Letters Department Faculty of Humanities, Universitas Islam Negeri Maulana Malik Ibrahim Malang Jalan Gajayana 50 Malang, Jawa Timur, Indonesia 65144 Phone (+62) 341 551354, Facsimile (+62) 341 572533 e-mail: paradigm@uin-malang.ac.id
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Paradigm: Journal of Language and Literary Studies
Published by Universitas Islam Negeri Maulana Malik Ibrahim Malang
ISSN : -     EISSN : 26228653     DOI : https://doi.org/10.18860/prdg.v3i1.8230
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Paradigm: Journal of Language and Literary Studies is one of the professional publications of the Faculty of Humanities, UIN Maulana Malik Ibrahim Malang (E-ISSN: 2622-8653). The journal presents information and ideas on theories, research, and methods related to linguistics and literature. It includes analyses, studies, application of theories, research report, and reviews in such areas as micro-linguistics, sociolinguistics, psycholinguistics, pragmatics, (critical) discourse analysis, language and culture, applied linguistics, stylistics, literary history, literary criticism, and comparative literature.
Arjuna Subject : Umum - Umum
Articles 6 Documents
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Search results for , issue "Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies" : 6 Documents clear
ENGLISH AND INDONESIAN TYPES OF WARRANTS IN CLAIMS OF FACT, VALUE AND POLICY Rohmani Nur Indah; Wenyk Ambarwati; Burhanudin Syaifulloh
PARADIGM: Journal of Language and Literary Studies Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v4i1.11082

Abstract

Warrant is a crucial element in argumentative essay which connects the claim and support in order to give proves that the supports are valid and credible. This study seeks the comparison between the warrant inn English and Indonesian argumentation. The rhetorical analysis in this study is to get deep understanding on the types of warrant that is used by the writers in the opinion section of www.theaustralian.com.au and www.seputar- indonesia.com in the claim of fact, of value, and of policy.  The finding shows that on claims of fact, English writers show authoritative and substantive warrants while Indonesian writers prefer substantive and motivational warrants. In constructing the support for claims of value, almost similar result shown by both English and Indonesian writers that is the domination of motivational warrant. The writers attempt to strengthen the claims of policy show the use of substantive and motivational warrants by English writers. Meanwhile the Indonesian writers make use of substantive and authoritative warrants to convince the readers on the need to accept the proposed policy. Further studies are expected to dig more on the critical discourse analysis of warrants across different languages within different context, types of issue presented and different form of publication.
THE PORTRAYAL OF BLINDNESS IN SHORT STORIES Agung Wiranata Kusuma
PARADIGM: Journal of Language and Literary Studies Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v4i1.12029

Abstract

Short stories as part of the literature play a significant role in portraying the human lifestyle, including the image of disabilities. Studying the portrayal of disabled people in literature becomes significant to consider the need to change the illustration of disabilities in fiction. There are four short stories selected in this study, namely “Cathedral” By Raymond Carver, “The Blind Man” by Guy de Maupassant, “The Blind Man” by Kate Chopin and “A Man Who Had No Eyes” by Benjamin MacKinlay Kantor. Applying disability theory proposed by Tobin Siebers, this textual analysis study found that the characters in the four stories are portrayed as weak, dependent, unproductive, and other negative prejudice. They receive this treatment due to the social misconception about disabilities.
REDEFINING BEAUTY STANDARD IN LAKSMI PAMUNTJAK’S THE QUESTION OF RED Yulia Eka Pristiana; Much Koiri
PARADIGM: Journal of Language and Literary Studies Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v4i1.12055

Abstract

The word "beautiful" is closely addressed to women. The standardization of beauty attached to women by a patriarchal society has become an issue that is still strongly opposed by feminists. The feeling of being less attractive and less-loved will grow in the women’s minds who are deemed less or do not meet the beauty standard in the patriarchal society. This study is aimed: (1) to discuss beauty standards set forward by a patriarchal society represented through an epic literary work, a novel by Laksmi Pamuntjak entitled The Question of Red, and (2) to identify how the character Amba redefines beauty in Laksmi Pamuntjak's The Question of Red. This study applies literary criticism to achieve satisfactory results, which refers to feminists' "reading as women." This study indicates that patriarchal society's beauty standard is represented by depicting Amba's appearance that is different from the physical depiction of the mother and the sister who always have a beautiful appearance. Besides, Amba believes that the beauty standard is a catastrophe that unwittingly harms women. Moreover, beauty is not always just about appearance.
A TEXTUAL ANALYSIS ON POWER DISTRIBUTION IN THE CLAUSES OF NEW INPUTS OF NATIONAL EDUCATION POLICY DRAFT IN INDIA Muhammad Dzia Ul Haq
PARADIGM: Journal of Language and Literary Studies Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v4i1.12137

Abstract

Power is something that is useful to make things better or even worse. Those who have more power might be able to change or create something as they wish to be. The revamped proposal on the national education policy in India structured by the Ministry of Human Resource Development in 2016 becomes one example of how the power can be distributed through a national policy to instruct how the Indian education system should be, especially for a pre-primary student. The research tries to reveal the power distribution among Indian Governmental Institutions by using a descriptive qualitative research design with a textual analysis of Systemic Functional Linguistics (SFL) approach, concerning MOOD framework using MOOD elements Adjuncts and the Modality formed by Halliday (2004). The input on the New National Education Policy draft that is assessed is the one that is related to the pre-primary student by pointing out the MOOD Framework and Modality to see different power representations distributed by the Ministry of Human Resource Development to other institutions. Besides, this research will also reveal which excerpts have the most powerful representation.
TRANSLATION ACCURACY OF ENGLISH COMPLEX SENTENCE INTO INDONESIAN IN THE NOVEL OF “JULIET” BY ANNE FORTIER Nur Shofa Azzahra; Ruminda Ruminda
PARADIGM: Journal of Language and Literary Studies Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v4i1.11707

Abstract

Translation has contributed a huge effect to everyday life since its existence. The translation is a very complex language activity that requires the translator to have knowledge on language and grammar, at the same time culture, social, religion, and material. The purpose of this study is to assess the translation accuracy of English complex sentences into Indonesia in a novel entitled “Juliet” written by Anne Fortier using the theory of Nababan’s translation accuracy assessment. The novel is the most dominant literary work to read. Nowadays, there are a lot of novels have been translated into various languages. It contains various sentence structures, and the structure should be translated well. The complex sentence has a complex and challenging structure. The method used in this study is qualitative. 52 data are collected and ranged from 1 to 3, depending on their accuracies. The higher the score shows, the more accurate translation; and the lower the score, the less accurate translation. The result showed that the translations are accurate, with a score of 2,7.
AN ANALYSIS OF COMMISSIVE SPEECH ACT USED BY THE MAIN CHARACTER OF “KNIVES OUT” Maya Fitriana Devi; Agwin Degaf
PARADIGM: Journal of Language and Literary Studies Vol 4, No 1 (2021): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v4i1.10932

Abstract

Commissive speech acts are speech acts that bind the speaker to carry out what is stated in the speech. This research aims to analyze the types and the functions of commisives speech acts used by the characters in the Knives Out movie. The method used in this research is qualitative descriptive in which the research instrument is the researcher herself. The utterances were classified based on the theory proposed by Searle (1985) and Austin (1969). The utterances found in that movie are classified into six types of commisives speech act: the promise, guarantee, refusal, threat, volunteer, and offer. The results revealed there are 13 data found in the Knives Out film. The function that the characters mainly use in the film is an act of illocution. In contrast, from 13 data, the researcher found 6 types of commisive speech acts are found in the Knives Out movie: 2 utterances for guarantee (guarantee), 2 utterances for promises (promise), 2 utterances for offers (to offer), 3 utterances for refuse (refuse), 2 utterances for threats (threatening), and 2 utterances for volunteers (volunteers). Then, the commissive speech act that is mainly produced by the characters is rejection.

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