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INDONESIA
Jurnal Kreatif : Desain Produk Industri dan Arsitektur
Published by Politeknik Negeri Samarinda
ISSN : 23031662     EISSN : 27472582     DOI : 10.46964
Core Subject : Art, Engineering,
Arts Civil Engineering, Building, Construction & Architecture Industrial & Manufacturing Engineering
Jurnal Kreatif : Desain Produk Industri dan Arsitektur, terbitan ini berisi artikel bidang ilmu desain produk industri, arsitektur dan ilmu ilmu umum yang mendukung disiplin tersebut. Diterbitkan secara berkala 6 bulanan, tiap bulan April dan Oktober
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 11 Documents
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Search results for , issue "Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018" : 11 Documents clear
PERENCANAAN MAHAKAM BOUTIQUE HOTEL DI SAMARINDA PENEKANAN PADA TATA RUANG DALAM Nur Husniah Thamrin; Hatta Musthafa Adham Putra; Paskalis .
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.40

Abstract

ABSTRAK Samarinda merupakan ibu kota Kalimantan Timur, yang mempunyai jumlah penduduk lebih padat dari kota-kota yang berada di Kalimantan Kimur, segala kegiatan seperti kegiatan ekonomi, pendidikan maupun bisnis terpusat di Samarinda, dengan demikian Samarinda juga mempunya posisi yang strategis membangun bisnis dalam bidang jasa dan pelayanan sperti hotel, dimana pada umumnya Samarinda mempunyai sangat banyak jasa dan pelayanan hotel yang umum-umum saja, maka dari itu penulis mencoba merancang sebuah hotel, dimana hotel tersebut menyediakan pelayanan yang super eksklusif, serta mencoba menggunakan gaya bangunan vernakular Lamin Dayak yang merupakan rumah tinggal khas suku Dayak dan merupakan etnis setempat, yang bertujuan agar memperkuat brand kota Samarinda. Dengan demikian Samarinda akan sedikit memberikan kesan yang bermanfaat bagi setiap pengunjung lokal maupun mancanegara yang datang dalam rangka kegiatan ekonomi, bisnis maupun pendidikan dengan adanya ketersediaan fasilitas tempat inap yang dirancang oleh penulis yaitu Mahakam Boutique Hotel. Kata Kunci : Boutique, Vernakular, Lamin, Dayak, Hotel, Eksklusif. ABSTRACT Samarinda is the capital of East Borneo, which has a denser population of cities in East Borneo, all activities such as economic, educational and business activities are concentrated in Samarinda, thus Samarinda also has a strategic position to build business in the field of services and Services such as hotels, where in general Samarinda have a lot of services and hotel services are general are only course, therefore the author tries to design a hotel, where the hotel provides super exclusiv services, and try to use the style of vernacular building Lamin Dayak, which is a residence Typical of Dayak tribe and is a local ethnic, which aims to strengthen the brand city of Samarinda. Thus Samarinda will give a little impression that is beneficial for every visitor both local and foreign who come in the framework of economic activities, business and education with the availability of facilities inpatient designed by the author of Mahakam Boutique Hotel. Keyword : Vernacular, Lamin, Dayak, Boutique, Hotel, Exclusive.
PENELITIAN RUMAH TIDAK LAYAK HUNI (RTLH) KABUPATEN BULUNGAN TAHUN 2017: (Jumlah dan Prioritas Penanganan) Afif Bizrie Mardhanie
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.41

Abstract

ABSTRAK Indonesia adalah negara yang luas dan mempunyai penduduk dengan jumlah yang besar. Persoalan ini kemudian terkait dengan penyediaan rumah sebagai tempat tinggal bagi masyarakat, terutama bagi masyarakat berpenghasilan rendah. Pada tahun 2003 terdapat back-log (ketidakmampuan penyediaan rumah) sebanyak 5,93 juta unit rumah, maka jika target penyelesaian adalah di tahun 2020, maka setiap tahun harus tercapai penyediaan rumah oleh pemerintah maupun masyarakat sebanyak 1,15 juta unit/tahun. Kegiatan Pendataan Rumah Tidak Layak Huni (RTLH) Kabupaten Bulungan Tahun 2017 merupakan implementasi dari program Pemerintah yang sudah dilaksanakan sejak tahun 2000 yang lalu. RTLH adalah rumah yang tidak layak untuk tempat tinggal disebabkan oleh kondisi rumahnya yang tidak sehat atau berada di kawasan permukiman kumuh maupun rumah yang bisa membahayakan kehidupan penghuninya karena tidak memenuhi standar konstruksi. Konsep rumah layak huni adalah rumah yang mempunyai; sirkulasi udara yang baik, kualitas air yang memadai, pencahayaan atau penerangan yang cukup, dapur bersih dan pembuangan asap lancer, konstruksi bangunan yang memenuhi standard, mempunyai sanitasi yang baik. Berdasarkan hasil survai, kemudian dilakukan analisis terhadap standar diatas, maka dapat disimpulkan bahwa Total Rumah Tidak layak Huni (RTLH) Kabupaten Bulungan Tahun 2017 adalah sebanyak 1.896 RTLH, yang terbagi dalam beberapa kategori. Kata Kunci: Rumah tidak layak huni (RTLH), Back-log.
PENGEMBANGAN DESAIN STRUKTUR SILINDER BILAH ROTAN DENGAN TEKNIK LILIT Alivia Syam; Andar Sriwarno; Prabu Wardono
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.42

Abstract

ABSTRAK Saat ini produk rotan Indonesia banyak yang dibuat dari modul konstruksi, modul anyaman, modul joint system dari waktu ke waktu. Banyak masyarakat cenderung melihat produk rotan adalah produk yang monoton dan ketinggalan jaman. Menanggapi permasalahan tersebut, diperlukan sebuah inovasi yang dapat mengubah wujud visual produk rotan dengan menambah variasi teknik-teknik tertentu di dalamnya. Dari berbagai eksperimen yang telah dilakukan di Indonesia, bagian batang merupakan yang paling sering digunakan dengan berbagai macam perlakuan dan metode. Oleh sebab itu, dapat dikatakan bahwa batang rotan adalah bagian yang memiliki potensi paling besar untuk dieksplorasi. Rotan batang pun selain dilengkungkan (bending) dapat pula diberikan perlakuan lain, yaitu dengan cara dibelah dengan tebal yang bervariasi tergantung dengan kebutuhan. Di pasaran, rotan yang diberikan perlakuan tersebut dikenal dengan istilah bilah rotan (strip rattan). Sayangnya, bilah rotan ini tidak dijual bebas di pasaran seperti layaknya bilah bambu, untuk mendapatkannya harus request atau pesan terlebih dahulu oleh para pengrajin. Namun positifnya, menjadi lebih mudah untuk mendapatkan ketebalan bilah rotanyang sesuai dengan kebutuhan. Bilah rotan yang jarang digunakan oleh para pelaku rotan sebagai bahan baku, menjadikan salah satu solusi terhadap permasalahan rotan yang terjadi saat ini. Dengan adanya pengembangan desain terhadap bilah rotan ini, maka diharapkan produk rotan bisa menjadi lebih berkembang variasi tekniknya. Penelitian ini dilakukan dengan metode eksperimen terhadap bilah rotan yang menggunakan teknik twist bending, yaitu teknik melengkungkan sekaligus melilitkan bilah rotan terhadap cetakannya. Rotan yang digunakan adalah rotan Manau, dengan ketebalan bilah rotan 3mm dan 5mm, dan dibuat dengan diameter cetakan 8cm dan 15cm. Dari eksperimen ini menghasilkan struktur silinder yang dibuat dari bilah rotan dengan cara dililit. Hasil penemuan ini dapat digunakan dan dimanfaatkan lebih jauh untuk kebutuhan-kebutuhan desain yang memerlukan struktur silinder. Kata Kunci : Bilah Rotan, Twist Bending, Struktur Silinder ABSTRAK Currently many Indonesian rattan products are made of construction modules, woven modules, connection system modules from time to time. Many people who see rattan products are monotonous and outdated. Responding to the problem, an innovation is needed that can change the visual form of the product with certain techniques. From various experiments that have been carried out in Indonesia, the part which is the most common with various kinds of services and methods. Therefore, it can be said that the rattan rod is the part that has the greatest potential to be explored. Rattan stems besides being bent can also be given in other ways, namely by dividing the length which varies depending on the needs. In the market, rattan which is given treatment is known as the rattan bar (rattan strip). Unfortunately, this rattan blade is not sold freely on the market like bamboo, to match it must ask for a letter from the craftsmen. But positively, it becomes easier to get the thickness of the strip that suits your needs. The rattan bar, which the rattan players call raw material, is one of the solutions to rattan that is happening now. With the development of the design of this rattan blade, it is expected that rattan products can be more than techniques. This research was carried out with an experimental method of rattan blades which used a twist bending technique, which is a curved technique while wrapping a rattan blade against the mold. Rattan which is Manau rattan, with a thickness of 3mm and 5mm strips, and made with a mold diameter of 8cm and 15cm. From this writing, use a cylindrical structure made from rattan blades in a way wrapped around. The results of this invention can be used further for design requirements that meet the cylinder structure. Keywords: Rattan Strips, Twist Bending, Cylinder Structure
ESTETIKA BENTUK PADA FURNITUR BERKONSEP ANTHROPOMORPHIS: Studi Kasus : “My Big Fat Sofa” Maugina Rizki Havier
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.43

Abstract

ABSTRAK Anthropomorphisme adalah suatu gerakan atribusi karakteristik manusia terhadap sebuah benda. Contoh yang paling mudah dikenali adalah Mae West Lips Sofa karya Salvador Dali. Anthropomorphisasi pada furnitur semakin berkembang dengan banyaknya kursi-kursi kontemporer saat ini. Bentuk pada kursi-kursi ini menjadi sebuah paradoks saat mayoritas publik menganggapnya buruk rupa dan tidak menyukainya, tapi furnitur tersebut memiliki nilai jual yang tinggi. Salah satu dari furnitur berkonsep anthropomorphic adalah My Big Fat Sofa. Sofa tersebut adalah hasil eksperimen Charlotte Kingsnorth yang menggabungkan bentuk biomorphic dan anthropomorphic. Sofa ini merupakan pengembangan dari AtOne Sofa, sebuah studi berkelanjutan mengenai Anthropomorphisasi pada furnitur. My Big Fat Sofa menempati urutan 5 terdepan hasil pencarian pada laman google images dengan kata kunci “Ugly Furniture”. Hal ini bisa sangat berhubungan dengan konsep The Ugly and The Beauty, dimana jelek dan indahnya suatu karya ditentukan oleh suara mayoritas. Namun, nilai jual sofa ini sangatlah tinggi. Peneliti bermaksud mengidentifikasi apakah ada perbedaan pendapat mengenai penilaian estetis terhadap sofa tersebut. Peneliti mengkaji objek menggunakan sistem survey terpisah yang dilakukan pada 20 responden dari kelompok berlatar belakang kreatif dan 20 responden dari kelompok berlatar belakang non-kreatif menggunakan metode Visual Analog Scale (VAS). Penelitian ini membuktikan bahwa selain konsep The Ugly and The Beauty, apresiasi estetis bentuk suatu karya juga dapat dipengaruhi oleh aspek-aspek subjektif untuk menghasilkan pendapat terhadap jelek atau indahnya suatu karya. Hasil dari penelitian ini dapat memberikan bantuan pandangan terhadap arah karya industri kreatif Indonesia khususnya desain furnitur untuk dapat bersaing dalam revolusi keempat (Making Indonesia 4.0). Kata Kunci: Jelek, Indah, Estetika Bentuk, Anthropomorphisasi, Furnitur ABSTRACT Anthropomorphism is an atribution of human characteristic to a non-human form. One of the most recognised product is Mae Lips Sofa by Salvador Dali. Anthropomorphism in furniture are growing along contemporary sofa design nowadays. It became a paradox when public thinks it ugly and dislike it but its value is overly high. One of the furniture with anthropomorphic concept is My Big Fat Sofa. ‘My Big Fat Sofa’ is an experiment-based product by Charlotte Kingsnorth which combines the biomorphic and anthropomorphic shapes. This sofa is a result of an advanced development from AtOne Sofa a sustainable study of anthropomorphisation in furniture. ‘My Big Fat Sofa’ placed in the top five of Google Images Search under the keyword ‘ugly furniture’. It might be related to ‘The Ugly and the Beauty’ concept where disfigurement and splendour of a product are determined by the major vote. However, the assessment result may vary according to the profile of respondents. The researcher intends to identify whether different arguments of the sofa’s aesthetic value might occur by conducting separate surveys using Visual Analogue Scale Methods (VAS) to 20 respondents each, from both creative and non-creative background. This study is also subjected to prove the premise on how respondents’ subjective aspects could also interfere with their aesthetical appreciation of an opus, in generating absolute thoughts towards the creation, aside from ‘The Ugly and the Beauty’ concept. The outcome helps to direct ideas in leading Indonesia’s creative industries, particularly in furniture design, to compete with the fourth revolution (Making Indonesia 4.0). Keywords: Ugly, Beauty, Aesthetic Shape, Antrhopomorphic, Furniture
ASPEK VISCERAL DAN BEHAVIORAL PADA KAIN TENUN SUTERA Nandang Setiawan; Kuswinarti .
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.44

Abstract

ABSTRAK Pemberdayaan IKM merupakan salah satu dari 10 prioritas nasional dalam inisiatif making Indonesia 4.0. IKM tekstil tradisional tersebar di hampir seluruh wilayah nusantara, termasuk di wilayah Garut, Jawa Barat sebagai salah satu penghasil kain tenun sutera. Sebagai sebuah benda desain kain tenun yang dibuat harus sesuai dengan kriteria yang diharapkan oleh pengguna. Penelitian ini diharapkan mampu bermanfaat bagi IKM tekstil tradisional untuk mengidentifikasi karakteristik kain tenun dilihat dari interaksi manusia dan desain pada tahapan visceral dan behavioral, sehingga produk yang dihasilkan sesuai dengan kebutuhan penggunanya. Interaksi pada tahap visceral dapat diukur melalui evaluasi sensori terhadap sifat taktil dengan indera peraba dan tampilan visual kain tenun dengan indera penglihatan, bahkan sifat taktil dan tampilan visual menjadi preferensi pilihan yang penting bagi pengguna saat memilih kain tenun. Sedangkan respon yang muncul setelah penggunaan dalam selang waktu tertentu merupakan bentuk interaksi pada tingkat behavioral. Pengujian data hasil eksperimen dengan Anova satu arah terhadap empat sampel kain tenun sutera Garut yang memiliki perbedaan struktur anyaman menunjukkan bahwa kain tenun dengan anyaman polos dinilai memiliki sifat taktil yang paling baik dan diperkirakan paling nyaman jika dipergunakan sebagai benda pakai. Begitu pula dengan perbedaan tampilan visual kain yang disebabkan oleh aplikasi teknik desain permukaan menjadi preferensi yang penting bagi pengguna saat memilih kain tenun. Lebih lanjut, pengujian korelasi Pearson membuktikan bahwa preferensi pilihan yang diakibatkan oleh sifat taktil dan tampilan visual kain tenun tidak berpengaruh terhadap munculnya bentuk interaksi pada tingkatan behavioral; terkait dengan fungsi, cara penggunaan serta tingkat kenyamanan bagi penggunanya. Kata kunci : behavioral, evaluasi sensori interaksi manusia dan desain, visceral ABSTRACT Small and Medium Enterprises (SME) empowerment is one of 10 national priorities in making Indonesia's 4.0 initiative. Traditional textile SME spreads in almost all regions of Indonesia, including in Garut, West Java as a producer of silk woven. As a design object, woven fabric must be in accordance with the expected criteria by the user. This research is expected to be useful for traditional textile SMEs to identify the characteristics of woven fabric seen from human and design interaction at the visceral and behavioral level, so that the products are in accordance with user requirements. The sensory evaluation of tactile properties of woven fabric by touching and visual appearance assesment are forms of human interaction and design on the visceral level. In fact, both are become main preferences to the user when deciding to buy woven fabrics. While the response that appears after being used in a certain time interval is a form of interaction at the behavioral level. Tactile properties and visual appearance of the woven fabric which can be evaluated subjectively by human senses is a form of human interaction with the design on a visceral level. Analysis of one way anova against four types of woven silk with diffrent structure shows that as textile materials, plain fabrics rated as the best in total handling properties and considered as the most convenient when used as wearable items. According to it’s visual appearance, the type of surface design on fabric be important to the user preferences when choosing fabrics. Pearson correlation testing showed that the preferences of the user's choice posed by the visceral aspect due to the tactile properties of woven fabric and surface design applications had no effect on the appearance of interaction at the level of behavioral aspects associated with the function, useability and the physical responses.Keywords : behavioral, sensory evaluation, visceral
DESAIN SET CATUR UNTUK ANAK-ANAK DENGAN MOTIF BATIK KALIMANTAN TIMUR Andi Farid Hidayanto; Muhammad Wahyudi
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.46

Abstract

ABSTRACT The design and development of chess set products into a part of the development of design in the business world, especially children's games. But the current chess sets are less varied. Generally chess set that there is only a royal and has a black and white color without any introduction of Indonesian culture, especially batik East Kalimantan. The current chess set also rarely has good storage so chess storage is not neatly arranged when the game is over. With this in mind, a designer tries to create a better item with new innovations. Like designing a chess set that is easily understood by children, designing a chess set that can introduce East Kalimantan batik culture especially Dayak Kenyah batik, and designing chess sets that have aesthetic value. In this report with the title "Set chess for children with batik motif east kalimantan" gives a new alternative in the development of furniture design especially chess sets. With the design methods that have been done include: data collection analysis, design alterrnatif, design development of selected alternatives, and final design. So produced chess set design for children who have a modern minimalist design style. Keywords: Set, Chess, For, Children, Motif, Batik, East, Borneo
DESAIN SARANA BAWA PERALATAN OLAHRAGA ANGGAR UNTUK KEPERLUAN LATIHAN RUTIN Royke Vincentius; Ilosa Dwi H
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.47

Abstract

AbstractFencing is a martial arts using weapons that had been develoed into an agility sport with weapons that emphasize on ability techniques such as cutting, stabbing or fending off opponent's weapons by using the skill in utilizing hand agility. In order to gain high skill the athletes must do routine exercises. For the purpose the athletes need some carrying device that is design accordingly. The research conduct in order to design specific carrying device for this specific purposes. The design method begin with data collecting, analysing the data, determine the design concept, create alternative design, develop alternative design, until the final design. A special carrying device for placing the fencing equipment is then designed for specific purpose that is for routine exercise. Equipped with a regular and neat configuration, and prioritizes comfort and security for users the carrying device is design adopting the Vintage style, for a more luxurious, elegant, yet traditional.Keywords: fencing, evintage, fencing equipment, carrying tool.
TEMPAT PENYIMPANAN PERLENGKAPAN PEMBUATAN PIN Darius Shyafary; Merlinda Wahyuni
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.48

Abstract

abstractIn this modern era, most people need objects that are useful for their daily routine and as a means of communication that usually form of identification or souvenir. One of the most common identification and souvenirs used by the public is the pins and key chains. Pick-knitting materials and key chains that belong to many diverse sizes should have a special storage area that can be used in addition to storing pin fixtures, but also used to protect from damage and not scattered anywhere. However, from the observation of some printing media in Samarinda one of them in Mabes O2, it is known that the storage of pin equipment that they use today is only a plastic paper stacked in a cardboard box or plastic so that the equipment makes the pin making material becomes very easy to mix. In a report entitled "Storage Place of Pin Making Equipment" has provided a new alternative in the development of pin storage equipment design. The purpose of this project is to design an innovate product that facilitates and accelerates the user in the production process of finishing pin or key chain. By using the methods that have been done are: field data collection, analysis, alternative design, development of selected design alternatives and final design, so that the design produced the storage equipment pin that has the concept of modern minimalist design style.Keywords: ID Card, Pin, Storage, Minimalist, Modern
DESAIN SARANA BAWA ALAT PERKEBUNAN Dita Andansari; Suharbianto .
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.49

Abstract

ABSTRACTGardening is an activity cultural ancestors which has been passed down from generation to generation that is on the face of this earth until humans are present. Gardening can not only be done on vast land but also in the yard of the house. The large number of garden tools such as sputters, chainsaws, sekateur, hand scrapers, hand forks, and machetes. carrying a special bag to make things easier bring the equipment is before the equipment is only placed in a backpack along with other equipment, so it must be unpacked when the equipment will be used. then often every time using gardening tools but after wearing it we sometimes forget to put and left behind after being used to scattered and cluttered everywhere.Therefore it is necessary to create special means to carry and tidy up the plantation equipment. The design method used is collecting data, analyze the data, determine the design concept, create alternative design, developing alternative designs, to final design. To that end, with the "design of plantation tool bag", users can carry and store gardening equipment, with a more ergonomic design, and aesthetically modern.Keywords: gardening, bag, take, tools.
DESAIN SARANA PENGISI DAYA PONSEL DI DIREKTORAT POLITEKNIK NEGERI SAMARINDA Dwi Cahyadi; Lolita Mariska
Jurnal Kreatif : Desain Produk Industri dan Arsitektur Vol. 5 No. 2 (2018): Volume 5, No. 2, April 2018
Publisher : Indonesian Society of Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46964/jkdpia.v5i2.50

Abstract

ABSTRACTEveryday human life is inseparable from the need to communicate. One of the tools commonly used to communicate remotely is mobile. Mobile technology that adopts cutting edge technology is called smartphone. Smartphones are the needs of people who have many benefits, facilitate work, and improve lifestyle. Smartphones can not be used continuously.Smartphones require power to be able to power up and use. A battery charger or battery charger is a device used to recharge energy into the battery by entering an electric current through it. But there are many obstacles that are often experienced when we have to spend the day outside the house, providing limited electricity in public places makes it difficult for us to recharge smartphone bat teries. The need for battery charging continues to increase along with its power consumption. The new innovation of concern is like the means of charging batteries in public places such as the Institute of Education. One of them is the Samarinda State Poly technic. While in public and smartphone batteries are weak, based on convenience aspect, smartphone type and place to charge smartphone battery. Therefore,to design a product that is a convenient means of charging station design and there are various types of chargers that can facilitate visitors to charge the smartphone battery, then made a means Charging Station Directorate of State Polytechnic Samarinda.Keywords: Smartphone, Charger, Institute of Education.

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