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Erna Nurmalinda
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Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung
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Kota bandung,
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Jomantara International Journal of Art and Culture
Published by Universitas Pasundan
ISSN : -     EISSN : 27987272     DOI : http://dx.doi.org/10.23969/jijac.v1i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other
Journal Jomantara is a peer reviewed International e-Journal written in English. It is published in two issues per year (January and July). The purpose of the journal is to bring a wide spectrum of participants to disseminate research findings of academicians, national and local government units, non-governmental organizations, heritage conservation practitioners and planners, tourism organizations, and the media. Specifically, Journal Jomantara intends to discuss and exchange knowledge on preservation and revitalizing art and culture in the world. Journal Jomantara also caters to recent challenges and opportunities for saving treasured art and culture. Its scope encompasses the thematic as follows: art and culture.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 5 Documents
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Search results for , issue "Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022" : 5 Documents clear
A Literature Analysis of “Kering” By Iwan Simatupang Rosmani Sianipar
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (184.937 KB) | DOI: 10.23969/jijac.v2i1.5045

Abstract

Iwan Simatupang the great writer was born on January 18, 1928. Lots of his works have been translated into various languages, while the demand for reprints continues to increase. Iwan Simatupang's "Kering" is not only in a physical sense but is more contemplative in nature. With the adventures carried out, he describes how the actors are afflicted with psychological, spiritual, ideas, and ready to be swallowed by termites so that it becomes pathetic. Iwan, in channelling his ideas and thoughts is by the understanding of the philosophers he admires, namely existentialist philosophers. Iwan can also be called a nihilist. He negates all old values ​​and confirms standard values. He tried to overcome something he felt was an obstacle in the creation of his writing. The flow of thoughts he emits in a firm, yet artistic form. This is most evident in the novel 'Kering'. He ignores the rules, neither in his life nor in formulating his thoughts. If people want to characterize the nature of his mind and wisdom, it is fierce, like a sailboat hit by the waves of the ocean.
Imagism of Chinese Poem: A Literary Study on Ezra Pound’s Poetry Zixi Li
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (188.436 KB) | DOI: 10.23969/jijac.v2i1.5126

Abstract

Imagism aims at creating poetry as art, pursuing the clarity and beauty of language, and implying personal emotions via images. While Imagism brings the most influential change in English literature, Chinese traditional poetry with its unique cultural and historical-style stands out in world literature with rich emotional expression through images. This literary study compares Ezra Pound’s imagist poems with classical Chinese poetry, reviewing his translations of Chinese. To scrutinize the data, a qualitative research method that covers document analysis techniques was implemented comprehensively. The research reveals that Pound’s translated Chinese poems build a strong bond between the two cultures. Chinese traditional poems and Imagism poems share their love of descriptive language, a passion for accurate detail creation, joyfulness towards metaphor, analogy, personification, and other writing techniques, while they all conserve their own art form and identities
White Crocodile as Social Criticism of Polygamy Phenomenon in Curug Dahu Village Yuda Syah Putra; Irpan Riana
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (501.65 KB) | DOI: 10.23969/jijac.v2i1.4927

Abstract

The purpose of this study was to analyze the structure of the traditional wedding ceremony and the White Crocodile performance in Curug Dahu Village. Signifying the concept of denotation and connotation of the White Crocodile in the traditional wedding ceremony in Curug Dahu Village, and analyzing the relationship between the White Crocodile communication elements to the phenomenon of polygamy in the Curug Dahu village. The research method used is a qualitative research method. The data collection technique was carried out starting with literature study, observation and interviews accompanied by documentation. The object of this research is the White Crocodile in a Sundanese traditional ceremony in Curug Dahu Village. This research uses Roland Barthes' Semiotics theory. Decoding the codes and identifying the denotations that have been formed are obtained at the primary level (denotation), Keywords: White Crocodile, Social Criticism, Polygamy, Roland Barthes
The Modernity of Naga Village Community: Social Change Study through Visual Media Analysis Agus Setiawan
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (690.342 KB) | DOI: 10.23969/jijac.v2i1.4713

Abstract

Looking at the cultural area landscape, Tatar Sunda certainly inherited different rich culture then other regions. Not only inherited tangible cultural wealth but also intangible cultural wealth. However, in the midst of an increasingly advanced civilization, now the Sundanese cultural heritage has changed its existence. Functionally many spiritual traditional cultural products have been replaced by commercial modern cultural products. This fenomenon can be studied from the social changes that occured in Kampung Naga in Tasikmalaya regencies, although in the one hand still maintains its traditional values, on the other hand this traditional village has undergone in many changes. The study intends to determine the existence of Sundanese cultural products, as well as products of national culture in general from the influence of the development of modernism. In addition, by examining the phenomenon of community life in the traditional village of Kampung Naga, it is hoped that the indicators that cause these changes will be known. All objects of this study will be investigated using the qualitative-interpretive methods. This study uses cultural theory, Social Change theory, and semiotic theory as the main reference literature. The data sources used are main (primary) data and secondary data. The main data was obtained directly through interviews with the people of Kampung Naga. Meanwhile, secondary data was obtained from written sources such as: books from previous research, scientific journals, personal documents, photos, statistics, audio and video recordings. Therefore, starting from these initial observations, at least the root cause of social change in Kampung Naga can be described, and its cannot be separated from both internal and external factors behind it, for example: 1) The influence of global modernization, 2) The influence of modernization brought by the people of Kampung Naga who live outside the Traditional Village, 3) The adaptive attitude of the Kampung Naga people living in the Traditional Village. 4) Economic demands and community welfare. These factors are the main source of modernism in Kampung Naga.
Binaural Beat of Bringbrung Music Made Bagus Permadi Putra
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (207.386 KB) | DOI: 10.23969/jijac.v2i1.4913

Abstract

Bringbrung is a ritual music in the tradition of society in the Kampung Cidadap Hilir, Ledeng, Kota Bandung. In each of Bringbrung performances, there is always a trance from the player and the audience. This phenomenon becomes the background in this research. One of the musical elements that is thought to be highly influential stimulates trance is binaural sensation. This article explains how music of Bringbrung can produce binaural sensation so that it can stimulate trance on the players and the audience. The research methods used in this article use qualitative methods with phenomenological approach. The data was collected through observation, interview, notes taking, triangulation, and focus group discussion. The analyses of this research were taken through analysis of reduction data, data presentation, and conclusion. The results of the research that has been done show that binaural sensation has a significant contribution in stimulating trance during the show Bringbrung. Binaural sensation generated from the frequency difference of each Bringbrung instrument that has a range of 0 - 25 Hz. The binaural sensation produced by Bringbrung music is certainly one of the proofs that ritual music in Indonesia has a therapeutic effect. Advanced research in the field is very important for the development of music therapy based on the music traditions of Indonesia

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