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Jomantara International Journal of Art and Culture

jomantara
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Published by Universitas Pasundan

ISSN : - EISSN : 27987272 DOI : http://dx.doi.org/10.23969/jijac.v1i1

Core Subject : Humanities, Education, Art, Social,

Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

Journal Jomantara is a peer reviewed International e-Journal written in English. It is published in two issues per year (January and July). The purpose of the journal is to bring a wide spectrum of participants to disseminate research findings of academicians, national and local government units, non-governmental organizations, heritage conservation practitioners and planners, tourism organizations, and the media. Specifically, Journal Jomantara intends to discuss and exchange knowledge on preservation and revitalizing art and culture in the world. Journal Jomantara also caters to recent challenges and opportunities for saving treasured art and culture. Its scope encompasses the thematic as follows: art and culture.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 30 Documents

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Bloom’s Taxonomy in Viewing Sakola Kautamaan Istri’s Educational Conception (A Historical Cultural Study of Sundanese Women Empowerment Concept in 1904) Restu Dessy Maulida
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

This research is intended to analyse Sundanese women empowerment concept that put into practice in Sakola Kautamaan Istri (Women Proficiency School) –formerly Sakola Istri- that proposed by Rd. Dewi Sartika in 1904. The school she founded was the first women's fomal and legal educational institution for common civilian class to be established in the Dutch colonialism era when the education for women was considered unnecessary. Bloom’s taxonomy is chosen as the utensil for viewing the educational objective concept and lessons learned at school. The research is included into qualitative descriptive research that employed document analysis approach. The discussion result reveals that cageur, bageur, pinter, wanter (vigorous, kind-hearted, intelligent, courageous) philosophy and the lessons learned at Sakola Kautamaan Istri in 1904 had accomplish the Bloom’s taxonomy domains theory, namely: cognitive, affective, and psychomotor. Keywords: Bloom’s taxonomy, Historical-cultural Study, Sakola Kautamaan Istri, Sundanese Women Empowerment

Affixation Category of Palembang Malay Language Reviewed From Perspective of Morphological Typology Husni Thamrin Thamrin
JOMANTARA Vol 1 No 1 (2021): Vol. 1 No. 1 January 2021
Publisher : Universitas Pasundan

This research is related to affixation category of Palembang Malay language, which is a regional part of the Sumatra region exactly South Sumatra. In particular, this study uses category of affixation in the form of prefixes and suffixes (suffiks) used by Dryer's (2013) in researching the Nualu language in Seram island which belongs to the Polynesian Malay ethnic. This research reveals that on Palembang Malay language affixation, the first affixation category was the form of 6 (six) categories of prefixes (awalan) in Palembang Malay language, among others; N-, di-, peN-, be-, te-, and se-.Second, there are found 5 (five) types of suffixes (akhiran) in Palembang Malay language, such as; -ke, -la, -an, -nyo, and –i. The third is found 3 (three) simulfix (awalan-akhiran) which is the type of bound form of the prefix one with another prefix, such as: ke-.. . -an, pe-. . . -an, and be-. -an. Finally, there were found 3 (three) main categories of morphophonemic process prefixes in Palembang Malay language, such as; a) there are four types of prefixesN-in Malay language Palembang has many allomorphs: m, n, ny, ng. b) there are six types of prefixespeN- connected with words, so the prefix will change to: pem-, pen-, peny-, peng-, pel-, orpe-. c)there are four prefixesbe- that has allomorphs bel-, ber, and be- .The Grand theory approach used in this study has been stated by Velupillai (2012) and Lieber (2009).

A Literature Analysis of “Kering” By Iwan Simatupang Rosmani Sianipar
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Iwan Simatupang the great writer was born on January 18, 1928. Lots of his works have been translated into various languages, while the demand for reprints continues to increase. Iwan Simatupang's "Kering" is not only in a physical sense but is more contemplative in nature. With the adventures carried out, he describes how the actors are afflicted with psychological, spiritual, ideas, and ready to be swallowed by termites so that it becomes pathetic. Iwan, in channelling his ideas and thoughts is by the understanding of the philosophers he admires, namely existentialist philosophers. Iwan can also be called a nihilist. He negates all old values and confirms standard values. He tried to overcome something he felt was an obstacle in the creation of his writing. The flow of thoughts he emits in a firm, yet artistic form. This is most evident in the novel 'Kering'. He ignores the rules, neither in his life nor in formulating his thoughts. If people want to characterize the nature of his mind and wisdom, it is fierce, like a sailboat hit by the waves of the ocean.

Development of SWOT Method with Additional Elements of Aspirations and Results in Music Industry Kanggep Andrijana Kusuma
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

The development of strategies to win the music industry business competition is growing and is becoming one of the most important and a mainstay in companies engaged in the music industry in planning strategies for achieving organizational goals both now and in the future. From that thought, the authors combined the well-known SWOT methodology with several complementary elements which are expected to make this method more effective in analyzing and providing valuable inputs for the progress of a music industry. We hereby include the elements of Aspiration and result taken from the SOAR methodology to be combined with the SWOT design so that it is hoped that it will become a method that can provide better results. Keywords: SWOT, SOAR, Analytical, Business, Method, Planning, Strategic Planning,

The The Process of Deepening the Character in Dokudrama “Film Perjuangan K.H. Muhyiddin” Faiz Bolkiah
JOMANTARA Vol 1 No 1 (2021): Vol. 1 No. 1 January 2021
Publisher : Universitas Pasundan

Dokudrama is a non-fiction film that presents a story based on a true story. Besides being an entertainment medium, a film can also be a learning medium since film provides a good story content and messages. Therefore, it needs an actor as a subject to convey the message of the story that the director wants to deliver. To play a character in a movie, an actor must be able to delve into whatever character is given. Unlike documentaries, dokudrama films use actors as the main subject. An actor in a docudrama should be able to play a subject who has ever been real. An actor in a dokudrama film should be able to play a good role without removing the hallmarks of the original subject. A deepening process in a role, making every actor have their own way in learning the character. The differences in studying and delving into these characters is the focus of this research by using qualitative research methods, by re-describing the results of the researcher's analysis with the main theory. To create this study, the researchers used the presentation theory from Stanislavsky. The acting theory of this presentation has been used since the world of casting art entered Indonesia. This research aim is to find out the character deepening conducted by actors in the dokudrama film “Perjuangan K.H. Muhyiddin” based on the Stanislavsky’s acting presentation theory. Keywords: Dokudrama, Qualitative, Casting, Stanislavsky, Biography

Ibu Soed’s “Hai Becak” Lyrics and Tone Analysis (An Ethnomusicology Research) Melsya Firtikasari
JOMANTARA Vol 2 No 2 (2022): Vol. 2 No. 2 July 2022
Publisher : Universitas Pasundan

The background of the writing of this journal is to find out whether the lyrics and songs of Hai Becak from the work of SARIDJAH NIUNG BINTANG SOEDIBJO (IBU SOED) are in accordance with the criteria for the voices of children aged 4-6 years as seen from the structure of the song, melody and range of children's voices. In this research, the writer uses descriptive analysis method by collecting qualitative data by using appropriate research instrument. The various data are classified, validated, and interpreted. The result of this research is that, after the author has researched more deeply, the song by SARIDJAH NIUNG BINTANG SOEDIBJO (IBU SOED) can make a contribution, in every poem he creates a lot of education that can be given to children, be it education. divinity and social education, as well as for the psychological and musical development of children. When viewed from the form of poetry and melody, the song by SARIDJAH NIUNG BINTANG SOEDIBJO (IBU SOED) is suitable to be sung by the voice criteria of children aged 4-6 years.

Imagism of Chinese Poem: A Literary Study on Ezra Pound’s Poetry Zixi Li
JOMANTARA Vol 2 No 1 (2022): Vol. 2 No. 1 January 2022
Publisher : Universitas Pasundan

Imagism aims at creating poetry as art, pursuing the clarity and beauty of language, and implying personal emotions via images. While Imagism brings the most influential change in English literature, Chinese traditional poetry with its unique cultural and historical-style stands out in world literature with rich emotional expression through images. This literary study compares Ezra Pound’s imagist poems with classical Chinese poetry, reviewing his translations of Chinese. To scrutinize the data, a qualitative research method that covers document analysis techniques was implemented comprehensively. The research reveals that Pound’s translated Chinese poems build a strong bond between the two cultures. Chinese traditional poems and Imagism poems share their love of descriptive language, a passion for accurate detail creation, joyfulness towards metaphor, analogy, personification, and other writing techniques, while they all conserve their own art form and identities

The Uncovering Cultural Capital in Indonesia's Underground Music Scene: A Discourse Catur Surya Permana
JOMANTARA Vol 2 No 2 (2022): Vol. 2 No. 2 July 2022
Publisher : Universitas Pasundan

Underground music is considered to have a very strong context in terms of cultural capital. Pluralism and musical concepts can precipitate the ruling regime. So that it raises a reaction to freedom in voicing certain class ideologies. The role of music was finally able to represent the voices of the politicized or oppressed people overpowering, one of which occurred in the New Order. Underground music emerged as a cultural capital which Bourdieu called an artifact in dissecting the problems of the social field. The purpose of this research is to uncover the cultural capital possessed by Underground Music which creates views that open the minds and hearts of representatives of certain classes. This research is carried out by reviewing literature, musicology, and historical records of Underground music, which will be presented and dialogued with the concept of Modal theory from Bourdieu and popular music analysis from David Machin. This research tries to answer the image anxiety that emerges from the dark and loud Underground Music Scene but instead has a sacred context in the development of the socio-cultural situation in Indonesia.

The Elicit Function of Speech Acts in Questioning on Investigative Interviews in Criminal Inspection of Dump Truck Theft Cases at Cirebon City Police Station Andika Dutha Bachari
JOMANTARA Vol 2 No 2 (2022): Vol. 2 No. 2 July 2022
Publisher : Universitas Pasundan

In this study, the data source was obtained from the transcription of dump truck theft cases recorded in the Police Record. Investigators conducted investigative interviews to obtain information from witnesses and suspects, which led to the suspect's confession. The investigator asked several questions to the examinee regarding the criminal act. The data analysis method was carried out by eliminating the answers being examined and focusing on the questions given by the investigator to be classified based on the seven elicit functions of the speech act of asking questions described by Tsui (2002). It was found that the elicit function in the investigator's question was the function of seeking information (appearing 119 times), repeat function (appear 50 times), clarifying function (appear 47 times), confirm function (appear 43 times), and approve function (appear 11 times). The elicit function that occurred the most from the questions submitted by investigators was the function of seeking information, which was 119 times out of 270 questions. In contrast, the function of asking for commitment was not found. Keywords: ask, elicit function, investigative interview speech act

Global Culture Reproduction Through The String Orchestra’ Repertoire Ferry Matias
JOMANTARA Vol 1 No 1 (2021): Vol. 1 No. 1 January 2021
Publisher : Universitas Pasundan

The selection of repertoire on a musical ensemble is quite important, especially in the context of rehearsal in the non-professional string ensemble community. It is very common if there is a diversity of skill levels in each member. Such diversity will usually be a common obstacle when it comes to determining a shared repertoire. An overly difficult repertoire (advance) will be difficult for some members otherwise an easy one will create a bored atmosphere for members who are already proficient. Even the role of unbalanced work will make some members may struggle while others will become bored so that the rehearsal atmosphere is not conducive. The author observed that there is an interesting repertoire that is often used as an ensemble rehearsal material in the bowed string’s formation, namely Brandenburg Concerto no. III BWV 1048 Part III in G Major by Johan Sebastian Bach for 3 violins, 3 violas, 3 cellos and 1 double bass. This work is often used as an alternative work together in the community environment of string orchestras in Bandung, and based on the observation of the author of this work is often used in several workshops and ensemble learning materials, with a relatively balanced role, this complex-sounding work has techniques and finger positions that can still be reached by players in the skill range level 3-5 ABRSM. The authors collected data through observations, interviews and documentation on Unpas Music Study Program students who had played this work. After being described and analyzed, the authors found that this work had a significant role in improving ensemble skills playing in string ensembles that would indirectly also improve their individual skills especially for advanced entry-level string instrument students.

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Contact Name
Erna Nurmalinda

Contact Email
jomantara@unpas.ac.id

Phone
+628157126372

Journal Mail Official
jomantara@unpas.ac.id

Editorial Address
Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung

Location
Kota bandung,

Jawa barat

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Erna Nurmalinda

Contact Email jomantara@unpas.ac.id

Phone +628157126372

Journal Mail Official jomantara@unpas.ac.id

Editorial Address Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung

Location Kota bandung, Jawa barat INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Erna Nurmalinda

Contact Email
jomantara@unpas.ac.id

Phone
+628157126372

Journal Mail Official
jomantara@unpas.ac.id

Editorial Address
Kampus IV Universitas Pasundan Jomantara Journal,Kantor Fakultas Ilmu Seni dan Sastra Jalan Setiabudhi No.193 Bandung

Location
Kota bandung,

Jawa barat

INDONESIA