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ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 6 Documents
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Search results for , issue "Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020" : 6 Documents clear
The Representation of African Cultural Identity in Black Panther Film by Ryan Coogler (The Application of Stuart Hall’s Theory) Shinta Sere; Muarifuddin Muarifuddin; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (9468.152 KB) | DOI: 10.33772/elite.v3i1.876

Abstract

This study focuses on the analysis of The Representation of African Cultural Identity in Black Panther. This study aims to reveal the portrayal of African cultural identity in real life. In analyzing the data the writer used both library and media research related to this study, the writer applied a qualitative descriptive study as the method of this study. The source of data in this study Black Panther movie which is directed by Ryan Coogler and it was released in 2018. The data were collected through process of watching, pausing and interpreting then the writer analyses those data by using theory of Representation by Stuart Hall through constructionist approach. Black Panther movie became a medium to change the audience perspective about Africa. This movie shows the depiction of various kinds of cultural identity in Africa that can open the audience's thoughts about Africa. The results of this study indicate that the Black Panther movie has become a medium to provide a better perspective through the description of several elements related to African identity:Representation of African civilization through a symbol of vibranium, cultural ritual, traditional costume, African images through the character those elements are used by Ryan Coogler as director to develop a different perspective of Africa.
The Portrayal and The Effects of Hyper-reality in Ready Player One Movie By Steven Spielberg (The Application of Jean Baudrillard’s Theory) Sarniyati Dalimu; Ansor Putra; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (172.489 KB) | DOI: 10.33772/elite.v3i1.882

Abstract

Technology can create a hyperreality, hyperreality is an artificial reality that feels real. The portrayal of hyperreality is illustrated in one of the science-fiction movies named Ready Player One by Steven Spielberg. This study aims to analyze the portrayal and the effect of hyperreality that occurs in the society of Columbus, Ohio in Ready Player One movie. Based on the objective of this study, the writer uses Jean Baudrillard’s theory of hyperreality. In this study, the writer used a descriptive qualitative method to analyze and explain how hyperreality portrayed and affected the society of Columbus, Ohio in Ready Player One movie. The writer finds out that hyperreality is formed and portrayed through the simulation of technology. James Halliday is the famous expert and developer of games in Ohio who created a virtual world named the Oasis. People in Ohio use virtual reality as a tool to connect the Oasis and the real world. People spend their time in the Oasis because they can get freedom, money, and pleasure at the Oasis. it makes them rarely socialize in the real world. They also do not have jobs in the real world. Those are the effects of hyperreality that happened in Ready Player One movie by Steven Spielberg.
Perlocutionary Acts In “The Croods” Movie Script Farhan Anwar; La Aso; Ela Martisa
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (169.47 KB) | DOI: 10.33772/elite.v3i1.913

Abstract

The research is about the use of perlocutionary acts in “The Croods” movie script. The research aims to describe the use of the perlocutionary acts used by the character that found in “The Croods” movie script based on Searle's classification of speech act. The researcher used descriptive qualitative. The data include an utterance from the characters' conversation and that utterance produces the perlocutionary acts in the movie script. In conducting the research, the researcher read the script and watch the movie intensively and make notes on the pages contain the required data. Then the researcher classify the data into five classifications; declarative, assertive, expressive, directive and commissive then a result of these classifications is the perlocutionary act, the researcher mentions an utterance contains the five classifications then explain the perlocutionary act. The result of this research shows there are twenty-nine data contain the perlocutionary act. The research revealed the five classifications of speech act that in the movie script produce the effect of the perlocutionary. Based on the data that occur in “The Croods” movie script, it is indicated that all of the characters in “The Croods” movie script are use the perlocutionary act.
The Portrayal of The Main Character’s Struggle Against Capitalist Society In “The Shawshank Redemption” Movie By Frank Darabont Stephen Ali Barkah; Rasiah Rasiah; Nur Israfyan Sofian
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (167.64 KB) | DOI: 10.33772/elite.v3i1.942

Abstract

This research is concerned to reveal the portrayal of the main character’s struggle against capitalism in the Shawshank Redemption movie. According to the purpose of this research, the researcher uses marxism as the basic theory related to the class struggle. The research question of this research is “How is the portrayal of the main character’s struggle against capitalism in Shawshank Redemption movie?”. The data in the research is collected through watching the movie intensively, identifying the data in detail which referred to the Marxism class struggle perspective, and cataloging the data by sorting the data analyzed in Marxism theory. The technique of data analysis is done through analyzing the data descriptively and interpretatively in showing the portrayal of the main character's struggle in getting his freedom and defeating capitalism in The Shawshank Redemption movie. The researcher uses qualitative descriptive analysis as the method to analyze how capitalism works in the prison institution in the movie. The research found that there is a distinction between the two social classes in the prison, the bourgeoisie, and the proletariat. The research found that Andy as the main character treated differently before and after being a prisoner, so he did the struggle by using his intellectuality to defeat the capitalists in the prison. In the conclusion, the researcher found the relationship with the position of the Capitalist triggers them to oppress the prisoners in the Shawshank prison, and the process of the main character’s in defeating the capitalist society.
Ecological Issues in the Movie Entitled The Chronicles of Narnia: Prince Caspian Nur Alfiah; Eva Solina Gultom
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (198.116 KB) | DOI: 10.33772/elite.v3i1.944

Abstract

This study aims to describe ecological issues based on the Ecocritical study of Greg Garrard in The Chronicles of Narnia: Prince Caspian movie by Andre Adamson. This study uses a qualitative descriptive method. The data in this study are dialogue, pictures, and texts in the movie that cover ecological issues. The data sources in this study were The Chronicles of Narnia: Prince Caspian movie by Andrew Adamson. The data is collected through the process of watching, enlisting, and screenshotting. The data is analyzed by identifying, classifying, and interpreting. The results of this study illustrate that in The Chronicles of Narnia: Prince Caspian movie there are ecological problems that occur due to human activities. Ecological problems were found in the movie are the relationship between human and nature, the animals become wild and extinct, destruction of nature. First, the relationship between human and nature shows that the characters of the female in the movie had associated with nature. Secondly, animals become wild and extinct because humans ignore the rights of animals. Such as destroying habitats and exploitation toward animals. Thirdly, the destruction of housing/shelter because of the human construction of houses for their own interests without thinking about other living things which is they take the land of Narnia.
Women’s Language in the Devil Wears Prada Movie Script By David Frankel Ighfa Sakinah Yunnisa; Arman Arman; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.429 KB) | DOI: 10.33772/elite.v3i1.945

Abstract

This study aimed to investigate and describe woman’s language in the main character's The Devil Wears Prada movie script. The research question is “what are the features of woman’s language described in The Devil Wears Prada movie script by David Frankel”?. The objective of this research is to describe ten types of woman’s language features used by the main characters in The Devil Wears Prada. The Source of this data is taken from a movie script. The method used in this study was qualitative descriptive to analyze the data of Lakoff’s theory. The data were taken from conversations uttered by the main characters of “The Devil Wears Prada” movie script. The techniques of data analysis were presented, describing, interpreting, analyzing, and concluding the data. Based on the discussion, the researcher found several conclusions after analyzing this movie script. The researcher found ten types of woman’s language used by the main characters in The Devil Wears Prada movie script there are lexical hedges fillers (3 data), tag questions (2 data), rising intonation on declarative (2 data), Empty Adjective (2 data), Avoidance of strong swearwords (3 data), Emphatic stress (2 data), super-polite form (2 data), precise color term (1 data), and intensifiers (2 data), and hypercorrect grammar (1 data) of the 20 data that are related to woman’s language found in this movie script. This proves that women’s language exists in the conversations between the main characters in this movie script.

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