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Afshaha: Jurnal Bahasa dan Sastra Arab
Published by Universitas Islam Negeri Maulana Malik Ibrahim Malang
ISSN : -     EISSN : 29639913     DOI : http://dx.doi.org/10.18860/afshaha.v2i1.20789
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Afshaha: Jurnal Bahasa dan Sastra Arab (e-ISSN: 2963-9913) is a journal of Arabic Language and Literature, published twice a year in April and October by the Faculty of Humanities, Universitas Islam Negeri Maulana Malik Ibrahim Malang. The journal covers research or conceptual framework on Arabic language and literature issues focused on semantic, semiotic, pragmatic, lexicology, lexicography, and literary studies, such as literary history, theories, and literary criticism. The article must be written in Bahasa Indonesia, Arabic or English. Afshaha: Jurnal Bahasa dan Sastra Arab specializes in revealing original research and current issues on the theory and practice of language and literature in various parts of the world. This journal warmly welcomes contributions from scholars from related fields who consider the following topics; semantic semiotic pragmatic lexicology lexicography literary studies, such as literary history, theories, and criticism.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 20 Documents
 1   2 
ESTETIKA PROFETIK DALAM NOVEL LAYALI TURKISTAN KARYA NAJIB AL-KAILANI Iqbalul Mu'id; Mukhamad Syaiful Milal; Mundi Rahayu
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 1 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i1.20578

Abstract

The policies of the Chinese and Russian colonizers on cross-marriage between Turkistan women and Chinese soldiers and merchants created separate social problems for the Turkistan people. Therefore, this study uses the tools of sociology of literature to dismantle prophetic aesthetics in the novel Layali Turkistan. This study tries to describe the prophetic aesthetics in the novel Layali Turkistan by Najib Kailani with the tools of literary sociology. The main focus of this research is to dismantle the process of dehumanization that occurred to the Turkistani people as a result of the Chinese and Russian communist invaders. The process of dehumanization creates a prophetic aesthetic in the form of humanization, liberation, and transcendence for the Turkmen people. This study used the descriptive-qualitative method. This method is used because the source of research data is in the form of textual data consisting of dialogs and statements in material objects. The results of this study show that, first, the humanization value is embodied by the character Naghmatullail by marrying the Chinese commander according to Islamic law, so that Naghmah easily instills humanistic values. Second, King Komul's decision to oppose and combat Chinese communist policies is a form of aesthetic liberation for the people of Turkistan. Third, when King Komul explains the essence of heaven, the divine consciousness is deeply embedded in the person of the Turkistan people. 
Al-Shira’ Al-Siyaasiy fi Riwaayat Al-Karnak li Najib Mahfuz Wifqa Nadhariyyat Ralf Dahrendorf Zaimatil Ashfiya; Faris Maturedy; Nafisatin Najwa
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 1, No 1 (2022): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v1i1.16017

Abstract

This study aims to describe the phenomenon of politic conflict experienced by the characters in the novel al Karnak by Najib Mahfudz. Therefore, the researcher uses Ralf Dahrendorf's theory of political conflict to identify social conflicts in the novel. This study uses a qualitative method with a literature study model. Then the researcher used reading and note-taking techniques to obtain data related to social conflict in al Karnak's novel. Reading technique aims to identify politic conflict events in al Karnak's novel. While the note-taking technique aims to facilitate researchers in the process of coding for each event.  After the data was obtained, data analysis was carried out using the Miles, Hubarman and Saldana model. Namely, data collection, data reduction, data presentation and drawing conclusions. The results showed that each character in the novel al Karnak wishes for a revolution in Egypt. This means that there is a strong desire to change the ideology of the state. The government, on the other hand, rejected the revolution. According to Ralf Dahrendorf's conflict theory, the government is the dominant group, while society is the dominant group. So that the government group has authority over the people 
Ma’na al-Hub Fi Kitaab al-Hub fi al-Qur’an al-Karim bi Qalam M. Said Ramadhan al-Buthi Istinadan Ila al-Mandzur al-Siimiiya’iy li Roman Jakobson Ahmad Yasir Amrulloh; Fathoni Arifandi
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 1, No 2 (2022): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v1i2.17606

Abstract

Every human being planted by God since birth has a sense of  love in his heart. With this feeling, man will be overwhelmed with peace and tranquility. When he knows love, he will choose who should put love first, the father and the father, the acquaintance, or the opposite sex. Or even he chose himself for him to love her. Even in  this field,  man may sometimes forget to declare his love  for the one who instilled love in his heart. It’s Allah the Almighty  who instilled love and the Messenger (peace and blessings of Allaah be upon him) was the first to feel  this love and this love for man to love Allah. This paper will describe the meaning of love in the book of love in the  Holy Quran by Saeed Ramadan Alp and Fold. This paper is a qualitative and descriptive research. Preliminary data are derived from the book  "Love" in the Qur'an. The results of this study showed that the meaning of   Love in the Qur'an is honor and the glory God gave to the Son of Adam.  God's honor for people shaped  who  is love after following  the Prophet Muhammad as the recipient of the tablet. This love leads to  human beings  working  by submitting to the law   of God Almighty. Based on the point of view of Roman Jacobson's theory of semiotics, this paper produces six important elements: Thesender is Allah the Almighty, the recipient  The recipient is the Prophet Muhammad (peace and blessings of Allaah be upon him), the message  and symbols are the  verses that are revealed according to reality, and the context is the state or that surrounds the revelation of the verse, while the connection is when God spoke and his angels Gabriel transmitted  it to the Prophet Muhammad. كل إنسان زرعه الله منذ ولادته لديه شعور بالحب في قلبه. وبهذا الشعور، سيغمر الإنسان السلام والهدوء. عندما يعرف الحب، سيختار من يجب أن يضع الحب أولا، الوالد، أو معرفة، أو الجنس الآخر. أو حتى أنه اختار نفسه له ليحبها. حتى في هذا المجال قد ينسى الإنسان أحيانا أن يعلن حبه للذي أغرس الحب في قلبه. هو الله سبحانه وتعالى  الذي أغرس الحب والرسول صلى الله عليه وسلم  أول من أحس هذا الحب وبهذا الحب على الإنسان أن يحب الله . ستصف هذه الورقة معنى الحب في كتاب الحب في القرآن الكريم بقلم سعيد رمضان البوطي. هذه الورقة هي بحث نوعي وصفي. البيانات الأولية مستمدة من كتاب "الحب" في القرآن. أظهرت نتائج هذه الدراسة أن معنى الحب في القرآن هو التكريم والمجد أعطاهما الله لابن آدم. وشكل تكريم الله للناس من هو المحبة بعد الاتباع بالنبي محمد كمستلم للوحي. هذه المحبة تأدي إلى البشر العملين بالخضوع لشريعة الله عز وجل. استنادا إلى وجهة نظرية رومان جاكوبسون في السيميائية، تنتج هذه الورقة ستة عناصر مهمة، وهي: المرسل هو الله سبحانه وتعالى، المستلم والمتلقي هو النبي محمد صلى الله عليه وسلم، والرسالة والرموز هما الآيات المنزلة حسب الواقع، والسياق هو الحالة أو التي تحيط بنزول الآية، في حين أن الاتصال هو عندما كلم الله وينقله ملائكته جبريل إلى النبي محمد.
AL-HASHADU POETRY BY AHMAD MATAR (AN ANALYSIS OF RIFFATERRE’S SEMIOTICS) Muhammad Choirul Umam; Nyimas Sakinah
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 1 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i1.20757

Abstract

The language used in poetry is different from the use of language in general. In addition being different in usage, poetry expresses a concept and something indirectly. Language in poetry becomes a sign, which semiotics can be studied to reveal the meaning contained in it. This study examines Ahmad Matar’s poetry entitled “al-Hashadu” by using Riffaterre's semiotic theory. This research is a descriptive qualitative research. The method of data collection applied a documentation by reading and recording techniques. The technique of analyzing data used the heuristic and hermeneutic reading techniques. The results showed that: 1) The heuristic reading of al-Hashadu poetry by Aḥmad Maṭar received imperfect meaning, 2) The hermeneutic reading of al-Hashadu  poetry by Aḥmad Maṭar received a complete meaning structurally, 3) The matrix of al-Hashadu poetry by Aḥmad Maṭar was the resistance to colonialism. The model of the poetry is two sentences in the stanzas "Then there will be one left" and "Truly I am an atheist" and 4) The hypogram of al-Hashadu poetry by Aḥmad Maṭar was the resistance of the Arabs to American colonialism.
Sejarah Sastra Arab Di Kawasan Palestina dan Libanon Yola Okta via
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 1, No 1 (2022): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v1i1.16267

Abstract

Abstract: Sastra Arab merupakan bagian dari sastra kawasan Asia Barat terutama pada Palestina dan Lebanon yang telah berdampingan secara komplementer dengan sastra kawasan lain, dan juga merupakan bagian dari anggota sastra dunia. Palestina dan Lebanon merupakan sebuah kawasan tersebarnya kesusastraan Arab. Sejauh ini, sastra Arab telah menjadi bagian dari kajian banyak orang dan pengamat di seluruh bagian dunia maka dari itu sastra Arab memiliki kedudukan yang istimewa dengan pengetahuan bahasa dan budaya Arab yang telah diakui dunia. Maka dari itu artikel ini berisikan tujuan untuk; (1) mengetahui sejarah masuknya sastra Arab di kawasan Asia Barat yaitu di Palestina dan Lebanon, dan (2) mengetahui sastrawan-sastrawan yang ada di Palestina dan Lebanon. Penelitian ini menggunakan metode kualitatif deskriptif dengan menggunakan kajian pustaka. Adapun hasil dari penelitian ini ialah; (1) sejarah masuknya sastra Arab di Palestina dan Lebanon, dan (2) sastrawan-sastrawan di Palestina dan Lebanon.الملخص: الأدب العربي، الكاتب، فلسطين، لبنان
GERARD GENETTE'S NARRATIVE STRUCTURE IN FIHI MA FIHI NOVEL BY JALALUDIN RUMI Muhammad Farihul Qulub; Muhammad Roudho Rizky
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 2 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i2.22873

Abstract

Fihi Ma Fihi is a sufism novel that transmits in prose. The novel explains the moral and scientific issues of Sufism, accompanied by Qur'anic and hadith explanations related to social values and spirituality. The narrative of the novel is complex since the novel portrays an explication of the reality in life. This study aims to analyze the narrative structure in Fihi Ma Fihi novel based on the perspective of Gerard Genette, which includes the analysis of order, duration, frequency, mode, and sound reflected in the novel using a descriptive qualitative method. The main data source used is Fihi Ma Fihi novel by Jalaludin Rumi. The results found five aspects in the novel: order in the form of a sequence of story travel, duration in the form of time differences, frequency in the form of relationships in the form of an event, modes in the form of prominent roles for characters, and speech or sounds in the form of language messages seen based on any relationship.
ARABIC LITERATURE IN THE ISLAMIC PERIOD: SYI’IR AND NATSAR Ella Susila Wati; Yuli Imawan; Hellen Tiara
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 2 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i2.20772

Abstract

Arabic literature during the Islamic period played a crucial role, serving as a central force in shaping the Muslim community. This research aims to analyze the development of Arabic literature during the Islamic period (shadr Al-Islam) in the forms of syi’ir and natsar. It employs a qualitative descriptive research method with a literature review approach. Data were sourced from journals, books, notes, and other documents related to the development of Arabic literature during the Islamic period. Data were collected through documentation techniques and analyzed using qualitative data analysis methods, including data reduction, data presentation, and drawing conclusions. The research findings indicate that the development of Arabic literature during the Islamic period manifested in the forms of poetry and prose, both of which were present in two periods: the era of the Prophet and the era of the Rightly Guided Caliphs. The main characteristics include the use of language styles that constantly remind of Allah, containing verses of qauliyah and kauniyah. These literary works uphold the principles of amar ma’ruf nahi munkar, enjoining good and forbidding evil, marked by deep compassion and wisdom, reflecting Islamic teachings. The themes often revolve around profound love and devotion to Allah, the Prophet, parents, and dedication to struggles in the path of God. This love extends to encompass all of Allah's creations, reflecting a holistic and inclusive worldview
TANAWWU’ AL-LAKSIMAT AL-‘ARABIYYAT SLANK: DIRASAT HALAT ‘AN AL-LAHJAT AL-‘ARABIYYAT AL-SU’UDIYYAT WA AL-LAHJAT AL-‘ARABIYYAT AL-MISHRIYYAT Furna Khubbata Lillah; Muna Muliadi Siming Bugis
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 2 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i2.22889

Abstract

Dialectology is an interdisciplinary study in linguistics that examines various aspects of language variation. The emergence of dialects often presents a barrier to communication among speakers with different language backgrounds. Therefore, this research is important as a reference for foreign speakers to understand Arabic dialects and can serve as an academic resource for researchers specializing in Arabic linguistics. This study aims to describe the diversity in Saudi Arabian Arabic and Egyptian Arabic dialects and describe the forms and examples of usage of Saudi Arabian Arabic and Egyptian Arabic dialects in informal conversations. The research used a qualitative approach with interview techniques. The data source for this research was native speakers of Saudi Arabian and Egyptian Arabic, and data collection and analysis were performed using note-taking methods. The data analysis involved classifying primary data according to Arabic dialect variations. The research results showed that the existence of variation in Saudi Arabian Arabic and Egyptian Arabic dialects in several aspects, including phonological variation in vowel and consonant sounds, morphological variation such as inflection, derivation, and affixation in past and present tense verbs, syntactic variation, and finally, onomasiological and semasiological variation in Saudi Arabian and Egyptian Arabic dialects. There are forms and examples of the usage of Saudi Arabian Arabic and Egyptian Arabic dialects in informal conversations.or what called idiom.
ANALISIS PUISI UHIBBUKI JIDDAN KARYA NIZAR QABBANI: KAJIAN PSIKOANALISA SIGMUND FREUD Balkis Nur Azizah; Nur Lailatus Saskia; Nashrullah Nashrullah
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 2 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i2.19655

Abstract

In this era, psychoanalysis is widely used as a research method because it examines aspects of psychological principles that exist in literary works, especially the characters of the main characters. Uhibbuki Jiddan poetry seeks to express a deep sincerity of love to the lover. The purpose of this study is to describe the id, ego, and superego of the character Ana in the poem Uhibbuki Jiddan by Nizar Qobbani with a literary psychology approach. This research is descriptive qualitative research. The data obtained from this study lead to a psychological analysis of the literature contained in the poem Uhibbuki Jiddan. There are three psychological structures of a person contained in the psychology of literature proposed by Sigmund Freud, namely the id, ego, and superego. In the Uhibbuki Jiddan poem, the id attached to the character ‘ana’ appears naturally, the ego exists only to obtain pleasure, satisfaction, or momentary pleasure by prioritizing needs and the superego is shown with the sincerity of love.
STRATEGI MODAL ‘ALA AL-ASWANY DALAM ARENA SASTRA ARAB: KAJIAN SOSIOLOGI SASTRA PIERRE BOURDIEU Kusuma Dewi Asih; Rahning Asri Anum
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 2, No 2 (2023): Afshaha:Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v2i2.23020

Abstract

'Ala Al-Aswany is one of the modern Arab writers. His name is well-known among Arab writers, and his works are accepted, enjoyed, and studied by critics, even receiving numerous awards. This research aims to analyze the capital strategies employed by 'Ala Al-Aswany to obtain his position or legitimacy in the Arab literary arena using Pierre Bourdieu's sociology of literature. This study is a qualitative research with a descriptive-analytical method, using data sources such as books, articles, research reports, and other documents related to the topic and theory used. The data collection technique is documentation. The data is analyzed by identifying the author's biography and his contributions to the Arab literary world, then formulated and described relationally based on Pierre Bourdieu's capital structure. The results show that Al-Aswany possesses four types of capital classified from Pierre Bourdieu's perspective: economic, cultural, social, and symbolic capital. With the arena of production and these four capital strategies, he achieves a specific legitimacy, in this case, Al-Aswany attains the position of a "specific writer" in the Arab literary arena.

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