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Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Published by Asosiasi Seni Desain dan Komunikasi Visual Indonesia
ISSN : 30322073     EISSN : 30321808     DOI : 10.62383
Core Subject : Art,
Arts
The fields of study in this journal include the Communication Studies, Design, Arts and Culture sub-groups. Philosophy: Publication of Communication Studies, Design, Arts and Culture accepts articles in English and Indonesian
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 22 Documents
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Membangun Plot Twist Reverse Chronology dengan Menggunakan Teori Inner Conflict dalam Skenario Film Fiksi “Pulang” Aryananda Putra; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 1 (2024): Februari : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i1.31

Abstract

The movie "Pulang" presents a story that uses the theory of inner conflict in building a reverse chronology plot, to describe the emotional journey of the main character Karin, who must overcome and accept inner conflict triggered by dissociative amnesia due to trauma experienced by her mother 2 years ago. By introducing the audience to Karin's life, which is characterized by sincerity and patience in taking care of her mother despite not being considered a child by her own mother due to amnesia, this film uses the theory of inner conflict in the mother character. Through the inner conflict theory, it can build a reverse chronology plot twist. Through the reverse chronology plot twist, the audience is invited to explore the past of Rama and his mother, detailing the traumatic event that resulted in the amnesia. The combination of inner conflict and plot twist reverse chronology in the context of trauma and amnesia creates a story that is full of pain, full of inner struggle, and is able to arouse empathy from the audience towards the complexity of humans in dealing with past wounds.
Penerapan Dutch Angle Dalam Enggambarkan Emosional Pada Film “Tolong Aku” Nazarruddin Nazarruddin; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 2 (2024): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i2.33

Abstract

Film, as a genre in the world of cinema, offers a short but captivating audiovisual experience. Films have the potential to create creative, entertaining works and have high artistic value. In the filmmaking process, various techniques and elements are used to improve the quality of the final result. Films are able to convey messages and emotions through various means, including dialogue, visuals, music and special effects. This research focuses on the important role of shooting techniques or cameras in film making. One of the techniques taught is Dutch Angle or Dutch Tilt, which involves tilting the camera angle on a vertical or horizontal axis. This technique is often used in the thriller and horror genres to create a dramatic effect on the audience. The film "Help Me" is an interesting case study, utilizing the Dutch Angle to produce emotions such as sadness, fear, anger, and surprise in the audience. The story of this film tells the story of a student named Dinda who is trapped in an organization that adheres to devil beliefs. Through the use of Dutch Angle, the audience is presented with an unstable atmosphere, creating tension and anxiety that blends with the main character's experiences. The aim of making the film "Help Me" is to apply the Dutch Angle technique to arouse the audience's emotions. In this way, the author hopes to strengthen the message and emotional nuances conveyed through this film. This research also aims to provide an overview of how shooting techniques in films can influence the audience's perception and emotions towards the work.
Struktur Mise En Scene Budaya Batak Toba Pada Film Pariban Dari Tanah Jawa 2019 Sutradara Andibachtiar Nurul Khasanah; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 2 (2024): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i2.35

Abstract

This research aims to determine Toba Batak culture in the Pariban idol film from Java using mise en scene. In the film Pariban, idols from Java depict many of the meanings in each story such as the characters, language and culture of the people through a qualitative descriptive approach. It is hoped that this research will be able to convey the meaning implied in the film Pariban Idol from Java. The type of method in this research uses qualitative research methods. Qualitative is field or interpretive research. The object of his research is the Pariban film from Java. The type of data source used by the author in this research is primary data obtained from the film itself and then observing mise en scene elements from several scene pieces or scenes needed for research purposes. The data collection technique in this research is in the form of documentation by searching for data regarding matters related to films via the internet and books that are related to this research.
Analisis Transformasi Gender Pada Tokoh Utama Dalam Film Imperfect Sutradara Ernest Prakarsa. Putri Aulia; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 2 (2024): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i2.36

Abstract

Gender transformation is an effort to achieve liberation from all forms of oppression, whether structural, personal, class, skin color or international economic. The transformation discussed by the author is gender transformation which is seen based on the appearance of the female main character in the imperfect film which is caused by the work environment, family, and so on, causing the female main character to undergo a gender transformation in appearance. This research aims to ensure that development benefits and resources are directed effectively and fairly to men and women. The method used by the author in this research is a quantitative method. Quantitative method is a research method that uses a lot of numbers. Starting from the data collection process to its interpretation. Meanwhile, the research method is an in-depth and careful study of all the facts.
Analisis Unsur Intrinsik Dalam Film Nussa: The Movie Sutradara Boni Wirasmono Dalam Merepresentasikan Nilai Moral Pada Anak- Anak Ryan Fadhil Firmansyah; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 2 (2024): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i2.37

Abstract

This research is entitled Analysis of Intrinsic Elements in the Film Nussa: The Movie Director Boni Wirasmono in Representing Moral Values to Children. The animated film Nussa: The Movie is an animated film with a family, comedy genre and is popular with children because this type of film is packaged in a funny and interesting way. The animated film Nussa: The Movie was produced by The Little Giantz studio and Visinema Pictures and directed by Bony Wirasmono. The aim of this research is to emphasize the intrinsic elements in the form of characters, plot and setting contained in the animated film Nussa: The Movie directed by Boni Wirasmono. In this research, researchers used qualitative descriptive methods to find the intrinsic elements contained in the animated film Nussa: The Movie.
Analisis Tone Warna Dalam Sinematografi Dalam Menciptakan Efek Bahagia Pada Film Dokumenter “ Permata Di Tengah Danau Toba” Sutradara Andi Hutagalung Teruna Satria Putra; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 2 (2024): Mei : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i2.38

Abstract

This research investigates the role and impact of the use of color tones in documentary films. Through analysis of a number of leading documentary films, this study aims to understand how choosing color tones can influence the audience's experience and convey messages more effectively. The research results show that color tones can create atmosphere, highlight themes, and influence audience emotions. These findings provide additional insight for ocumentary filmmakers to enhance the power of their visual narratives through intelligent use of color palettes
Penerapan Teknik Level Angle Untuk Memperkuat Dramatik Dalam Penciptaan Film Fiksi “Genius Dari Syurga” Febry Ayu Retno; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 1 (2024): Februari : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i1.39

Abstract

The final work of art creation entitled the application of the level angle technique to strengthen the drama in the cinematography of the fiction film "Genius From Heaven" is a work of fiction film that tells the story of a child who is being sued by his father. From a young age, Dino was required by his father to be smart, but Dino was lacking in that regard. Dino has his own advantages, from the age of 6 Dino had a hobby of playing the piano, but his father did not support him in that matter, until finally Dino was known as a professional piano player. The cinematography in the creation of the fictional film "Genius From Heaven" uses a level angle technique to strengthen the action so as to build drama that is better from a visual perspective. The aim is to provide the mood and reaction of the audience to follow the narrative flow in the film "Genius From Heaven".
Analisis Teknik Deep Focus Dalam Menciptakan Komposisi Visual Pada Film “Sang Prawira” Irham Setiawan; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 1 (2024): Februari : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i1.40

Abstract

Film is a mass communication medium that is very popular with the public. Interesting techniques are needed to increase the appeal of a film. One of the deep focus techniques in the film "Sang Prawira" by Ponti Gea is the deep focus technique. In the film "The Prawira" by Ponti Gea, there are several scenes where all the objects in the frame remain sharp and clear, whether they are close to the camera or far away. These scenes made researchers interested in examining the film "The Prawira" by Ponti gea. The research method used is a descriptive qualitative method. The research results show that the deep focus camera focusing technique is quite rarely used. Based on this research, it can be concluded that the film "Sang Prawira" by Ponti Gea uses the deep focus technique when you want to focus the audience's view on an object..
Analisis Local Culture Batak Toba dalam Film Ngeri-Ngeri Sedap Sutradara Bene Dion Melalui Mise En Scene Muhammad Rafli Sajali; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 1 (2024): Februari : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i1.41

Abstract

Ngeri-ngeri Sedap is a comedy-drama film set in a Batak family, directed and scripted by Bene Dion Rajagukguk, based on an adaptation of the novel of the same name by Bene Dion. Ngeri-ngeri Sedap received positive reviews and was commercially profitable. The movie also represented Indonesia in the 95th Academy Awards or Oscars. This research aims to describe the value of local Toba Batak culture through mise-en-scene. This type of research is qualitative research with descriptive method. The data source of this research is the movie Ngeri-Ngeri Sedap which lasts 1 hour 53 minutes. The results of this study indicate the analysis of Toba Batak local culture through the mise-en-scene aspect. The local culture of Batak Toba contained in the film "Ngeri-ngeri Sedap" can be seen from the setting, costumes and make-up used by the players, the movement of the players (acting) and the dialog spoken by the players.
Skenario Film “Genius dari Syurga”: Peran Ayah dalam Pengembangan Anak Autisme melalui Struktur Tiga Babak Nabilla Afiya Rizka; Dani Manesah
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 1 (2024): Februari : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i1.42

Abstract

This article discusses the method of creating the screenplay for the film "Genius from Heaven," highlighting the role of fathers in the development of children with autism through a three-act structure. The creation method involves preparation, elaboration, synthesis, realization, and conclusion stages. The author conducts research, selects references from related films, and applies ideas with a three-act structure. The concept of creating this work includes the use of the dynamic character method and a three-act structure to build conflict and climax in the story. Analysis shows how the pressure from the father, changes in the behavior of the main character, Dino, and the father's awareness of his child's talent influence the dramatic dimension of the film. Technically, this article discusses the pre-production, production, and post-production stages, as well as production design, including work identity, film format, duration, language, and film goals. This film aims to provide insight to the public on educating children with special needs and demonstrates that behind someone's shortcomings, there are certainly strengths or unique talents.

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