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Prodi Desain Mode Batik, Jurusan Kriya, Fakultas Seni Rupa dan Desain ISI Surakarta. Kampus II: Jl. Ring Road, Mojosongo, Kec. Jebres, Kota Surakarta, Jawa Tengah 57127
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Runtas: Journal of Arts and Culture
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Journal of Fine and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 20 Documents
 1   2 
AN INQUIRY OF BATIK MOTIF FOR WEDDING CLOTHES: EDELWEISS FLOWER BATIK MOTIF Rosalina, Desi; Purnomo, Moh Arif Jati
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4809

Abstract

The purpose of this art creation is to apply edelweiss motive on party dress suitable for wedding party dress. The method of this artwork creation method consists of expression, technique, and creation. Batik creation process is conducted through combination of handmade and expressive technique by using brush and the proceeded with staining using covering and dying technique. This works consists of two clothing work title, namely “Endless Love” and “This Love” with the motif names for each work being “Edel” and “Weiss”, respectively. The meaning behind the combination of title endless love which means long lasting and “edel” which mean glorious is that the bride’s wedding becomes glorious and eternal. On the other hand, the title this love means that the love is vulnerable if not handled with care and its motif “weiss” means white which is very easily stained. As a result, we conclude that the final result of this artwork creation is suitable for wedding dress.
TRANSFORMING KINATAH NAGASASRA AS A BATIK MOTIFS FOR CASUAL CLOTHES mellynada putri, casi; saputra, andi taslim
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4816

Abstract

This work creation was inspired by the shape of Kinatah Nagasasra, a name of dhapur (physical form) of a Kris. Such a dapur is characterized by the presence of decoration in the form of dragon as a Kinatah on the surface of the Kris blade. The characteristics of Nagasasra are having a kinatah in the form of crowned dragon, having a thousand scales on its body, and having a jamang (head ornament worn on the forehead). This Kris blade has visual meaning in the form of symbols representing characteristics of a leader. This study aims at exploring and stylizing the shape of Kinatah Nagasasra and using it in creating handmade batik on the casual wear. The creation of this work employed the   art creation method by collecting data from literature as well as previous designs and embodiments.  Handmade batiks technique was used in the creation process by using   primissima cotton fabric and remasol (coloring matter) as raw materials. Handmade batik technique that is used is dipping technique. The color chosen is the color preferred by consumers aged 18-35 years.  The resulting work consists of four dresses and is entitled UPANGGA RADMILA. Each of dress has also its own title, namely PANDITA, PARAHITA, PRABALA, PRASANTI. The designers hope that this work can help to socialize good characteristics of leader through symbols in it.  The characteristics consists of prioritizing the welfare of members, the awareness that power is a trust, being able to protect and prosper members, and being a role model to the members.
WIWITAN EQUIPMENT AS BATIK MOTIF CREATION FOR MODERN KEBAYA listya iswandari, aviva; -, Guntur
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4818

Abstract

The main ideas that became the basis for the batik motif on jarik for modern kebaya clothing was offering equipment in wiwitan tradition. The wiwitan tradition in traditional agricultural practice is a ceremony carried out by the community before harvesting, wiwitan is a tradition that deserves to be maintained and preserved and can even be developed in its ritual procession to become its own attraction. Basically, this tradition is an expression of gratitude to God. The rituals of this tradition completed with offerings and bancakan which are a form of gratitude for all the favors and blessings of God to the earth. The content of the offerings or known as uborampe was used as a source of inspiration for the creation of batik motifs on jarik for modern kebaya. The creation of batik motif is carried out by means of batik tulis that is styled contemporary then colored with remasol dye and colet technique. The colors used are brown, cream, brick red, purple, grey, blue, and pink. Batik with wiwitan offering motifs is equipped with modern kebaya to create total of 4 designs completed with sequins as decoration and veil as a head-wear to make it look elegant and appropriate for both formal and non-formal events.
BATIK MOTIF OF PANDAWA FIGURES AS INSPIRATION FOR GLOW IN THE DARK MODERN KEBAYA Agustina, Sari; Rudianto, M
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4839

Abstract

In globalization and the current developments, many local fashions have been neglected, one of which is batik. Younger generations are often prefer to wear fashion that is influenced by foreign trends. The clothes used have their own uniqueness according to what the wearer likes. However, in recent years, clothing has often been misunderstood, that clothing is the main cause of harassment of women. In fact, there is no connection between the clothes worn by women and sexual harassment. To dispel rumors circulating that clothing is the cause of harassment, a modern kebaya with pandawa figure motifs with glow in the dark batik is made. Through this clothing, author wished that it can make people think that clothing is not the cause of sexual harassment and hope that it will be able to make women more courageous in dealing with people who behave certain ways.
THE MOJOARUM SITE AS A SOURCE OF IDEAS FOR CREATING BATIK MOTIFS FOR KEBAYA CLOTHES Desiatri, Olivia Evi; Oktaviani, Danissa Dyah
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4846

Abstract

This study aims to make Mojoarum Site as a source of inspiration in creating batik motif for Javanese blouse. The artwork creation process begins with exploration stage by doing direct observation toward Mojoarum site. The results of the observations are then used as a batik motif on Javanese blouse. Designing process is the next stage after exploration where, at this stage, the selection of the most suitable batik motifs is carried out. The last step is embodiment process in which this step uses covering and dying technique in creating batik motifs. Naphthol was chosen as coloring matter for resulting sense of beauty to the artwork. Overall, the embodiment process comprises nyorek (creating pattern), membatik (drawing batik motif), coloring, melorod (releasing wax from fabric), sewing, and finishing. This creation process resulted in four works and each one was named according to the history of the formation of the Mojoarum site as a village. The name of the first work is Slobog Paceklik, the second work is Udan Liris Bramantha, the third work is Sidomukti Sutrepta, and the fourth work is Sidomukti Rahayu Windraya. We then call the batik motifs relulted from this artwork creation as Mojoarum Batik Motif. It is expected that the society inspired to be more care with environment and tries to maintain cultural preservation through the creation of Mojoarum Batik Motifs.
GIRLS PARTY DRESSES WITH CEMPAKA FLOWER BATIK MOTIFS Nafiah, Anisa; Nurarfah, Ismy Putra
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4867

Abstract

The purpose of creating this work is to apply the Cempaka Flower motif into party dresses for girls. The methods used in making this work include expression, technique, and creation. The process of making this work consists of: the initial process using the batik tulis technique, then proceed with the coloring process in the form of dyed caps with synthetic dyes, namely with remasol dye, and using silk cotton fabric that is smooth and soft, therefore it is comfortable to use for girls’ party fashion works. The creation of this work resulted in four different types of girls' party dresses for ages 6-12 years. In this work, there are four different titles for each work that has been made, namely Lalita, Arabelle, Nayara, and Wening. Each of which has the meaning and expectations of the creator for each work created. The meaning of the work inspired by the cempaka flower is to present the leadership spirit of a woman, have a beautiful shape and smell good, present a woman who has a beautiful and charming appearance and has a strong character and a very attractive personality. The presence of a woman with a leadership spirit is able to present a nurturing feeling like the long petals of a chrysolite flower and are able to cover many people and other things. The end result of the creation of this work is that it is suitable for girls' party dresses aged 6-12 years and is suitable for attending birthday parties, garden parties, and various other formal events.
LEGENDA SINGO BARONG SEBAGAI SUMBER IDE PENCIPTAAN MOTIF BATIK PADA BUSANA KEBAYA MODERN Alpado, Carissa Fitri; Safrudin, Dwi
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.4905

Abstract

Ide yang diangkat pada penciptaan karya seni ini berjudul Legenda Singo Barong sebagai Sumber Ide Penciptaan Motif Batik untuk Busana Kebaya Modern. Penciptaan karya ini didasari dengan keinginan penulis dalam melestarikan budaya kediri . Menurut cerita rakyat yang  tumbuh di Kediri budaya barongan berakar semenjak sejarah Panji, yaitu suatu riwayat yang dipelopori oleh rombongan prajurit berkuda membentengi  Pangeran Panji Asmarabangun dan juga Singo Barong pada saat melamar Dewi Sekartaji, Barong adalah  wujud yang mengumpamai campuran dari singa dan naga yang kebanyakan dibawakan oleh 4 orang pada pagelaran tari Barongan di Kediri. Tarian Barongan diikuti bersama gamelan jawa dan sinden. ada 4 karya batik diantaranya karya 1 berjudul Lingga babad dan bermotif Dirandra , karya 2 yaitu Phantera Bahuwirya bermotif Nyawiji , karya 3 berjudul Hastina Sudarsana yang mempunyai motif berjudul tuwuh dan karya ke 4 yaitu Arindama bermotif Amerta, Batik berawal dari bahasa jawa yang memiliki arti amba yaitu lebar dan nitik yaitu membuat titik. Proses pembuatan Batik berawal dari nyorek, lalu dilanjutkan ke tahap pembatikkan, setelah itu dilanjutkan dengan proses pewarnaan, penguncian warna menggunakan water glass, lalu dilanjutkan dengan proses terakhir yaitu nglorod, maka batik siap digunakan, Pada zaman dulu batik banyak digunakan di lingkungan keraton dan tidak sembarangan orang dapat mengenakannya. Berdasarkan metode batik ada dua antara lain batik tulis dan batik cap. Kebaya merupakan pakaian yang berasal dari budaya masyarakat Indonesia banyak dan ditemukan di pulau jawa. Pada masa modern ini kebaya telah banyak mengalami perubahan desain dan sering digunakan dalam acara formal seperti pernikahan pesta, wisuda bahkan kebaya digunakan sebagai seragam resmi pramugari.Kata Kunci: Singo Barong Kediri, Batik, Kebaya
THE WAYANG GOLEK PERFORMANCE AS ONE OF THE VARIETY OF THE ARTISTS OF THE PUP THAT ARE AVAILABLE ON THE ISLAND OF JAVA Fauzi, Ratna Puspita; Bahari, Nooryan
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5103

Abstract

The Indonesian nation has diverse cultural and ethnic backgrounds. One form of cultural diversity that exists is wayang. The islands of Java and Bali have become places for the development of traditional wayang arts. The UN oversees an institution called UNESCO as an institution that focuses on issues regarding education, culture and science, which then records wayang as a work of cultural art in the international world. By giving this award, the Indonesian people should protect and preserve wayang.This study aims to examine, identify, and know the meaning of cultural traditions and symbols contained in wayang golek performances and their influence on the surrounding community and daily activities. In this study, the method used is the observation method, by collecting data from various sources of journals and the internet, while in analyzing using the phenomenological method.From the research that has been done, it is found that the wayang golek show contains teachings and good values conveyed by a dalang with his characteristics so that the messages to be conveyed can be easily accepted by the public watching the wayang performance. Wayang shows have an impact on several aspects including social, political, economic, and religious aspects.Keywords: Wayang Golek, Symbol, Value
The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear Firdaus, Roihatal Jannati; Sudarwanto, Aan
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5250

Abstract

This Final Project entitled "The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear". The source of the idea that forms the basis for the creation of works is the weaving craft of the NTT region, especially the Ende region, namely Selendang Semba. On the Semba scarf there is a Morning Star motif which as a unique character so that the creators want to make it an idea for creating batik motifs. The purpose of creating this final project is to apply the Morning Star motif found in the Semba scarf into casual clothing for young women aged 17 year sand over. The methods used in making this work are expression, technique and creation. The process of making batik designs using the strongest character-taking technique found in the semba shawl becomes a batik motif. The making of the batik works uses the written batik process followed by the coloring process in the form of dyed caps with artificial dyes, namely napthol and remashol. The material in the work uses primissima cloth, atype of princess dance, whichhasa smooth character, dense fibers, easily absorbs sweat so it is comfortable when used as casual clothing. The output of this Final Project is in the form of 4 works of women's casual clothing, a fashion catalog, a teaser for the final work process and as cientificarticle. This work is titled "Abhita" and has different titles in each of his works, the clothes are titled : Asha, Sachi, Trisha, Agni.
JAYA STAMBA MOTIF NGANJUK REGENCY FOR BESKAP AND JARIK CLOTHING ON MILLENNIAL KEBAYA Aldi, Muhamad
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5260

Abstract

Creation of Final Project Work entitled Jaya Stamba Motif, Nganjuk Regency for Beskap and Jarik Clothing on Millennial kebaya. This final project aims to make beskap and kebaya dresses the newest models so that they are more attractive to the millennial generation by applying the Jaya Stamba motif, Nganjuk regency. The main source of ideas that form the basis for the creation of this work are various forms of Jaya Stamba motif ornaments and agricultural products of Nganjuk Regency. Jaya Stamba is an artifact originating from Nganjuk Regency, now it is a hallmark and was built in the middle of the city. The scope of the Jaya Stamba motif in Nganjuk Regency and agricultural products gave rise to the idea to be developed in the creation of batik. The creation process in making the work starts from observing the forms of Jaya Stamba and various things related to the natural wealth of Nganjuk Regency such as agricultural products and existing heritage sites. Observations through site surveys and print media were then carried out in the form of batik motifs and then poured into alternative patterns to be selected as batik motifs that would be applied to kebaya and beskap clothing. The results of the work amounted to 4, namely 2 beskap clothes and 2 kebaya clothes. Each is given a title according to the character and appearance and philosophy in it. 

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