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Contact Name
Nadya Afdholy
Contact Email
nadyaafdholy@fib.unair.ac.id
Phone
+6289630705250
Journal Mail Official
narrativescultural@gmail.com
Editorial Address
https://jurnal.erapublikasi.id/index.php/CN/about/editorialTeam
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Kota tangerang,
Banten
INDONESIA
Cultural Narratives
ISSN : -     EISSN : 30466350     DOI : https://doi.org/10.59066/cn
Cultural Narratives publishes high-quality articles in the field of social sicences, cultural studies, linguistics, and Literature. The journal invites scientists, lecturers, teachers, and practitioners throughout the world to disseminate topics of cultural studies celebrate minorities and majorities, diversity, individual and group studies, that cover but are not limited to Area or Regional Studies, Literary criticism, Literary theory, Language studies, Linguistics, Translation, Discourse Analysis, Language Acquisition, humanities and social studies, but limited to language teaching. Cultural Narratives  is a blind peer-reviewed, scientific journal published three times annually – every April, August, and December by CV Era Digital Nusantara
Articles 11 Documents
Kiko’s Anxiety In Akemi Dawn Bowman’s Starfish Kresenstia Heldiana Seda; Mateus Rudi Supsiadji
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.442

Abstract

This article aims to discuss the issue of anxiety in Akemi Dawn Bowman's Starfish. The objectives of this study are to find the causes, effects, and types of anxiety experienced by the main character in the story. This study uses the psychoanalysis theory by Sigmund Freud to analyze Kiko's anxiety. The research method applied in this study is qualitative, with a psychology of literature approach. From the results of the analysis, there are four causes of the anxiety experienced by Kiko. The first is an experience that happens to Kiko in the past, caused by her uncle. The second is the conflict between Kiko and her mother. The third is Kiko’s environment, and the last is frustration. The effects of Kiko's anxiety are emotional effect and social anxiety. This can be seen from her feelings of anger because of the dispute that occurs between Kiko and her mother. Therefore, it can be concluded that Kiko's anxiety is categorized as neurotic and realistic anxiety. Neurotic anxiety comes from the id, which is an unconscious feeling so that it often loses its emotions such as sadness, anger, panic, and so on. Realistic anxiety occurs when there is a sense of fear of approaching danger.
Empowerment in Seven Selected American Songs: The Ideational and Interpersonal Meaning Title Desi Lailatul Rohmah; Pininta Veronika Silalahi
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.443

Abstract

The recent study aims to analyse the ideational and interpersonal meaning in seven selected empowerment songs’ lyrics. The objectives of the study are to describe the characteristics and types of interpersonal meaning: mood and modality; and the types of transitivity processes. The research design applied in this study is descriptive qualitative. The data is the lyrics of seven selected songs: Brave by Sara Barelies; Fireworks, and Roar by Katy Perry; Who Says by Selena Gomez; Love Myself by Hailee Steinfeld; Fight Song by Rachel Platten; and I love Me by Demi Lovato. The finding shows the dominant mood of all the lyrics is declarative mood; and the modality are: “can” in song 1; “wouldn’t” and “would” in song 2; “don’t have to”, “cannot”, and “could” in song 3; “can’t” in song 5; “can”, “might”, and “will” in song 6; “can’t” and “should” in song 7. Further, the analysis showed that all the transitivity process found in the lyrics include: material, mental, relational, behavioural, verbal, and existential.
C.S. Lewis’ Types of Love Portrayed in Sally Rooney’s Normal People Adelia Sri Wahyu Ningsih; Mateus Rudi Supsiadji
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.444

Abstract

This study aims to analyse the types of love in Sally Rooney’s Normal People. The objective of this study is to find the types of love that exist between the characters in the story. In analysing the story, the writers apply C.S. Lewis’ theory of love. The theory explains that there are four types of love, namely storge, philias, eros, and agape. The research method is descriptive qualitative research. The analysis is conducted by using intrinsic and extrinsic approaches. The intrinsic approach is applied in this study because the study deals with the characters in the novel. The extrinsic sociological approach is used to analyse love types. The data are taken from Normal People that is written by Sally Rooney. The findings show that through the characters, the novel discusses different types of love. There are only three types of love seen in the novel Normal People. The first type of storge or familial happens can be pictured through the interactions of Connell, Lorraine, and Marianne. The second type of philias or friendship is depicted in the interactions of Marianne, Connell, Joanna, and Niall. The last type of eros or romantic love happens to the character of Marianne and Connell. The conclusion, in Normal People love exists in every single person and it has some different types that happen between family, friends, and couples.
Arvin's Realistic Personality Development in Donald Ray Pollock’s The Devil All the Time Mochammad Ibnu Prasetyo Utomo; Muizzu Nurhadi; Dheny Jatmiko
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.450

Abstract

The purpose of this research is to analyse the personality development and the factors that influence the personality development of Arvin, in The Devil All the Time by Donald Ray Pollock. The researcher sets three formulations of the problem to be analysed the first is identifying Arvin’s basic personality. The second is identifying Arvin's personality development. Third is identifying the factors that cause Arvin's personality development. To analyze the formulation of the problem, the researcher uses character theory and characterization to identify Arvin's basic personality, then uses Elizabeth B. Hurlock's personality development theory to identify personality development and the factors that influence Arvin's personality development. The results of this study found that the first is Arvin's basic personality, namely innocent child, obeying his father's orders, and having strong faith. Second is Arvin's personality development, namely from an innocent child to a skeptical mind, from a faithfulness child to a rebellious child, and from having strong faith to losing faith. Third, factors that influence Arvin's development are physical changes, changes in the family, changes in the environment, and significant people. However, from the four personality development factors that the researcher found, significant people have the most influence on Arvin's personality development. The conclusion is that Arvin experienced personality development from a good child to a realistic and rude child, this factor was caused by a significant person, namely his father.
Exploring the Personality of Mbok Wilis in A. Mustafa's Novel Ayu Novita Sari; Evita Rujiana
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.466

Abstract

This study aims to describe and uncover the main character's personality in the novel "Anak Gembala yang Tertidur Panjang di Akhir Zaman" by A. Mustafa. This research uses a descriptive qualitative method. Depictions and descriptive qualitative research are in the form of portrayals and certain circumstances with the interactive method. The interactive method helps study the content of documents. The data source in this study is the novel "Anak Gembala Yang Tertidur Panjang di Akhir Zaman" by A. Mustafa. The data collection technique in this research is content analysis. The characterization of the main character of this novel is quite interesting because he is cross-dressing, so a study was conducted using the theory of literary psychology. The main character is Mbok Wilis, a man who acts as a woman daily. The results of this study are that Mbok Wilis has a spirit of enthusiasm, never gives up, cares for others, easily believes, quickly moves, and is complex.
The Depiction of the Meaning of Death through Iola and Anest Character in Salt Root and Roe Yulia Mega Puspita
Cultural Narratives Vol. 1 No. 2 (2023): December
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i2.553

Abstract

Death has meaning for each individual, which sometimes holds meaning about the psychological soul in literature. Anxiety, fear of abandonment, and betrayal become unconscious individual factors. These factors are not only conveyed in physical and emotional form but also in the written form of literary works such as contemporary drama. This study discusses how the meaning of death is tied to anxiety, fear of abandonment, and betrayal in a play entitled Salt Root and Roe by Tim Price. This literary work shows how the deaths of the main characters, namely Iola and Anest, twin sisters, are linked to incidents of anxiety and fear originating from childhood trauma, so this influences their subconscious decisions. To analyze and answer the study objectives, the author used qualitative research methods with Sigmund Freud's psychoanalytic theory approach. This study analyzes from the perspective of Freud's psychoanalysis using the tripartite theory of id, ego, and superego of the characters Iola and Anest to discover the character's desires and decisions influenced by their environment. In the process of this analysis, it was discovered that the twin characters, Iola and Anest, had trauma in their childhood, which resulted in anxiety, betrayal, and fear of being abandoned by each other or being abandoned by their loved ones due to the influence of an environment and family that was less than supportive during their childhood. In addition, this study found that Iola and Anest's meaning of death tied each other to each other, indicating that their relationship did not want to be abandoned again and experienced the trauma and disappointment of being abandoned in the past. Tragic death in this literary work means a togetherness created by the characters' deep-seated fears, traumas, and betrayals.
Depiction of South Kalimantan’s Nature Harmonization in Andaru Folk Stories Rida Nurbasita Salsabila; Sariyem; Haswinda Harpriyanti
Cultural Narratives Vol. 1 No. 2 (2023): December
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i2.583

Abstract

Andaru folklore depicts the close relationship between society and nature. Nature has a central role in meeting people's living needs, especially rivers and forests in the Meratus Mountains. This research uses literary ecological studies. This research aims to describe the relationship between humans and nature in the South Kalimantan Andaru folklore. Describes how people use nature in the South Kalimantan folklore Andaru. To answer the problem formulation, this research will focus on the interaction between community leaders and nature in the South Kalimantan Andaru folklore and how the people in the South Kalimantan Andaru folklore use nature. The results of this research are that it is known that the Andaru folklore first depicts a close relationship between society and nature. Both realms have a central role in meeting people's living needs. Conclusions based on analysis and discussion, it can be concluded that the relationship between nature and society in Andaru folklore is depicted as very close. The community depends on nature, especially rivers and forests in the Meratus Mountains, as the basis of life and economy.
A Psychological Journey of Inner Strength in Novel Mimpi Anak Pulau Anita Anita; Haswinda Harpriyanti
Cultural Narratives Vol. 1 No. 3 (2024): April
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i3.591

Abstract

This research analyzes the fighting values of the main character of the novel Mimpi Anak Pulau through a literary psychology approach. The focus of the research is mainly on the main character's inner resilience, exploring how the character adapts and develops in facing various life challenges. The analysis also includes the diversity of internal human resources, especially through the inner eye and mind's eye, as an important element in forming character. Carefully selected dialogue creates dimensions of internal conflict, reveals the characters' complex feelings, and touches on the paradox between fear and courage. Poetry that compares life to a flowing stream creates a picture of life's journey that inspires thought and emotion. The research conclusion shows that the fighting value in the main character of this novel is realized through a complex psychological journey, contributing to a deeper understanding of inner resilience, diversity of internal resources, and psychological dynamics in a literary work. This analysis not only highlights the complex psychological processes underlying the main character's resilience in Mimpi Anak Pulau, but also offers valuable insights for understanding how children develop inner strength in the face of adversity. By examining the character's internal resources and the role of literary devices in portraying inner conflict, this study provides educators and psychologists with tools to support children's emotional well-being and foster resilience.
Decoding the Perpetuation of Patriarchal Culture in the Barbie Movie Nabila Myisha; Dinda Sabila; Angelia Brigita Maharani; Akira Hilal Ramadhan; Mirza Fathima Jauhar Kamalia
Cultural Narratives Vol. 1 No. 2 (2023): December
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i2.617

Abstract

This research aims to analyze the representation of patriarchal culture in the Barbie film through a semiotic study that uses Roland Barthes’ theory. Roland Barthes developed semiotic theory into three parts, namely denotation, connotation, and myth, but in this study, the researchers only utilized connotation and denotation. This research uses a descriptive qualitative method. The data was taken from the scenes and script of the Barbie 2023 film. The researchers collected data by watching the film, observing the characters in every scene and the script, then taking some notes to categorize the semiotic symbols based on Roland Barthes' theory and analyzing the research data. The results of this research show that despite the movie "Barbie," association with feminism, it does not change the fact that the movie still embodies a patriarchal culture that harms women. This cultural framework perpetuates traditional gender roles, positioning men as leaders, decision-makers, and primary providers while assigning women subordinate roles. In patriarchal cultures, male privilege is ingrained, leading to the marginalization and subjugation of women. This entrenched culture of male privilege influences deep-rooted misogyny, sexism, and societal expectations.
Fashion Brands Identity Through the Use of Slogans: A Stylistics Analysis Muizzu Nurhadi; Pininta Veronika Silalahi; Shabrina Dwi Arsa; Agiel Bramantyo
Cultural Narratives Vol. 1 No. 2 (2023): December
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i2.621

Abstract

This research discusses how style has a role in enlivening each word and sentence in the slogan of a brand product in the sphere of advertising from time to time. Through the qualitative descriptive analysis, this research analyses ten slogans from several brand classes, especially on products that have class categorization with stylistic devices to find out the identity function embedded in each word or sentence. The research results show that stylistic devices, especially through lexical features such as vocabulary selection, parts of speech, and metaphor, as well as understanding the deep context of each slogan can show their brand images in advertising. In this way, these stylistic devices sharpen the meaning and reflection of the identity desired by fashion brands to consumers.

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