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Contact Name
Putra Afriadi
Contact Email
putraafriadi12@gmail.com
Phone
-
Journal Mail Official
jurnal_imaji@uny.ac.id
Editorial Address
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Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
Imaji: Jurnal Seni dan Pendidikan Seni
ISSN : 16930479     EISSN : 25800175     DOI : -
IMAJI is a journal containing the results of research/non-research studies related to arts and arts education, including fine arts and performing arts (dance, music, puppetry, and karawitan). IMAJI is published twice a year in April and October by the Faculty of Languages and Arts of Universitas Negeri Yogyakarta in cooperation with AP2SENI (Asosiasi Program Studi Pendidikan Seni Drama, Tari, dan Musik se-Indonesia/Association of Drama, Dance, and Music Education Study Programs in Indonesia).
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Articles 8 Documents
Search results for , issue "Vol 5, No 2 (2007): IMAJI AGUSTUS" : 8 Documents clear
IMAJINASI SEBAGAI ROH KREATIF INTELEK DALAM PROSES KREASI PENCIPTAAN KARYA SENI Susapto Murdowo
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (248.787 KB) | DOI: 10.21831/imaji.v5i1.6684

Abstract

Many people write about art and works of art. The discussions about works of arts use new paradigms such as phenomenology, post-structuralism, semiotics as well as hermeneutics, to reveal the meanings of art and visual art. In the process of evaluating and analyzing works of art, some of the paradigms tend to pay no attention to the subject (the artist). This article is written to remind that an artist as the subject needs to be regarded as the centre of meanings as a whole, including the background that surrounds the art creating process.
DEKONSTRUKSI DIRI SENDIRI DALAM PROSES PENCIPTAAN KARYA SENI Ign. Hening Swasono Ph
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (548.539 KB) | DOI: 10.21831/imaji.v5i1.6679

Abstract

Self deconstruction is a means of breaking down the established art creation, representing individual identity and abandoning modern art or conventional art creation. It was applied in a work of art, whose forms were cracked wood constructed like paintings. In the new concept of art creation, self-deconstruction of Derrida and Nagajurna was applied. The deconstruction as a concept of creating and acting bravely to break down reality and imitating self creation was applied until the zero point. In other words, the emptiness is stability. “All possible” is the concept of creation applied by the writer. The concept was realized by using used wood as a medium of expression of artistic moments. The installation was composed of several different media such as wood, plastic and iron. The concept also abandoned single medium (the modern view of art creation). This art creation used the integration of creation and recreation as well. The creation technique applied was assemblage, collage, and knock­down system with shifting understanding, namely function replacement. The knock-down system in the installation was made based on the artist's will or on the art viewers, display areas and the surrounding. In the name of deconstruction, the writer believes that the created arts are multi-interpretable. Key words: deconstruction, installation art and interpretation
UPAYA PENINGKATKAN KUALITAS GARAP KOREOGRAFI ANAK MELALUI METODE INDIVIDUAL MAHASISWA JURDIK SENI TARI FBS UNY Marwanto -
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (180.258 KB) | DOI: 10.21831/imaji.v5i1.6680

Abstract

Children choreography is creating dances for children that are suitable with their ways of thinking and playing world. This research is aimed at improving quality of children choreography. The expectation is that the choreography might become subject of excellence and brings a good name to the Dance Art Education Department specifically and Yogyakarta State University generally. This study applied class action research, with students of Composition and Choreography II Classes in the even semester of 2005/ 2006 as its subject. The result shows that the students' academic achievement and the quality of their choreography increased significantly. Out of 22 students' creations, 4 are taken as models of dance learning in primary, junior high and senior high schools. Key words: Children choreography, subject of excellence
PENGEMBANGAN SENI PERTUNJUKAN LANGEN MANDRAWANARA SEBAGAI ASET PARIWISATA DI DESA SEMBUNGAN KABUPATEN BANTUL Kuswarsantyo -
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.23 KB) | DOI: 10.21831/imaji.v5i1.6678

Abstract

Langen Mandrawanara is one of rare arts, created by Patih Danurejo in the reign of Sultan Hamengkubuwana VIII. Besides its low frequency of performance, the rareness is caused by the difficulties of that dance with Ramayana epic theme. The art of Langen Mandrawanara is performed with squatting and the dialogs are carried out through tembang, traditional Javanese songs. The difficulties make Langen Mandrawanara less interesting to young generation incapable of singing the songs. As the time goes by, efforts are made by art groups and organizations to preserve Langen Mandrawanara, which are good steps to support the art preservation. The one carried out by Langen Mandrawanara community in Sembungan Village, Bangunjiwo, Bantul becomes the key to the future of the art. The endeavor also becomes an appeal to the tourists. The application of pseudo traditional arts is quite relevant as an attempt to keep Langen Mandrawanara art improving, without neglecting its essential aspects to be preserved. Using a dynamic concept of performance, Langen Mandrawanara is hoped to attract the viewers, especially of the young generation. Key words: Langen Mandrawanara, preservation, tourism
UPAYA PENINGKATAN KEMAMPUAN MENARI TARI TOPENG GUNUNGSARI PADA MAHASISWA JURUSAN PENDIDIKAN SENI TARI DENGAN PENDEKATAN APRESIASI SENI DAN LATIHAN SECARA RUTIN Herlinah -
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (159.212 KB) | DOI: 10.21831/imaji.v5i1.6686

Abstract

The research was purposed to make efforts to improve Dance Education Department student dancing abilities of Topeng Gunungsari Dance by Art Appreciation method and practiced routinely . The research used design models which were developed by Kemmis Mc. Taggart consisted of four components included; planning, action, observation, and reflection. The researchers planned and established action types which would be done, that were; student practiced together by masks, and watched a Topeng Gunungsari Dance performance by video recording routinely. The research result of dance studying was that by the practiced and watched a Topeng Gunungsari Dance video recording routinely could improve dancing abilities of Topeng Gunungsari dance. Key words: dancing ability, art appreciation, routine practice.
CARA PERNAFASAN DAN GERAK TORSO DALAM TARI GOLEK MENAK YOGYAKARTA Sarjiwo -
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (305.433 KB) | DOI: 10.21831/imaji.v5i1.6683

Abstract

The way of breath taking and torso movement are the esthetic characteristic of Yogyakartan Golek Menak dance. This dance, which was created by Sri Sultan Hamengku Buwono IX, is a dance inspired by Golek Menak puppet played by a dalang (the puppet player). The dance movement became a reference of Golek Menak Dance. The movement characteristic of Golek Menak puppet taken by Golek Menak dance is unjal ambegan (a way of taking a breath). Every dancer has to master that movement to be applied in every movement activity. However, not every dancer can do it well because unjal ambegan must be followed by torso movement to emphasize the movement so that the dance becomes beautiful. Therefore, unjal ambegan is not only a way of breath taking but also two body activities interrelated, not able to be independent. Both are ways of breath taking involving torso movement. Key words: Golek Menak dance, unjal ambegan, torso movement
PENINGKATAN KREATIVITAS SENI DALAM DESAIN BUSANA Nanie Asri Yuliati
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (295.624 KB) | DOI: 10.21831/imaji.v5i1.6681

Abstract

Creativity in cloth designing is one of aspects to improve fashion products. The products in garment industry include many kinds of clothes in the markets, such as women's, men's, children's and adults' clothes for many occasions like parties' and work's clothes. To compete in the markets, fashion designers have to be creative in designing the clothes. Creativity is new ideas in designing to create novel designs and products suitable with the current trends. To trigger creativity in the learning of fashion design, the role of learning sources is important so that the students get inspired by the novelties to create new fashion. The learning sources include electronic media (TV, video and the internet), printed media (fashion books and magazines, tabloids, and newspapers) as well as direct sources observed in daily life. Varied learning sources will improve creativity in fashion design learning. Key words: learning sources, creativity, cloth design
PERANAN FOTO PADA PERWAJAHAN MAJALAH Prayanto W.H
Imaji Vol 5, No 2 (2007): IMAJI AGUSTUS
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (346.777 KB) | DOI: 10.21831/imaji.v5i1.6682

Abstract

Illustration is an important element to support the success of printed media performance, such as magazine. A magazine that consists of only writing without any pictures is boring to the readers. Illustrations in magazines function to help explaining articles, as well as to attract and illustrate the magazines' performance. Therefore, photo journalists' job in taking pictures or recording events around human life is significant to determine the magazines' success visually. Basically to design magazines a solid team work among photographer, designer and editor is absolutely needed to get the best result. No matter how good the pictures are, the visual performance will not be interesting without good design. On the other hand, magazines are not marketable and the articles will not be interesting without attractive pictures. Key words: photography, magazine performance

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