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Ary Wijayanto
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INDONESIA
SELONDING
Published by Institut Seni Indonesia Yogyakarta
ISSN : 14121514     EISSN : 26859327     DOI : https://doi.org/10.24821/sl.v20i1
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Focus & Scope Science: Organology-acoustics, Semiotics, Hermeneutic, Etnomusicology, Transcript, Composition of Ethnic music, Music Exploration, Anthropologi Music, Sosiology Music, Physics, Culture Assesment and Practice: Assesment of Ethnic music, Practice base Research, Practice led Research Ideas, Concept, Thoughts about music ethnic
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
 1 
Search results for , issue "Vol 15, No 1 (2019): Maret 2019" : 6 Documents clear
SERUNE KALEE DALAM UPACARA INTAT LINTO BARO DI BANDA ACEH Rusdi Asman
SELONDING Vol 15, No 1 (2019): Maret 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (321.084 KB) | DOI: 10.24821/selonding.v15i1.3112

Abstract

Seurune kalee is an inflatable instrument that is still owned by the people of Aceh. The existence of seurune kalee untill now is used in the implementation of the intat linto baro ceremony, opening ceremonial event, welcoming guest, and celebrating Islamic holidays. The implementation of intat linto baro uses seurune kalee  as part of this implementation, so that the music played has function in the Acehnese comunity. Performing arts are divided into two groups, namely primary function groups and secondary groups. The main approach of this study is ethnomusicology aided by anthropology, sociology, and history. The metology used in this study is qualitative method. The implementation of intat linto baro uses accompanistment as a sign that a group of families and indigenous people from the linto baro party are connnecting with friendship and ratification of young man and young women in carrying out religious and customary family relation. The songs used are Peumulia Jamee and Ranup Lampuan. This implementation is a sacred ceremonial moment for the Aceehnese particular. Music function during the implementation of intat linto baroe is a means of traditional ceremonies, entertaiment facilities, and means of aesthetic presentation. The implementation of intat linto baro is a simbolic implementation in a society that is religiously and customarily held by a person who initiate and the songs played are known by Acehnese comunity
FUNGSI MUSIK NDOTO DALAM RITUAL NGAGHA MERE Blandina Wenika Djawa
SELONDING Vol 15, No 1 (2019): Maret 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (970.047 KB) | DOI: 10.24821/selonding.v15i1.3113

Abstract

Ndoto is one of the musical instruments that is quite important in the Ngagha Mere ritual, a ritual of giving thanks and giving sweet potato as an offering to the ancestors, namely ine ebu kaju, by the Wajo people in Nagekeo District, Flores, East Nusa Tenggara. The importance of Ndoto's function in rituals also did not allow the indigenous people to play after the ceremony was completed and even the photos had to be split and burned to become a source of fire for Sweet Potatoes. This fact becomes an interesting phenomenon to be explored.The phenomenon of making photographs that should not be played and become a source of fire in the ritual procession of Ngagha Mere in the context of culture is a case of problems so that this type of research uses qualitative case studies with data collection techniques in the form of observation and interviews.The results show that the function ndoto in the Ngagha Mere ritual is a means of communication.
Fungsi Musik Dayak Kanayatn Amir Razak; Ferdinand Ferdinand
SELONDING Vol 15, No 1 (2019): Maret 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (148.239 KB) | DOI: 10.24821/selonding.v15i1.3109

Abstract

Kanayatn Dayak music in the anthro-social aspect experienced a multiplication of functions caused by sublimation of local musical genius intra-extras and the human needs of the community, where until now the description of ethnic music, especially Dayak Kanayatn is still not widely explained in the cultural context, so this research focuses on describing functions of Dayak kanayatn music in community activities.Qualitative narrative is an effort to describe the process or function of Dayak Kanayatn music so that it can provide interpretation in accordance with facts in the community, where data collection is through literature study, observation and documentation while data analysis uses domain interpretation techniques.The results showed that Dayak Kanayatn music had several functions including; entertainment facilities, commodification of tourism, ratification of social institutions, integration of social groups, propaganda media, local cultural identity, informal education facilities.
FUNGSI PAJIDOR DALAM PESTA PA’BUNTINGANG Achmad Maulana
SELONDING Vol 15, No 1 (2019): Maret 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (570.635 KB) | DOI: 10.24821/selonding.v15i1.3114

Abstract

Pajidor is a musical art performance that uses flutes, jidor, and ropolo (drums or tambourines). As one of the traditional types of Makassar ethnic music, pajidor has quite an important function in community activities as evidenced by its frequent use in pa’buntingang. Based on this phenomenon, the focus of the research is to describe the function of pajidor in the pa’buntingang.This study uses qualitative methods sourced from library research, interviews, observations, documentation, which is equipped with data analysis.This research shows that pajidor is a musical performance art at pa'buntingang event with a function as a means of entertainment and aesthetic pleasure. 
TAMBUR PEH-CUN SEBAGAI IRINGAN LOMBA PERAHU NAGA DALAM UPACARA PEH-CUN DI TANGERANG BANTEN Muhammad Solidio Gloryan Nasir
SELONDING Vol 15, No 1 (2019): Maret 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (438.08 KB) | DOI: 10.24821/selonding.v15i1.3110

Abstract

The Chinese Benteng community which inhabits the Tangerang Banten area is a community that has customs as practiced by its ancestors from China. The tradition he lived is the Peh-Cun ceremony. The party was carried out from ritual processions to entertainment in the form of dragon boat racing competitions. This is an attraction in conducting a study of the object.            The research uses qualitative methods. Direct observations are made to understand some of the phenomena that exist during the ceremony by taking data in the field and interviews.            The results of this study consisted of two aspects, first, the manifestation of the obedience and loyalty of the Chinese Benteng community towards Tian (God) and Khut Guan (the legendary figure in the Peh-Cun ceremony). The second result, the Peh-Cun celebration besides providing entertainment to the community, there was also an encouragement that encouraged the people of Chinese Benteng. It was seen when the dragon boat racing competition accompanied by drummers and shouts could be responded by the contest participants. If the musical phenomenon is drawn into a broader realm, the dragon boat race can motivate the Chinese Benteng ethnic community to remain strong and firm in their lives, namely the realization of balance, as found in the Yin-Yang concept that they believe in.
Nilai Organologi Akustik Polopalo Rahmawati Ohi
SELONDING Vol 15, No 1 (2019): Maret 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (202.628 KB) | DOI: 10.24821/selonding.v15i1.3111

Abstract

Values are meanings, messages either implicitly-exemplified in the form of ideas or theories that work in community activities, one of the material objects that describe the phenomenon is a traditional musical instrument. Speaking of traditional musical instruments, there is one that is valuable, namely Polopalo. Polopalo is a percussion instrument, a Gorontalo icon with a unique organology that is similar to a crocodile's mouth and produces a distinctive acoustic sound character. The unique and interesting aspect of Polopalo's acoustic organology makes its value function continue to experience development and transformation in the activities of society and the world of science.Nattiez about the meaning process at three levels: decomposition of acoustic components, historical or cultural background and physio-acoustic response and supported by the Alperson-Bordieu theory so that the research method uses quantitative-qualitative.The results showed that the value of Polopalo's acoustic organology is the embodiment of the character and philosophy of the Gorontalo people in everyday life where the existence of the sign is represented by the unique sound frequency and interval

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