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Poetika: Jurnal Ilmu Sastra
Published by Universitas Gadjah Mada
ISSN : 23385383     EISSN : 25034642     DOI : https://doi.org/10.22146/poetika.v2i2.10445
Core Subject : Humanities, Art,
Arts Humanities
POETIKA: Jurnal Ilmu Sastra publishes academic articles within the scope of literary criticism (limited to poem, prose, drama, oral tradition, and philology). The articles cover the form of a result on specific analysis; academic reports; closed reading; and the application of certain theories to enrich literary study.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 5 Documents
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Search results for , issue "Vol 5, No 2 (2017): Issue 2" : 5 Documents clear
Being a Sensible Woman: Hypertextuality in Grimm’s Fairy Tale and Juliet Marillier’s Wildwood Dancing Alberta Natasia Adji
POETIKA Vol 5, No 2 (2017): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i2.26433

Abstract

The re-writing of a fairy tale caters for characters, settings and values that have undergone changes, be it explicit or implicit. In Juliet Marillier’s Wildwood Dancing, the main female character Jena is transformed from the passive and obedient Twelfth/Youngest Princess of Grimm’s The Worn-Out Dancing Shoes into a brave and sensible figure. She challenges the oppression of patriarchal rules by taking control of her household in her father’s absence, securing her four sisters’ welfare, and keeping secret of their nocturnal dancing trips in the Other Kingdom despite being threatened by her domineering male cousin. In this way, Gerard Genette’s Hypertextuality strives to investigate the underlying patterns manifested in both literary works by applying the Re-vision element. Through it, Jena’s and the Twelfth/Youngest Princess’ sensibility trait and the socio-cultural settings surrounding them are highlighted in order to determine the importance of the overall hypertextuality process that takes place between the two. Later, Jena emerges as the more influential heroine than her predecessor character because she does not stop struggling to be regarded as an independent young woman who can always give advice and make decisions for her family affairs sensibly. Also, it is eventually proven that sensibility is indeed a strong weapon to be possessed by women in order to empower themselves against the conventions of a patriarchal world.      
Shame and Alienation in Kafka’s The Metamorphosis Karla Sharin Minar; Anton Sutandio
POETIKA Vol 5, No 2 (2017): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i2.27100

Abstract

This article explores Sartre’s concept of shame and alienation in Kafka’s The Metamorphosis through the portrayal of the protagonist.  By focusing on the interpretation of the characteristics of Gregor Samsa through New Criticism approach, this article reveals that shame and alienation may occur when a person realizes that one is judged by others and sees oneself through the eyes of others.  This way of looking at one’s identity is problematic because it creates complexity within the existence of the self.  Through his fantastical transformation into an insect, Gregor cannot help but seeing himself from his family’s point of view.  Instead of fighting for himself, he is made to believe that he deserves to be alienated.  From the analysis of the protagonist, it is revealed that his being selfess and dutiful in a way trigger the shame and alienation that result in his submission to death.    Keywords: alienation, Kafka, Sartre, shame
NOVEL CHARLOTTE KARYA DAVID FOENKINOS: SEBUAH NARASI TENTANG DISKRIMINASI, RASISME, DAN HOLOCAUST Tania Intan
POETIKA Vol 5, No 2 (2017): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i2.28979

Abstract

The Nazi ruling since 1933 made no secret of his dislike of Jews. Adolf Hitler even declared that "rational antisemitism must lead to a system of legal opposition, the ultimate goal of wiping out all Jews" (Mein Kampf, 1925: 27). He also developed the idea that Jews are the evil race that dominates the world. Nazi anti-Semitism is instilled in religious situations and in a political context. Then, the Nazis added a further dimension, racial anti-semitism. With the logic that Jews are not religious but racial communities, the Nazis launched various aggressions in the form of discriminatory, racist, and Holocaust. This dark phenomenon in human history is revealed in Charlotte's novel by David Foenkinos, a French writer who often receives literary awards. The discussion will be conducted by descriptive analysis method through structural approach which includes assessment of character, background, and point of view. Key words : Discrimination, Racism, Holocaust, Charlotte
Transmisi Memori dan Trauma dalam Mother Land Karya Dmetri Kakmi: Kajian Postmemory Andri Fernanda
POETIKA Vol 5, No 2 (2017): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i2.30937

Abstract

AbstrakPenelitian ini mengkaji tentang bagaimana proses kreatif sebuah karya postmemory dalam proses transmisi memori dari generasi pertama ke generasi selanjutnya dan melihat gender memainkan peran penting dalam proses transmisi, serta bagaimana melihat gender dalam karya tersebut. Tujuan dalam penelitian ini untuk membongkar struktur transmisi memori traumatis Dmetri Kakmi dalam novel Mother Land serta melihat konstruksi gender terhadap kesan-kesan traumatis yang muncul di dalam karya tersebut. Peneliti menggunakan teori postmemory yang dicetuskan oleh Marianne Hirsch untuk melihat 1) Bagaimana transmisi memori dan peran gender dalam penulisan novel Mother Land karya Dmetri Kakmi; dan 2) Bagaimana peran gender di dalam novel tersebut. Hasil penelitian ini yakni: 1) novel ini dibentuk oleh dua transmisi, yaitu transmisi familial dari keluarga sehingga hal itu memunculkan imajinasi, serta transmisi afiliatif. Dalam proses transmisi, gender memainkan peran kepada siapa dan narasi apa yang diceritakan kepada post-generation; 2) Peran gender di dalam novel terlihat dari infantilized yang dilakukan terhadap kaum Yunani dan Hyper-masculinized yang dilakukan terhadap kaum Turki sebagai icon of destruction.Kata Kunci: postmemory, trauma, transmisi, identifikasi, gender. AbstractThis research is a study about the creative process of a postmemory work in the memory transmitting process from the first generation to the next generation and the important role of gender in the transmission process, and the perspective of gender in postmemory’s work. The purpose of this research is to expose Dmetri Kakmi's traumatic memory transmission structure in his novel "Motherland" and to take a look at genderization in traumatic impressions that emerged in his work. The researcher used Postmemory theory initiated by Marianne Hirsch to perceive 1) the transmission memory and the role of gender in Dmetri Kakmi's "Motherland" novel;  and 2) the genderization process in that novel, and the results of this research: 1) Mother Land the novel is formed by two transmissions, familial transmission from the writer's family that led the writer to having an imagination of his late grandfather, and affiliative transmission. In the transmission process,  gender plays a key role in choosing who and what narration to be told to post-generation; 2) The gender roles in the "Motherland" novel can be found from such varied sources such as infantilized to the Greeks, and hyper-masculinized to the Turks as icon of destruction. Keywords: postmemory, trauma, transmission, identification, gender.
Kekuatan Memori dan (Ketidak)Mungkinan Pengampunan dalam Novel Hanauzumi Karya Jun’ichi Watanabe Intannia Cahyasari
POETIKA Vol 5, No 2 (2017): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v5i2.30972

Abstract

This study analyzes memory formation along with its transmission and forgiveness as a tool used by Gin as the main character to form the discourse of truth within the scope of society's way of thinking that has not been touched by the modernization of the Meiji Restoration era. Hanauzumi's novel implies that a bitter and tragic past can not be forgotten just by Gin. And furthermore, there is a chance redemption done by Gin by striving to realize his goal of reaching the doctor's profession as a sense of solidarity among fellow women. The purpose of this study is to present memory and forgiveness as a tool used by Gin to form the discourse of truth, thus giving him the power to fight for justice for women's rights, rights for himself and for other women. The method used in this research is descriptive qualitative. This research tries to illustrate the traumatic events of the main character who became the forerunner of his struggle to become the first female doctor in Japan.Key Words: Memory, Power, Forgiveness, Trauma, Meiji Restoration

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