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Jurnal Sejarah Citra Lekha

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Published by Universitas Diponegoro

ISSN : - EISSN : 24430110 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

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Articles 6 Documents

Search results for , issue "Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya" : 6 Documents clear

Wacana “Kerajaan Majapahit Bali”: Dinamika Puri Dalam Pusaran Politik Identitas Kontemporer I. Putu Gede Suwitha
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This study discusses the transformation of the identity of the contemporary Balinese community in general and the dynamics of palaces (puri) in the political rotation in particular based on the discursive development of the “Bali Majapahit Kingdom”. This discourse can be observed from the local newspapers in Bali such as Bali Post, Tokoh, and so forth. The discourse of the “Bali Majapahit Kingdom” inspired by the Majapahit kingdom for the sake of image. The historical method was applied in this study. The data were analyzed descriptively-qualitatively using historical analysis. The result of the study shows that the discourse of the “Bali Majapahit Kingdom” has been inspired by a central figure named Aryawedakarna for his political interest. He has smartly used the Majapahit kingdom and the resurgence of Hinduism as the inspiration to establish the image as a royal figure. Actually, what he has done is the political identity and was successfully appointed a member of the Regional Representative Council [Dewan Perwakilan Daerah] with more or less 200,000 votes in the 2014 election.

Zending and Culture of Tolaki Tribe in Southeast Sulawesi, 1916-1942 Basrin Melamba; Nina Herlina; Widyo Nugrahanto; Aswati Mukadas
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This study analyses the cultural problems as the entity of Tolaki Tribe about Christianity in Southeast Sulawesi in the period 1916-1942. The historical method is used to find and identify the cultural problems that detained the Christianity process by occupying the four stages begins with heuristic, critic, interpretation, until historiography. During the period also, found a pattern of negotiations between traditions or customs and the teachings of Christianity that were played by the evangelists. So, there was a harmonious dialogue between Christians and the indigenous people. In this case, the agent or pastor succeeded in carrying out interactions and playing on the strategies and rules of religion with the provisions of the indigenous people. It was concluded that culture became an obstacle and challenge in the process of Christianity. However, at the same time, it became an opportunity used by the evangelists in the process of spreading religion among the Tolaki society. The culture and religion of Protestant Christian are always united and together in the reality of the living in indigenous people.

Dominasi Orang-Orang Besar Dalam Sejarah Indonesia: Kritik Politik Historiografi dan Politik Ingatan Ganda Febri Kurniawan; W. Warto; Leo Agung Sutimin
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This paper departs from the restlessness of some scientists about the dominant of the big man in Indonesia's historical narrative. It also becomes a form of public memory about the meaning of heroism which is more likely to be cultured rather than understanding academically. This article was composed an academic criticism of the conditions mentioned above, the political term historiography or historical writing that is used as a political interest is the most appropriate in describing Indonesia's current historiographic conditions. The dominance of the big man in history requires to be distorted and historiography needs to provide a place for stories of local heroes. Besides, memory politics also requires to be dammed through a counter-narrative that can be presented through critical historical studies, so that the desire to remember the forgotten will continue to live and become a guide for thinkers and activists of history.

Pengembangan Motif Batik Semarang untuk Penguatan Identitas Budaya Semarang Titiek Suliyati; Dewi Yuliati
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

At the beginning of its development, Semarang Batik motifs did not reflect the special character of batik that developed in other regions. At that time, Semarang Batik tended to show coastal motifs and many were influenced by the Dutch and Chinese.This article highlights the development of Semarang Batik which helped shape the identity of the city of Semarang, moreover with the acknowledgement of UNESCO in 2006 which also had an impact on the development of batik motifs in each region, including Semarang. The contemporer Semarang Batik motifs are in the form of city and cultural icons, such as Tugu Muda, Blenduk Church, Marabunta Building, Blekok Srondol, Wewe Gombel, Warak Ngendok, and even food motifs such as Lumpia, Tahu Gimbal, and so on. Historical method was used in this study, includingheuristics (source collection), criticism, interpretation, and writing facts. The results of this study can be concluded that, the present Semarang batik motif developing metamorphosis from traditional motifs to contemporary ones with more varied innovations.

Penyeragaman dan Wajah Buram Modernitas di Kota Makassar pada Masa Orde Baru I. Ilham
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This article describes modernity in the city of Makassar during the New Order era. The meaning of modernity in this article was a modern idea or thought in the form projects of development (modernization) which the state tries to control. The control of the State is manifested in the form of uniformity and mobilization of development projects by the city government. The main impact that arises from the process is problems of urban, environment of the urban physical and social life of population of the city. This study uses the approach of the history of the city. The data used came from archives, newspapers, magazines, and results of interviews. This study shows that uniformity and mobilization of urban development modernity projects touch the lowest level, especially in the regulation and use of urban space and in the activities of urban residents. At the same time, the control and influence of the private sector increasingly determines the use of space. A predetermined city plan often can not work because it gets intervention from the interests of the private sector. In this conflict of interests, various "disappointments" arose in the attempt to modernize urban space. In urban areas, problems arise in structuring cities and social life which are vulnerable as an impact of an increasingly widespread modernization project. On the other side, the livelihood sources of some urban residents such as the informal sector are increasingly marginalized and have no support from the city government.

Teknologi Garam Palung sebagai Warisan Sejarah Masyarakat Pesisir di Bali Yety Rochwulaningsih, M.Si.; Mahendra Pudji Utama; Singgih Tri Sulistiyono
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This article aims to discuss the existence of palung salt technology as a variant of traditional solar evaporation-based salt production technology. This technology is very typical and has been used for generations by salt farmers in Bali, especially at Amed in Karangasem, Tejakula in Buleleng, and Kusamba in Klungkung. Historical and sociological method is used in this research. Palung salt technology is a historical inheritance that still functions as a cultural memory and therefore becomes a pattern for the actions of salt farmers in the three petasikan until recent time. However, since the beginning of the 21st century the preservation of palung salt technology have been faced a serious threat as a result of the inclusion of new technologies in the salt production process and especially by the growing tourism industry in palung salt production area. But, there is the awareness of stakeholders who need to preserve the technology by conducting various activities. Although carried out in a fragmentary method, efforts to preserve palung salt technology have become a shared awareness among stakeholders in the salt economy in Bali.

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Contact Name
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Kota semarang,

Jawa tengah

INDONESIA