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All Journal Jurnal Sejarah Citra Lekha
Mahendra Pudji Utama
Departemen Sejarah, Fakultas Ilmu Budaya, Universitas Diponegoro
Arts Humanities

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Pertunjukan Kethoprak Ngesti Pandowo, 1950-1996 Mahendra Pudji Utama; Dhanang Respati Puguh; Rabith Jihan Amaruli
Jurnal Sejarah Citra Lekha Vol 6, No 2 (2021): Pendidikan, Kebudayaan, dan Strategi Pertahanan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v6i2.42229

Abstract

The study about Ngesti Pandowo's kethoprak performance is always enchanting because not enough attention yet been got in various studies. This article discusses the Ngesti Pandowo's kethoprak performance in the period of the 1950s-1996 using the historical method. Kethoprak has been performed by Ngesti Pandowo since the early independence of Indonesia. In it’s heyday in the 1950-1970s, kethoprak had receded and only to provide entertainment to the audience in the different type. In the 1980s, Ngesti Pandowo began entered a receding period. Its prestige as a kitsch theater began faded because the the main artists died and was no successor. It was no more creative artists who capable becoming maecenas. In this situation, Ngesti Pandowo's kethoprak performances have actually increased and can be a salvage lid to keep getting viewers.
Peranan Pemerintah dalam Pengembangan Wayang Orang Panggung Dhanang Respati Puguh; Mahendra Pudji Utama
Jurnal Sejarah Citra Lekha Vol 3, No 2 (2018): Konflik dan Etnisitas
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (224.982 KB) | DOI: 10.14710/jscl.v3i2.19961

Abstract

This article aims to discuss the role of the government in developing Wayang Orang Panggung especially in the Sriwedari community in Surakarta, Ngesti Pandowo in Semarang, and Bharata in Jakarta. This article based on the historical method. Since the beginning of Indonesian independence, the government carried out its function as a protector to maintain the existence of Wayang Orang Panggung, by improving the management of the performing arts, establishing the performance building, providing funding assistance, giving opportunities to perform at the state capital, and involving the artists of Wayang Orang in cultural missions. However, the government tended to be partial and more often conducted as a momentary response that must be addressed immediately because of it impossible to solve the community itself. Changes happened due to economic globalization and political dynamics in Indonesia that can threaten the existence of wayang orang and various forms of traditional arts. It raised hopes that the government could take the more fundamental role as patron-arts. In carrying out this function, the government requires a formulation on cultural policy as a basis for establishing the direction and strategy for the development and strengthening Wayang Orang Panggung and various forms of local culture, within the framework of national culture. The legal needed to carry out, UU RI No. 17 of 2017 about the Cultural Advancement, and Presidential Regulation No. 65 of 2018 concerning the Procedures for the Principles of Regional Culture and Cultural Strategies.
Peranan Perguruan Tinggi di Semarang dalam Pelestarian Wayang Orang Ngesti Pandowo Dhanang Respati Puguh; Mahendra Pudji Utama; Rabith Jihan Amaruli
Jurnal Sejarah Citra Lekha Vol 4, No 2 (2019): Nasionalisme, Demokrasi, dan Identitas
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v4i2.25753

Abstract

Ngesti Pandowo is a wayang orang group founded in Madiun, East Java on July 1, 1937. Since 1954, this community has been settled in Semarang and reached its heyday in the 1950-1970 and become the City’s icon. In the late 1970s, Ngesti Pandowo suffered a continuing setback. It raised the concern and attention of a number of groups including the government, universities in Semarang, and the business parties to maintain its sustainability. This article is focused on the discussion of the efforts of the universities in Semarang to preserve Ngesti Pandowo. This article used historical methods, oral history, and literature study. The results show that universities in Semarang had played an important role in preserving Ngesti Pandowo through various activities, namely: art appreciation, management development, player support, and technology utilization.
Teknologi Garam Palung sebagai Warisan Sejarah Masyarakat Pesisir di Bali Yety Rochwulaningsih, M.Si.; Mahendra Pudji Utama; Singgih Tri Sulistiyono
Jurnal Sejarah Citra Lekha Vol 4, No 1 (2019): Politik Ingatan, Identitas Kota, dan Warisan Budaya
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (174.805 KB) | DOI: 10.14710/jscl.v4i1.22111

Abstract

This article aims to discuss the existence of palung salt technology as a variant of traditional solar evaporation-based salt production technology. This technology is very typical and has been used for generations by salt farmers in Bali, especially at Amed in Karangasem, Tejakula in Buleleng, and Kusamba in Klungkung. Historical and sociological method is used in this research. Palung salt technology is a historical inheritance that still functions as a cultural memory and therefore becomes a pattern for the actions of salt farmers in the three petasikan until recent time. However, since the beginning of the 21st century the preservation of palung salt technology have been faced a serious threat as a result of the inclusion of new technologies in the salt production process and especially by the growing tourism industry in palung salt production area. But, there is the awareness of stakeholders who need to preserve the technology by conducting various activities. Although carried out in a fragmentary method, efforts to preserve palung salt technology have become a shared awareness among stakeholders in the salt economy in Bali.
Co-Authors Dhanang Respati Puguh Rabith Jihan Amaruli Singgih Tri Sulistiyono Yety Rochwulaningsih